'Upward, yet not Northward.' How would a creature limited to two dimensions be able to grasp the possibility of a third? Edwin A. Abbott's droll and delightful 'romance of many dimensions' explores this conundrum in the experiences of his protagonist, A Square, whose linear world is invaded by an emissary Sphere bringing the gospel of the third dimension on the eve of the new millennium. Part geometry lesson, part social satire, this classic work of science fiction brilliantly succeeds in enlarging all readers' imaginations beyond the limits of our 'respective dimensional prejudices'. In a world where class is determined by how many sides you possess, and women are straight lines, the prospects for enlightenment are boundless, and Abbott's hypotheses about a fourth and higher dimensions seem startlingly relevant today. This new edition of Flatland illuminates the social and intellectual context that produced the work as well as the timeless questions that it raises about the limits of our perception and knowledge. --This text refers to an out of print or unavailable edition of this title.
From Biography Base:
Edwin Abbott Abbott, English schoolmaster and theologian, is best known as the author of the mathematical satire Flatland (1884).
He was educated at the City of London School and at St John's College, Cambridge, where he took the highest honours in classics, mathematics and theology, and became fellow of his college. In 1862 he took orders. After holding masterships at King Edward's School, Birmingham, and at Clifton College, he succeeded G. F. Mortimer as headmaster of the City of London School in 1865 at the early age of twenty-six. He was Hulsean lecturer in 1876.
He retired in 1889, and devoted himself to literary and theological pursuits. Dr. Abbott's liberal inclinations in theology were prominent both in his educational views and in his books. His Shakespearian Grammar (1870) is a permanent contribution to English philology. In 1885 he published a life of Francis Bacon. His theological writings include three anonymously published religious romances - Philochristus (1878), Onesimus (1882), and Sitanus (1906).
More weighty contributions are the anonymous theological discussion The Kernel and the Husk (1886), Philomythus (1891), his book The Anglican Career of Cardinal Newman (1892), and his article "The Gospels" in the ninth edition of the Encyclopædia Britannica, embodying a critical view which caused considerable stir in the English theological world. He also wrote St Thomas of Canterbury, his Death and Miracles (1898), Johannine Vocabulary (1905), Johannine Grammar (1906). Flatland was published in 1884.
Sources that say he is the brother of Evelyn Abbott (1843 - 1901), who was a well-known tutor of Balliol College, Oxford, and author of a scholarly history of Greece, are in error.
经历过20世纪初的科学大爆炸后的人们可能不易为然,但是在我,却为这本书感到惊讶。很难想象在1884年,距离普朗克提出量子理论还有16年,距离爱因斯坦创立狭义相对论还有21年,竟然有人写出了这样一本小书。要知道,当时,科学精英们为代表的人类的骄傲已经达到了顶峰,从牛顿...
评分《生活大爆炸》里,谢耳朵有一次说:Sometimes when I feel stifled and want a change of scenery, I use my imagination. One of my favorite places to visit is the two dimensional world described in Edwin Abbott's mathematical fantasy, "Flatland." 这本一百多年以...
评分最近我读了一本非常有趣的科幻小说,是埃德温·艾勃特的《平面国》,正如书名所提示的那样,它主要描绘了一个处在二维空间中的国家,在那里一切都是平面的,甚至连人也是一样。也许我们这些处在三维空间的人会觉得他们可怜,但他们本身却是自有一番乐趣。 平面国的居民...
评分封底 在一维世界的人看来,能前后左右移动的人是神,因为他能突然出现又突然消失(移到直线的左边或右边,直线国的人就看不见你了);在二维世界的人看来,能上下移动的人是神,因为他能突然出现又突然消失(移到平面的上方或下方,平面国的人就看不见你了);那在我们这个三维...
评分平面国,顾名思义,是一个仅存在于平面之中的国家,只有长度和宽度而没有厚度。国家里的女人们都是直线,智力低下,冲动而健忘。男人的多数是地位较低的等腰三角形,中产阶级则是等边三角形以上的规则图形,同时还有多边形乃至圆形的特权阶层。三角形男人顶角的大小决定了他们...
Martin Puchner介绍的一本非常有意思的小说涵盖了原始 Poiesis 的概念,以及以米尔顿的《失乐园》为最佳代表,世界文学概念形成当中 fantasy 与 world creation 作用。这也得以解释当代文学当中high literature 对于 Poesis 驱使的space sublime 类型的fantasy (而非传统Mimesis,如现实主义形式的)给予的越来越大的包容。而另一个极端的例子可以说是卡尔维诺的《看不见的城市》。
评分虽然作者是个种族歧视又是个性别歧视,但却没想到自己的书对未来种族性别革命的预见性是如此的准确……
评分虽然作者是个种族歧视又是个性别歧视,但却没想到自己的书对未来种族性别革命的预见性是如此的准确……
评分Martin Puchner介绍的一本非常有意思的小说涵盖了原始 Poiesis 的概念,以及以米尔顿的《失乐园》为最佳代表,世界文学概念形成当中 fantasy 与 world creation 作用。这也得以解释当代文学当中high literature 对于 Poesis 驱使的space sublime 类型的fantasy (而非传统Mimesis,如现实主义形式的)给予的越来越大的包容。而另一个极端的例子可以说是卡尔维诺的《看不见的城市》。
评分谢耳朵喜欢的二维世界,《生活大爆炸》里的点评鞭辟入里,本书是对维多利亚道德风尚的隐晦批评。
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