Taussig describes how through theatres of ecstasy, composed of fragments of the great story that the State, for the perpetuation of its spiritual authority, needs to tell about itself, these spirits are provided a reservoir of magical powers. Developing concepts of the sacred from Bataille, the post-Surreal College of Sociology, Canetti, Marx, Hobbes and Walter Benjamin, Taussig creates his own whirlwind theatre of spirit-possession, utitlizing popular shrines, official monuments and slogans, money, the police, the freeway system, automobiles, taxis, the stealing of the sword of the state and, last but not least, through fetishization of Europe's (dead) Others - Native Americans and people of African descent.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
挺有意思的，很多時候possession看起來好像更有宗教意味，但其實trance纔比較核心
评分挺有意思的，很多時候possession看起來好像更有宗教意味，但其實trance纔比較核心
评分思想實驗
评分思想實驗
评分挺有意思的，很多時候possession看起來好像更有宗教意味，但其實trance纔比較核心
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