We live in a pop age gone loco for retro and crazy for commemoration. Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups . . . But what happens when we run out of past? Are we heading toward a sort of culturalecological catastrophe where the archival stream of pop history has been exhausted? Simon Reynolds, one of the finest music writers of his generation, argues that we have indeed reached a tipping point, and that although earlier eras had their own obsessions with antiquity—the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement’s invocations of medievalism—never has there been a society so obsessed with the cultural artifacts of its own immediate past. Retromania is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own?
具體描述
讀後感
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用戶評價
"The shock of the old"那章真的雜亂無章 作者真的知道自己在說什麼嗎
评分最後一部分高潮迭起，讀得越來越high。全書通篇沒有提到post-rock這個詞，後來一看索引也沒有，哈哈哈哈哈....
评分這本書分三部分“此時（now）”，“彼時（then)", "未來（Tomorrow)", 分彆講述三個時代的音樂“復古潮（retro)"。資料詳實，角度獨特新穎，寫齣瞭網絡時代樂迷的尷尬矛盾的境遇。
评分"The shock of the old"那章真的雜亂無章 作者真的知道自己在說什麼嗎
评分Dj shadow有次在唱片店地下室翻黑膠，結果在一張黑膠底下翻到一具蝙蝠的屍體，喔喔喔，這故事也太哥特瞭吧！全書所選的角度不錯，切題還算深入，有時候會吊吊書袋，吊完書袋後也總會用樂壇八卦中和一下。對上個十年的總結極為精準，youtube,ipod等媒介的風頭蓋過任何音樂。算是本年度音樂類好書一枚，推薦一下吧。春節再細讀。
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