Taussig describes how through theatres of ecstasy, composed of fragments of the great story that the State, for the perpetuation of its spiritual authority, needs to tell about itself, these spirits are provided a reservoir of magical powers. Developing concepts of the sacred from Bataille, the post-Surreal College of Sociology, Canetti, Marx, Hobbes and Walter Benjamin, Taussig creates his own whirlwind theatre of spirit-possession, utitlizing popular shrines, official monuments and slogans, money, the police, the freeway system, automobiles, taxis, the stealing of the sword of the state and, last but not least, through fetishization of Europe's (dead) Others - Native Americans and people of African descent.
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评分挺有意思的，很多时候possession看起来好像更有宗教意味，但其实trance才比较核心
评分Taussig就是一朵奇葩！
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