Acknowledgements Contributors 1. Introduction: Southeast Asian Film as a Site of Cultural Interpretation and Social Intervention - David C. L. Lim 2. From Contested Histories to Ethnic Tourism: Cinematic Representations of Shans and Shanland on the Burmese Silver Screen - Jane M. Ferguson 3. Toward a Laotian Independent Cinema? - Panivong Norindr 4. Screening the Crisis of Monetary Masculinity in Rithy Panh’s One Night After the War and Burnt Theater - Boreth Ly 5. When Memories Collide: Revisiting War in Vietnam and the Diaspora - Vo Hong Chuong-Dai 6. Malay(sian) Patriotic Films as Racial Crisis and Intervention - David C.L. Lim 7. ‘Our People’: Telemovies, Bangsa and Nationalism 3.0 in Sabah, Malaysia - Hiroyuki Yamamoto 8. The Hero in Passage: The Chinese and the Activist Youth in Riri Riza’s Gie - Abidin Kusno 9. Alternative Vision in Neoliberal Singapore: Memories, Places, and Voices in the Films of Tan Pin Pin - Kenneth Paul Tan 10. Documentary Filmmaking, Civil Activism, and the New Media in Singapore: The Case of Martyn See as Citizen Journalist - Yasuko Hassall Kobayashi 11. Cinema and State in Crisis: Political Film Collectives and People’s Struggle in the Philippines - Rolando B. Tolentino 12. Nostalgic Parodies and Migrant Ironies in Two Thai Comedy Films - Pattana Kitiarsa
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