For generations, fans and critics have characterized classic American radio drama as a "theater of the mind". This book examines that characterization by recasting the radio play as an aesthetic object within its unique historical context. In "Theater of the Mind", Neil Verma applies an array of critical methods to more than six thousand recordings to produce a vivid new account of radio drama from the Depression to the Cold War. In this sweeping exploration of dramatic conventions, Verma investigates legendary dramas by the likes of Norman Corwin, Lucille Fletcher, and Wyllis Cooper on key programs ranging from The Columbia Workshop, The Mercury Theatre on the Air, and Cavalcade of America to Lights Out!, Suspense, and Dragnet to reveal how these programs promoted and evolved a series of models of the imagination. With close readings of individual sound effects and charts of broad trends among formats, Verma not only gives us a new account of the most flourishing form of genre fiction in the mid-twentieth century but also presents a powerful case for the central place of the aesthetics of sound in the history of modern experience.
具體描述
讀後感
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用戶評價
有關美國經典廣播劇的曆史研究，特彆是大蕭條時期的曆史，有關廣播聽眾的空間想象，文本分析既有製作手稿，也有空間平麵圖。
评分有關美國經典廣播劇的曆史研究，特彆是大蕭條時期的曆史，有關廣播聽眾的空間想象，文本分析既有製作手稿，也有空間平麵圖。
评分有關美國經典廣播劇的曆史研究，特彆是大蕭條時期的曆史，有關廣播聽眾的空間想象，文本分析既有製作手稿，也有空間平麵圖。
评分有關美國經典廣播劇的曆史研究，特彆是大蕭條時期的曆史，有關廣播聽眾的空間想象，文本分析既有製作手稿，也有空間平麵圖。
评分有關美國經典廣播劇的曆史研究，特彆是大蕭條時期的曆史，有關廣播聽眾的空間想象，文本分析既有製作手稿，也有空間平麵圖。
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