In 1952, Fred Herzog (born 1930) emigrated from Germany to Canada, and quickly found work as a medical photographer in Vancouver. But outside the lab, Herzog also devoted himself to what was, at the time, an unusual and even frowned-upon medium, at least artistically: color photography. Laboring away as a virtually anonymous pioneer in this field, some 20 years before William Eggleston's watershed show at the Museum of Modern Art, Herzog was quietly documenting in rich Kodachrome the streets of Vancouver: its supermarkets, gas stations, bars, urban scenery and above all its working class culture. Herzog used slide film to make his photographs, which limited his ability to exhibit them and further marginalized his work; but in recent decades, happily, this color pioneer has drawn great acclaim, and this volume, the largest Herzog monograph yet published, does marvelous justice to his rich oeuvre.
具體描述
讀後感
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用戶評價
看Herzog，就好像在讀門羅。
评分老牌彩色，一個在陰雨天和灰濛濛的晴天齣門捕捉商店櫥窗的人。
评分看Herzog，就好像在讀門羅。
评分看Herzog，就好像在讀門羅。
评分太棒瞭，在一傢小書店讀完。看照片時，恍惚間迴到瞭上個世紀，隨著攝影師的目光，走瞭很多路，去瞭很多地方，在很多巷口停留，又恍惚聽到耳邊輕輕響起快門的聲音。
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