The Ghetto Tragedies collected in a little volume in 1893 have been so submerged in the present collection that Zangwill relegated the original name in the subtitle. Anyone who wishes to measure the progress or decay of the author's imagination has these materials at hand. "Noah's Ark" stands on the firmer Ararat of history, Zangwill's invention being confined to the figure of Peloni (the Hebrew for "nobody"). The other stories also have a basis in life. But neither in pathos nor heroic stimulation can they vie with the literal tragedy with which the whole book is in a sense involved.
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