Renaissance plays and poetry in England were saturated with the formal rhetorical twists that a Latin education made familiar to audiences and readers. Yet a formally educated man like Ben Jonson was unable to make these ornaments come to life in his two classical Roman plays. Garry Wills, focusing his attention on Julius Caesar, here demonstrates how Shakespeare so wonderfully made these ancient devices vivid, giving his characters their own personal styles of Roman speech. In four chapters, devoted to four of the play's main characters, Wills shows how Caesar, Brutus, Antony, and Cassius each has his own take on the rhetorical ornaments that Elizabethans learned in school. Shakespeare also makes Rome present and animate by casting his troupe of experienced players to make their strengths shine through the historical facts that Plutarch supplied him with. The result is that the Rome English-speaking people carry about in their minds is the Rome that Shakespeare created for them. And that is even true, Wills affirms, for today's classical scholars with access to the original Roman sources.
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终于读完 筋疲力尽 有好多想说的 被那一句kai su,teknon虐哭【永远的重点错错错不要救我了 还要再看几遍 好累。
评分在杭州时读完，语言简单易读，旁征博引又不累赘，够深入，说了好多我想说的。
评分與多年前讀的那本蓋茲堡演講一樣，Garry Wills對於Julius Caesar中使用的修辭分析十分精彩，也讓我對Brutus有了新的認識。
评分與多年前讀的那本蓋茲堡演講一樣，Garry Wills對於Julius Caesar中使用的修辭分析十分精彩，也讓我對Brutus有了新的認識。
评分在杭州时读完，语言简单易读，旁征博引又不累赘，够深入，说了好多我想说的。
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