图书标签: 戏剧理论  Lionel_Abel   

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为改论文重读一遍。Lionel Abel的开创性在于区别开metatheatre和play-within-a-play。后者是theatrical device；在metatheatre中，角色深知自身的虚构性，事件是人为（剧作家、剧中角色合力）主导甚至即兴创作的。Metatheatre forces us to wonder. "The playwright who ventures to touch us very deeply ought to know that he is touching a part of us which is irrelevant to the achievement of our most rational goals."

为改论文重读一遍。Lionel Abel的开创性在于区别开metatheatre和play-within-a-play。后者是theatrical device；在metatheatre中，角色深知自身的虚构性，事件是人为（剧作家、剧中角色合力）主导甚至即兴创作的。Metatheatre forces us to wonder. "The playwright who ventures to touch us very deeply ought to know that he is touching a part of us which is irrelevant to the achievement of our most rational goals."

ground-breaking work. 本书作于60年代，作者第一次提出metatheatre概念，并以《哈姆雷特》作为范例解读。Such plays have truth in them, not because they convince us of real occurrences or existing persons, but because they show the reality of dramatic imagination. All of them are theater pieces about life seen as already theatricalized .

为改论文重读一遍。Lionel Abel的开创性在于区别开metatheatre和play-within-a-play。后者是theatrical device；在metatheatre中，角色深知自身的虚构性，事件是人为（剧作家、剧中角色合力）主导甚至即兴创作的。Metatheatre forces us to wonder. "The playwright who ventures to touch us very deeply ought to know that he is touching a part of us which is irrelevant to the achievement of our most rational goals."

为改论文重读一遍。Lionel Abel的开创性在于区别开metatheatre和play-within-a-play。后者是theatrical device；在metatheatre中，角色深知自身的虚构性，事件是人为（剧作家、剧中角色合力）主导甚至即兴创作的。Metatheatre forces us to wonder. "The playwright who ventures to touch us very deeply ought to know that he is touching a part of us which is irrelevant to the achievement of our most rational goals."