Paradise Lost

Paradise Lost pdf epub mobi txt 电子书 下载 2026

☆☆☆☆☆
出版者:eChristian 作者:John Milton 出品人: 页数:0 译者: 出版时间:2006-8 价格:GBP 15.63 装帧:Audio CD isbn号码:9781596442467 丛书系列:
图书标签
  • 弥尔顿
  • audio
  • Milton
  • 史诗
  • 宗教
  • 失乐园
  • 弥尔顿
  • 文学
  • 古典
  • 英语文学
  • 诗歌
  • 基督教
  • 悲剧
想要找书就要到 小哈图书下载中心
立刻按 ctrl+D 收藏本页
你会得到大惊喜!!

具体描述

Of Man's first disobedience and the fruit Of that forbidden tree whose mortal taste Brought death into the world and all our woe, With loss of Eden, till on greater Man Restore us and regain the blissful seat Sing, Heavenly Muse... Thus begins the epic poem, considered the greatest in the English language, as John Milton seeks to ?justify the ways of God to men? through relating the story of Satan's rebellion in Heaven, the deception and fall of Man, and the presaged event of Redemption through Jesus, the Son of God?the ?Second Adam.? An English cleric with a classical education, Milton lost his eyesight in 1652, and thus the story was largely dictated by the blind poet, lending a certain quality of the ancient oral epics, which only serves to enhance the telling of the tale. Weaving classical mythology with a deep knowledge and reference to Scripture, Milton's genius for narrative unfolds what his biographer, Samuel Johnson, called his "peculiar power to astonish." Nadia May has narrated over five hundred audiobooks and has earned the prestigious AudioFile Golden Voice award, as well as fourteen Earphone awards. She is an accomplished film, TV, and theater actress. Nadia's native British voice complements her graduate education in English Literature from UC Berkeley to make her delivery of John Milton's Paradise Lost engaging and nuanced.

Paradise Lost, though a towering work in the Western canon, resists oversimplification beyond its mythic and theological weight. Written by John Milton in 1667, it is an epic poem of profound complexity, blending classical form with urgent spiritual inquiry. The narrative unfolds in vivid, heroic verse, tracing the fall of Lucifer—not as a mere rebellion, but as a tragic descent rooted in pride and a refusal to submit to divine order. Yet this fall is not portrayed as a simple loss; rather, it becomes a crucible through which Milton explores themes of free will, sovereignty, and redemption. The poem draws heavily on classical epics—Homer’s Iliad, Virgil’s Aeneid—yet transforms their heroic ethos into a meditation on spiritual conflict. Satan emerges not as a straightforward villain but as a charismatic figure whose intelligence and eloquence command deep ambivalence. His internal struggle, his rhetorical power, and his capacity for self-deception reveal the human heart’s vulnerability to both ambition and despair. Milton refuses easy moral binaries; instead, he crafts a world where motives are layered, loyalties contested, and grace offered even to fallen beings. Milton’s language is monumental—rich in metaphor, dense with allusion—and spans cosmic battle scenes across Heaven and Hell. The imagery of darkness as both physical and spiritual prison contrasts with flashes of celestial light, evoking a universe in tension between ruin and hope. The poem’s structure follows classical conventions but evolves into a personal, intimate journey through loss, rebellion, and reluctant acknowledgment of divine mercy. What distinguishes Paradise Lost is not just its epic scope, but its philosophical depth. It grapples with the paradox of free will: how can a being possess true freedom if moral choices carry eternal consequences? Milton suggests that true liberty lies in submission to a higher order—not through blind obedience, but through understanding and love. This theme resonates beyond theology into questions of conscience, authority, and redemption—questions as urgent today as in Milton’s time. The poem also reflects the political and religious upheavals of 17th-century England. Milton, a Puritan with radical views on liberty and governance, infuses the work with contemporary tensions between divine right and individual conscience. Yet its power transcends period-specific debates, inviting readers to confront timeless struggles: between authority and autonomy, pride and humility, fall and grace. Though Paradise Lost centers on Lucifer’s rebellion, its true subject is the human condition—our yearning for meaning, our capacity for both greatness and ruin, and the possibility of renewal through sacrifice. Its enduring legacy lies in this balance: a grand mythic tale grounded in intimate psychological and spiritual truth, rendered with a linguistic mastery that continues to inspire awe and reflection.

作者简介

目录信息

读后感

☆☆☆☆☆

☆☆☆☆☆

☆☆☆☆☆

☆☆☆☆☆

☆☆☆☆☆

用户评价

☆☆☆☆☆

A fantastic rendering! from Book Eleven on, Nadia took on a misty glamor on her voice, mesmerizing...a voice both urbane and sublime...God and Satan in a female voice weirdly is not weird at all! Elusive Latinities instantly straightened out by Nadia's delicate tone and clear-cut punctuation, a perfect audio companion!!

☆☆☆☆☆

A fantastic rendering! from Book Eleven on, Nadia took on a misty glamor on her voice, mesmerizing...a voice both urbane and sublime...God and Satan in a female voice weirdly is not weird at all! Elusive Latinities instantly straightened out by Nadia's delicate tone and clear-cut punctuation, a perfect audio companion!!

☆☆☆☆☆

A fantastic rendering! from Book Eleven on, Nadia took on a misty glamor on her voice, mesmerizing...a voice both urbane and sublime...God and Satan in a female voice weirdly is not weird at all! Elusive Latinities instantly straightened out by Nadia's delicate tone and clear-cut punctuation, a perfect audio companion!!

☆☆☆☆☆

A fantastic rendering! from Book Eleven on, Nadia took on a misty glamor on her voice, mesmerizing...a voice both urbane and sublime...God and Satan in a female voice weirdly is not weird at all! Elusive Latinities instantly straightened out by Nadia's delicate tone and clear-cut punctuation, a perfect audio companion!!

☆☆☆☆☆

A fantastic rendering! from Book Eleven on, Nadia took on a misty glamor on her voice, mesmerizing...a voice both urbane and sublime...God and Satan in a female voice weirdly is not weird at all! Elusive Latinities instantly straightened out by Nadia's delicate tone and clear-cut punctuation, a perfect audio companion!!