The Bloody Chamber pdf epub mobi txt 电子书 下载 2024


The Bloody Chamber

简体网页||繁体网页
Angela Carter
Penguin Books
1990-1-1
128
USD 14.00
Paperback
9780140178210

图书标签: AngelaCarter  英国  童话  Angela_Carter  小说  英国文学  文学  性别   


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发表于2024-05-07

The Bloody Chamber epub 下载 mobi 下载 pdf 下载 txt 电子书 下载 2024

The Bloody Chamber epub 下载 mobi 下载 pdf 下载 txt 电子书 下载 2024

The Bloody Chamber pdf epub mobi txt 电子书 下载 2024



图书描述

A reissue of a collection of short stories first published ten years ago. They include "The Company of Wolves", on which the prize-winning film of the same name was based. Angela Carter is the author of "Nights at the Circus" and "The Magic Toyshop". --This text refers to an out of print or unavailable edition of this title.

The Bloody Chamber 下载 mobi epub pdf txt 电子书

著者简介

From Wikipedia: Born Angela Olive Stalker in Eastbourne, in 1940, Carter was evacuated as a child to live in Yorkshire with her maternal grandmother. As a teenager she battled anorexia. She began work as a journalist on the Croydon Advertiser, following in the footsteps of her father. Carter attended the University of Bristol where she studied English literature.

She married twice, first in 1960 to Paul Carter. They divorced after twelve years. In 1969 Angela Carter used the proceeds of her Somerset Maugham Award to leave her husband and relocate for two years to Tokyo, Japan, where she claims in Nothing Sacred (1982) that she "learnt what it is to be a woman and became radicalised." She wrote about her experiences there in articles for New Society and a collection of short stories, Fireworks: Nine Profane Pieces (1974), and evidence of her experiences in Japan can also be seen in The Infernal Desire Machines of Doctor Hoffman (1972). She was there at the same time as Roland Barthes, who published his experiences in Empire of Signs (1970).

She then explored the United States, Asia, and Europe, helped by her fluency in French and German. She spent much of the late 1970s and 1980s as a writer in residence at universities, including the University of Sheffield, Brown University, the University of Adelaide, and the University of East Anglia. In 1977 Carter married Mark Pearce, with whom she had one son.

As well as being a prolific writer of fiction, Carter contributed many articles to The Guardian, The Independent and New Statesman, collected in Shaking a Leg. She adapted a number of her short stories for radio and wrote two original radio dramas on Richard Dadd and Ronald Firbank. Two of her fictions have been adapted for the silver screen: The Company of Wolves (1984) and The Magic Toyshop (1987). She was actively involved in both film adaptations, her screenplays are published in the collected dramatic writings, The Curious Room, together with her radio scripts, a libretto for an opera of Virginia Wolf's Orlando, an unproduced screenplay entitled The Christchurch Murders (based on the same true story as Peter Jackson's Heavenly Creatures) and other works. These neglected works, as well as her controversial television documentary, The Holy Family Album, are discussed in Charlotte Crofts' book, Anagrams of Desire (2003).

At the time of her death, Carter was embarking on a sequel to Charlotte Brontë's Jane Eyre based on the later life of Jane's stepdaughter, Adèle Varens. However, only a synopsis survives.

Her novel Nights at the Circus won the 1984 James Tait Black Memorial Prize for literature.

Angela Carter died aged 51 in 1992 at her home in London after developing lung cancer. Her obituary published in The Observer said, "She was the opposite of parochial. Nothing, for her, was outside the pale: she wanted to know about everything and everyone, and every place and every word. She relished life and language hugely, and reveled in the diverse."


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用户评价

评分

现代成人童话,略哥特,高级妥帖的女权,一个字不提女权,在情节人物设定上颠反原版男权视角

评分

Faerie tales turned into urban Gothics. Words coated with overflowing beauty. I am mesmerised... though I do feel the magic lies only in those layers of antique locutions.

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Very enjoyable. I wouldn't call them a "dark interpretation" of the original stories, because fairy tales are always very, very dark. But sh

评分

文字读起来让人颤抖,但是实在不喜欢这种哥特风的玩意

评分

越读越有感觉。卡特真心强大。每个故事都可以叫做bloody chamber, 书名起得好。完美的文字。哥特,童话,女性主义完美结合。presentation加油!

读后感

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侯门一入深似海,自此委食换回徨 ——《染血之室与其他故事》 文/yhw_细雨微澜 序言 梦幻的纱穿过古老而又厚重的门,柔和的月光洒在光洁而又冰冷的地砖上,明亮的大厅里觥筹交错,而“我”...  

评分

单单从履历表上来看,这位名叫安吉拉•卡特的英国女人——在国内读者中间还很陌生的名字——已经可以被看做是一位“现象级”的作家了。尽管在51岁时便罹患癌症早早辞世,但通过她完成的九部长篇和四十余篇短篇故事,我们分明可以看到一个特立独行的“文本世界”正在构建。它...  

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我是个记性很差的人,看了安吉拉的几乎所有的故事,大部分都很喜欢,不过能记住的大部分是零星的碎片:穿着脏礼服的忧郁少女,被小孩的脏手拿着的精致的流着眼泪的玩偶,带有日本风味的叙述等等。然而蓝胡子这个故事我却是罕见的记得前前后后和许许多多的细节。 ...  

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Mailing Cat说安吉拉•凯特是位好女巫,这个形容着实贴切。她玩转童话与文字,就像女巫转动水晶球,重新预言未来的走向,把故事再讲一遍,童话的世界从此不同。 凯特进修的是中世纪文学,因而在她的文字中透露出强烈的哥特气质。幽闭的空间,毛茸茸的野兽,柔弱又坚定的少女...  

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