Studies in Tectonic Culture

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出版者:The MIT Press
作者:Kenneth Frampton
出品人:
页数:446
译者:
出版时间:2001-10-01
价格:USD 42.00
装帧:Paperback
isbn号码:9780262561495
丛书系列:
图书标签:
  • 建筑
  • 建筑理论
  • Frampton
  • Architecture
  • tectonic
  • KennethFrampton
  • 建筑技术
  • 建筑史
  • tectonics, culture, architecture, design, spatial theory, modernism, materiality, landscape, philosophy, urbanism
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具体描述

Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture.Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form.Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past.Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde."A copublication of the Graham Foundation for Advanced Studies and The MIT Press.

作者简介

肯尼思·弗兰姆普敦,是哥伦比亚大学的维尔讲席教授(WareProfessor),曾有许多建筑理论历史方面的著作问世。原书由格拉汉姆高等艺术研究基金会(Graham Foundatlon for Advanced Studiesinthe Fine Arts)和麻省理工学院出版社联合出版。

目录信息

读后感

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“建筑学”概念的边界模糊,或者说层面和外延太丰富。由于市场、学术、文化、教育等多重语境使得现今建筑的意义常在建筑之外。这个时代商品语言渗透到每个角落,一种语境本身的纯粹性也已经非常值得怀疑。某种意义上,消费社会的符号胜于物体,副本胜于原本,幻想胜于现实。建...  

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哥大有人推荐我说 这个书翻得很好 看了这次markus peter的skript,深刻质疑这个说法。自然很多地方是原文不懂去看王老师的翻译,比如 stereometrie作砌筑解,但仍感到许多看德语high到不行的地方,看中文全没感觉的情况。 误读不是不好,文字本身只是传递的...  

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1980年,Modern Architecture: A Critical History 第一版 1985年,Modern Architecture: A Critical History 第二版 1988年,《现代建筑:一部批判的历史》第一版(?)中文版 1992年,Modern Architecture: A Critical History 第三版(除了其他增添修正之外,增加最后一章“...  

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作业,直接复制过来了 1不得不说于我而言读这本书的体验就像是一次被一头脱缰的野马拽着在建筑理论的茫茫原野上的狂奔。硬啃下来虽然开始对各种形而上的建筑名词开始稍微有了一点概念,但正如叔本华所说的相对健康的学习状态是从直接经验经过抽象形成概念的自然过程而不是概念...  

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建构手段课的笔记 ○本体性:是带引号的“形式” ○什么最重要:“方向”(即价值观)与“细节”——此二端之间的“形态”不重要 ○建构:诗意的建造 ○建构本身具有思想、情感的表现力,不需要另外的形态来表达思想。 ○好的艺术创作是不需要语言文字的解读的,其自身具有自...  

用户评价

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只读了斯卡帕的一部分就被别人request走了呜呜

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建筑学何去何从,这是个问题

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重读Carlo Scarpa这一部分,果然亲历之后再读文字才有所领会啊。

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重读Carlo Scarpa这一部分,果然亲历之后再读文字才有所领会啊。

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对比中文版,

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