图书标签: 建筑理论  建筑  robin_evans  Architecture  architecture+history  设计  建築理論  architecture   

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。。。。伊文思晚期写作实践的一个侧面就是对绘画角色的研究。他的论文，“从绘图到建筑的翻译”展示了一种在研究上从把绘画当成一种思考手段到把绘图当成一种想象手段的转移。这里，吸引着伊文思的仍然是建筑师对于绘图的使用，与艺术家对于绘图的使用之间的差别。他注意到，艺术家们在纸上（或者其它材料上）的创作会成为最终的作品——成为图画或是雕塑本身，而建筑师的绘图是面向建造行为的一种翻译的工具。如他所言，“在建筑形式的发展中，绘图的闯入式角色（intrusive role）”变成了伊文思研究的焦点，并造就了《投射性模式》

应该早点读到它

写的是真好，可惜我的presentation真是僵硬。。下次好好准备

真是…这学期fine arts和ccc的完美结合啊…【←左边的门外汉你够了!

对de l'orme的解释完全没读懂= =...不过architecture drawing成为intrusive role这个理论很enlightening

有一段关于‘建筑绘图’和‘建造’的妙语。 ... drawings can never describe the fullness of the future occupation of space, they are, […], radically reductive’. It may be the architect’s major tool, but remains mute to the outsider. ‘ As Robin Evans argu...

有一段关于‘建筑绘图’和‘建造’的妙语。 ... drawings can never describe the fullness of the future occupation of space, they are, […], radically reductive’. It may be the architect’s major tool, but remains mute to the outsider. ‘ As Robin Evans argu...

有一段关于‘建筑绘图’和‘建造’的妙语。 ... drawings can never describe the fullness of the future occupation of space, they are, […], radically reductive’. It may be the architect’s major tool, but remains mute to the outsider. ‘ As Robin Evans argu...

有一段关于‘建筑绘图’和‘建造’的妙语。 ... drawings can never describe the fullness of the future occupation of space, they are, […], radically reductive’. It may be the architect’s major tool, but remains mute to the outsider. ‘ As Robin Evans argu...

有一段关于‘建筑绘图’和‘建造’的妙语。 ... drawings can never describe the fullness of the future occupation of space, they are, […], radically reductive’. It may be the architect’s major tool, but remains mute to the outsider. ‘ As Robin Evans argu...