Junichiro Tanizaki was a major writer of modern Japanese literature who wrote numerous books, including The Makioka Sisters and Naomi: A Novel.
This is an essay on aesthetics by one of the greatest Japanese novelists. The text ranges over architecture, jade, food, toilets, and combines an acute sense of the use of space in buildings, as well as perfect descriptions of lacquerware under candlelight and women in the darkness of the house of pleasure. The essay forms a classic description of the collision between the shadows of traditional Japanese interiors and the dazzling light of the modern age.
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所以除了“质朴高雅”东方美学之外,民族主义的气息好重(都直接讨论肤色问题了)。不只是建筑布局,小到纸墨笔砚、餐具、礼器,大到艺妓、能剧都以所谓“阴翳浑浊”的外表为美。一切有金属色泽和亮光的都成了“西方”和“现代”了。这不就是更高一个层面的我与非我的观念?
评分广义的阴影,东西方美学价值观的差异。但作者的自我陶醉是否更多?
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评分Charles Moore写的前言吸引了我,总体上说作为了解黑川纪章前期建筑的背景知识来说很好...
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