具體描述
This long-awaited first monograph presents Brian Ulrich's decade-long exploration of the shifting tectonic plates that make up American consumerism. The photographer focuses in part on the architectural legacies of a retail-driven economy in the midst of collapse--shopping malls on the brink of demolition, empty big box stores and other retail structures in transition. But Ulrich does more than sketch the fraying surfaces of a shopping-obsessed culture; he also offers clear-eyed yet sympathetic portraits of teenaged shoppers lost in reverie over a pair of shoes, thrift-store mavens determined to find the best deal and families in search of that perfect purchase. Cinematic and utterly engrossing, these portraits are interspersed among the forlorn landscapes of empty parking lots and foreclosed malls. Ulrich gets under the skin of the current financial crisis, tracing a palpable economic trajectory from irrational exuberance to debt-laden hangover and providing a sobering document of the American consumer psyche in crisis in the first decade of the twenty-first century.
作者簡介
目錄資訊
讀後感
用戶評價
萬惡之源？
评分Brian Ulrich太酷瞭
评分很強大啊，三個部分排列的很好，從一開始的光鮮亮麗，到之後的破敗，很嘲諷的感覺。由此我覺得，照片産生瞭更為巨大的作用，就是不隻是描述瞭一段時間，還把前因後果說清楚瞭。在單獨看每一張照片，質量優異讓我懷疑是不是擺拍，不過似乎已經不是很重要。我覺得這樣的專心的畫冊編排方法很值得學習。每張照片都有在鋪墊，或者是都有作用，補充完整瞭一個本來需要數量更為巨大的照片來錶現的照片集。
评分愛不釋手
评分很強大啊，三個部分排列的很好，從一開始的光鮮亮麗，到之後的破敗，很嘲諷的感覺。由此我覺得，照片産生瞭更為巨大的作用，就是不隻是描述瞭一段時間，還把前因後果說清楚瞭。在單獨看每一張照片，質量優異讓我懷疑是不是擺拍，不過似乎已經不是很重要。我覺得這樣的專心的畫冊編排方法很值得學習。每張照片都有在鋪墊，或者是都有作用，補充完整瞭一個本來需要數量更為巨大的照片來錶現的照片集。
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