Since the nineteenth century, when art history became an established academic discipline, works of art have been "read" in a variety of ways. These different ways of describing and interpreting art are the methodologies of artistic analysis, the divining rods of meaning. Regardless of a work's perceived difficulty, an art object is, in theory, complex. Every work of art is an expression of its culture (time and place) and its maker (the artist) and is dependent on its media (what it's made of). The methodologies discussed here--formal analysis, iconology and iconography, Marxism, feminism, biography and autobiography, psychoanalysis, structuralism, race and gender--reflect the multiplicity of meanings in an artistic image. The second edition includes nineteen new images, new sections on race, gender, orientalism and colonialism, along with a new epilogue that approaches a single painting-- Titian's Rape of Lucrezia -- to illustrate the different methodological viewpoints.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
我覺得到傳記與自傳這一章之前都講的不錯的，淺顯易懂，適閤入門。
评分難得見到理論書寫得那麼精彩的
评分這本書應該是寫給藝術史專業學生看的,不過對於在藝術史寫作中遇到的methodolgies這又是一本入門介紹書.要想使用任何一種,都得去讀original work.不過我覺得,藝術史本科,這本書一定要看看,瀏覽瀏覽也好.
评分難得見到理論書寫得那麼精彩的
评分理論入門書，簡單易懂還有如何運用的實例，比大一必修課靠譜多瞭，隻是越到後麵越看不懂瞭。。。
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