Janson's History of Art

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Penelope J. E. Davies is Associate Professor at the University of Texas, Austin. She is a scholar of Greek and Roman art and architecture as well as a field archaeologist. She is author of Death and the Emperor: Roman Imperial Funerary Monuments from Augustus to Marcus Aurelius, winner of the Vasari Award.

Walter B. Denny is a Professor of Art History at the University of Massachusetts at Amherst. In addition to exhibition catalogues, his publications include books on Ottoman Turkish carpets, textiles, and ceramics, and articles on miniature painting, architecture and architectural decoration.

Frima Fox Hofrichter is Professor and former Chair of the History of Art and Design department at Pratt Institute. She is author of Judith Leyster, A Dutch Artist in Holland’s Golden Age, which received CAA’s Millard Meiss Publication Fund Award.

Joseph Jacobs is an independent scholar, critic, and art historian of modern art in New York City. He was the curator of modern art at the John and Mable Ringling Museum of Art in Sarasota, Florida, director of the Oklahoma City Art Museum, and curator of American art at The Newark Museum, Newark, New Jersey.

David L. Simon is Jetté Professor of Art at Colby College, where he received the Basset Teaching Award in 2005. Among his publications is the catalogue of Spanish and southern French Romanesque sculpture in the Metropolitan Museum of Art and The Cloisters.

Ann M. Roberts, Professor of Art at Lake Forest College has published essays, articles and reviews on both Northern and Italian Renaissance topics. Her research focuses on women in the Renaissance, and her most recent publication is entitled Dominican Women and Renaissance Art:The Convent of San Domenico of Pisa.

H. W. Janson was a legendary name in art history. During his long career as a teacher and scholar, he helped define the discipline through his impressive books and other publications.

Anthony F. Janson forged a distinguished career as a professor, scholar, museum professional and writer. From the time of his father’s death in 1982 until 2004, he authored History of Art.

出版者:Prentice Hall
作者:Penelope J.E. Davies
出品人:
頁數:1152
译者:
出版時間:2010-01-13
價格:USD 152.67
裝幀:Hardcover
isbn號碼:9780205685172
叢書系列:
圖書標籤:
  • 藝術史 
  • 藝術 
  • 西方藝術史 
  • Art 
  • 西方美術史 
  • H.W.Janson 
  • 藝術理論 
  • 原版 
  •  
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For courses in the History of Art.

Rewritten and reorganized, this new edition weaves together the most recent scholarship, the most current thinking in art history, and the most innovative online supplements, including digital art library. Experience the new Janson and re-experience the history of art.

Long established as the classic and seminal introduction to art of the Western world, the Eighth Edition of Janson's History of Art is groundbreaking. When Harry Abrams first published the History of Art in 1962, John F. Kennedy occupied the White House, and Andy Warhol was an emerging artist. Janson offered his readers a strong focus on Western art, an important consideration of technique and style, and a clear point of view. The History of Art, said Janson, was not just a stringing together of historically significant objects, but the writing of a story about their interconnections, a history of styles and of stylistic change. Janson’s text focused on the visual and technical characteristics of the objects he discussed, often in extraordinarily eloquent language. Janson’s History of Art helped to establish the canon of art history for many generations of scholars.

The new Eighth Edition, although revised to remain current with new discoveries and scholarship, continues to follow Janson’s lead in important ways: It is limited to the Western tradition, with a chapter on Islamic art and its relationship to Western art. It keeps the focus of the discussion on the object, its manufacture, and its visual character. It considers the contribution of the artist as an important part of the analysis. This edition maintains an organization along the lines established by Janson, with separate chapters on the Northern European Renaissance, the Italian Renaissance, the High Renaissance, and Baroque art, with stylistic divisions for key periods of the modern era. Also embedded in this edition is the narrative of how art has changed over time in the cultures that Europe has claimed as its patrimony.

具體描述

讀後感

評分

把这本一千多页的大部头摊开在窗前,早晨起来翻几页,总有新的收获。 作为西方艺术史最权威的一本巨著,在罗列各时期的艺术风格和作品之前,先介绍社会政治背景和哲学思潮的变化,这是史学家的严谨态度。艺术是哲学的体现,相比于几千年不变的中国水墨画,西方绘画倒是...  

評分

目前市面上流行的多种艺术史书籍,除了贡布里希的名著《艺术的故事》,实际上都是美国大学的艺术史导论教材。《艺术的故事》是一本适于入门的好书,我却更青睐那些教材。说起来,导论教材的阅读门槛其实与面向大众的普及读本相当,更具学术性又兼顾可读性,且在系统性和严谨性...  

評分

1、文字没来得及细看,翻后感觉浅显易懂,十分流畅。是西方艺术史,无中、日、非洲方面内容。 2、图片是我看过国内出版艺术史中色彩最亮的,《梅杜萨之筏》、《夜巡》都可以看得清清楚楚。就《夜巡》而言,我记得有的评论说小女孩是画作中唯一的光源,但在本书中我看到两个:...  

評分

听说《加德纳艺术通史》和这本二选一就行,我看了一下两者的目录和导论,觉得前者行文有一种形式上的简洁和理性,但内容略微空洞,容易让人走神,后者看上去比较像中规中矩的加料版历史课本,看着比较习惯,就选择后者。其实也只是西方主流艺术史而已。 古代:体现神话、人体、...  

評分

把这本一千多页的大部头摊开在窗前,早晨起来翻几页,总有新的收获。 作为西方艺术史最权威的一本巨著,在罗列各时期的艺术风格和作品之前,先介绍社会政治背景和哲学思潮的变化,这是史学家的严谨态度。艺术是哲学的体现,相比于几千年不变的中国水墨画,西方绘画倒是...  

用戶評價

评分

本來不想標的.....但大一讀完大半本也挺不容易的..目前印象最深的還是提到波提切利的那幾頁(真·illumination /整個西美通史裏麵有印象的就是這本和貴校自己的教材…《藝術的故事》過腦無痕.總之這本視野還是足夠大的

评分

看得匆匆,不敢評論

评分

看得匆匆,不敢評論

评分

這書寫得多好啊!!!作為survey非常詳盡瞭!!要是國內能引進齣版對國內西方藝術史教育會有很大幫助的

评分

看得匆匆,不敢評論

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