Bohumil Hrabal was born in 1914 in Brno-Zidenice, Czecholovakia. He died in 1995.
TOO LOUD A SOLITUDE is a tender and funny story of Hant'a - a man who has lived in a Czech police state - for 35 years, working as compactor of wastepaper and books. In the process of compacting, he has acquired an education so unwitting he can't quite tell which of his thoughts are his own and which come from his books. He has rescued many from jaws of hydraulic press and now his house is filled to the rooftops. Destroyer of the written word, he is also its perpetuator.
But when a new automatic press makes his job redundant there's only one thing he can do - go down with his ship.
This is an eccentric romp celebrating the indestructability- against censorship, political opression etc - of the written word.
天道不仁,以万物为刍狗 汉嘉想:“如果我会写作,我要写一本论及人的最大幸福和最大不幸的书。”对一个爱书人来说,最幸福的是什么?最不幸的又是什么?最幸福的无非就是日日与书相伴,享受坐拥书山的快感,这也是打包工汉嘉执意选择这份工作的初衷,“三十五年了,我置身在...
评分隐隐之中总是觉得,赫拉巴尔的文字透露着一些对于加缪世界观的支持。比如这句桑德堡的诗,“人最终留下的不过是够做一匣火柴的那点儿磷和充其量也只够造一枚成年人可以用来上吊的蚂蟥钉的那点儿铁。”说现实不入世,说悲观不悲观。其实很容易发现这一点,比如萨特拒绝了诺贝尔...
评分正像对布罗茨基既爱又恨一样,对赫拉巴尔我也是既爱又恨。 爱的是那种稠密度和稠密度中的灵性一闪,恨的是它们又把一张张书页流淌得密密麻麻、疾风不透。 简单点说,我不太喜欢的是这种几页、十几页、几十页都不分段的行文。按我老家的俗语,这是狗喝面条一连汤儿。不过我还...
评分「三十五年了,我置身在廢紙堆中,這是我的Love story」 這是本書的主角,在惡劣的地下室內用壓力機為最污穢的廢紙打包再造,並從中透過檢拾被遺棄的經典名著而無意中學得淵博知識的老工人漢嘉,在通篇獨白中,開首的第一句。 單單這句已叫我神為之奪:絕望和深情,兩種激烈...
铁幕后,35年的寂寞
评分T T 我的取向狙击
评分读了英文
评分读了英文
评分铁幕后,35年的寂寞
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