For more than half a century, Erwin Panofsky's Perspective as Symbolic Form has dominated studies of visual representation. Despite the hegemony of central projection, or perspective, other equally important methods of representation have much to tell us. Parallel projection can be found on classical Greek vases, in Pompeiian frescoes, in Byzantine mosaics; it returned in works of the historical avant-garde, and remains the dominant form of representation in China. In Oblique Drawing, Massimo Scolari investigates "anti-perspective" visual representation over two thousand years, finding in the course of his investigation that visual and conceptual representations are manifestations of the ideological and philosophical orientations of different cultures. Images prove to be not just a form of art but a form of thought, a projection of a way of life. Scolari's generously illustrated studies show that illusionistic perspective is not the only, or even the best, representation of objects in history; parallel projection, for example, preserves in scale the actual measurements of objects it represents, avoiding the distortions of one-point perspective. Scolari analyzes the use of nonperspectival representations in pre-Renaissance images of machines and military hardware, architectural models and drawings, and illustrations of geometrical solids. He challenges Panofsky's theory of Pompeiian perspective and explains the difficulties encountered by the Chinese when they viewed Jesuit missionaries' perspectival religious images. Scolari vividly demonstrates the diversity of representational forms devised through the centuries, and shows how each one reveals something that is lacking in the others.
具体描述
读后感
评分
评分
评分
评分
用户评价
值得收藏
评分I am thinking about the relationship between research model and built architecture environment, relationship between rendering and built architecture , and relationship between drawing and architecture. I want to think about it is because representation occupy so much time of the design process which means it occupies a lot of my life.
评分I am thinking about the relationship between research model and built architecture environment, relationship between rendering and built architecture , and relationship between drawing and architecture. I want to think about it is because representation occupy so much time of the design process which means it occupies a lot of my life.
评分值得收藏
评分虽然Massimo试图针对Panofsky的理论发起冲击，但似乎无论是哲学思辨还是视觉艺术案例的选用上都并没有达到我的预期，最多是给潘老针对symbolic form的“注”加了一个“疏”。对一些基本概念辨析有一些帮助
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈图书下载中心 版权所有