具体描述
《贝多芬钢琴协奏曲全集·两架钢琴谱:原始版(套装7册)》主要包括：《贝多芬第一钢琴协奏曲 C大调 作品15》、《贝多芬第二钢琴协奏曲 降B大调 作品19》、《贝多芬第三钢琴协奏曲 C小调 作品37》、《贝多芬第四钢琴协奏曲 G大调 作品58》、《贝多芬第五钢琴协奏曲 降E大调 作品73》、《贝多芬D大调琴协奏曲 作品61a》和《贝多芬三重协奏曲:为钢琴、小提琴、大提琴和乐队而作 C大调 作品56》。
《贝多芬钢琴协奏曲全集·两架钢琴谱:原始版(套装7册)》内容简介:2010年是贝多芬诞生240周年，上海音乐出版社为此从德国G.亨乐音乐出版社引进出版贝多芬的钢琴协奏曲集，包括两架钢琴谱和袖珍总谱两种。这个曲集除了五首钢琴协奏曲外，还收入了由贝多芬自己改编的《D大调小提琴协奏曲》的钢琴版（Op.61a）和《c大调钢琴、小提琴、大提琴三重协奏曲》（Op.56），除了为钢琴、合唱与乐队写的《合唱幻想曲》（Op.80）之外，这里囊括了贝多芬所有为钢琴和乐队而写的有作品编号的作品。
Beethoven Piano Concertos: A Comprehensive Journey (7 Volumes) This collection offers an unparalleled exploration of Ludwig van Beethoven's profound and revolutionary contributions to the piano concerto genre. Spanning seven meticulously curated volumes, this set delves deep into each of Beethoven's five iconic piano concertos, presenting them in their most definitive and authoritative editions. Beyond mere musical scores, this collection serves as an indispensable resource for pianists, conductors, scholars, and discerning music lovers alike, providing a rich tapestry of historical context, performance insights, and analytical depth. Volume 1: The Early Masterpieces - Piano Concerto No. 1 in C Major, Op. 15 & Piano Concerto No. 2 in B-flat Major, Op. 19 This initial volume lays the groundwork by introducing Beethoven's earliest works in the concerto form. While influenced by the Classical traditions of Haydn and Mozart, these concertos already reveal Beethoven's burgeoning genius for dramatic contrast, melodic invention, and structural innovation. Piano Concerto No. 1 in C Major, Op. 15: Composed before the more frequently performed No. 2, this concerto showcases a youthful exuberance and a remarkable maturity. The first movement, with its extended orchestral exposition, immediately establishes a sense of grandeur. The slow movement, a lyrical and deeply expressive Larghetto, is a testament to Beethoven's burgeoning ability to evoke profound emotion. The spirited Rondo finale provides a jubilant conclusion, hinting at the virtuosic demands to come. This volume includes detailed commentary on the autograph manuscript, early printed editions, and significant performance traditions associated with this work. Piano Concerto No. 2 in B-flat Major, Op. 19: Though bearing an earlier opus number, this concerto was largely completed after the C Major. It exhibits a charming grace and elegance, with a particularly captivating slow movement that foreshadows the profound lyricism of later Beethoven. The final movement, a lively and playful rondo, demonstrates Beethoven's mastery of thematic development and his knack for creating infectious musical ideas. Analysis within this volume addresses the concerto's place in Beethoven's compositional development and its relationship to the concerto tradition of his time. Volume 2: The Breakthrough - Piano Concerto No. 3 in C Minor, Op. 37 Volume two marks a significant turning point in Beethoven's concerto writing, ushering in a new era of dramatic intensity and expressive depth. The Piano Concerto No. 3 in C Minor is a cornerstone of the piano repertoire, characterized by its dark and brooding atmosphere, virtuosic demands, and profound emotional journey. Piano Concerto No. 3 in C Minor, Op. 37: This concerto is a watershed moment, moving away from the lighter spirit of its predecessors. The iconic C minor opening, announced by the orchestra, immediately signals a shift towards a more dramatic and introspective style. The first movement is a masterclass in thematic transformation and development, building inexorable tension. The second movement, an Allegretto in E Major, offers a sublime contrast, presenting a serene and deeply spiritual meditation. The Rondo finale, returning to the tempestuous C minor, is a powerful and thrilling conclusion, showcasing Beethoven's burgeoning command of rhythmic drive and dramatic propulsion. This volume includes extensive critical notes on textual variations, performance practice considerations for its demanding passages, and historical accounts of its premiere. Volume 3: The Zenith of Romanticism - Piano Concerto No. 4 in G Major, Op. 58 The fourth piano concerto is universally hailed as one of Beethoven's most sublime and spiritually profound creations. It represents a peak of his mature style, characterized by its innovative structure, lyrical beauty, and intimate dialogue between piano and orchestra. Piano Concerto No. 4 in G Major, Op. 58: This concerto is renowned for its groundbreaking opening, where the piano enters alone with a gentle, arpeggiated chord progression, a stark departure from the grand orchestral introductions of earlier concertos. The first movement unfolds with an unparalleled grace and elegance, marked by exquisite melodic lines and a seamless integration of solo and orchestral voices. The second movement, an extraordinary Andante con moto, features a dramatic dialogue between the piano and the strings, culminating in a hushed, otherworldly beauty. The final movement, a joyous and effervescent Allegro ma non troppo, is a brilliant and exuberant culmination. This volume provides in-depth analysis of the concerto's unique formal innovations, its philosophical underpinnings, and its enduring influence on subsequent composers. Volume 4: The Emperor - Piano Concerto No. 5 in E-flat Major, Op. 73 The "Emperor" Concerto, Beethoven's final and most grandiose work in the genre, stands as a monumental achievement, exuding power, nobility, and an almost divine majesty. It is a testament to Beethoven's unyielding spirit and his mastery of large-scale orchestral and pianistic forces. Piano Concerto No. 5 in E-flat Major, Op. 73: This concerto, nicknamed "Emperor" by its publisher, is characterized by its epic scope, heroic gestures, and overwhelming sense of triumph. The first movement begins with a thunderous orchestral fanfare followed by a majestic piano cadenza, setting a tone of unparalleled grandeur. The second movement, an Adagio un poco moto, is a moment of profound contemplation and lyrical beauty, with the piano weaving delicate melodic threads against a hushed orchestral backdrop. The finale, a brilliant and energetic Rondo, builds to a glorious and triumphant conclusion, solidifying its status as a masterpiece of heroic Romanticism. This volume offers detailed insights into the concerto's monumental architecture, its virtuosic demands on the soloist, and its historical context as a reflection of Beethoven's late-period style. Volumes 5, 6, & 7: Analytical Studies, Performance Guides, and Historical Context These supplementary volumes are designed to provide a comprehensive and multi-faceted understanding of Beethoven's piano concertos beyond the printed score. Volume 5: Textual Analysis and Critical Editions: This volume meticulously examines the various manuscript sources, autograph revisions, and early printed editions of all five concertos. It provides detailed critical commentary, highlighting significant textual discrepancies and offering reasoned justifications for the editorial choices presented in the main score volumes. This resource is invaluable for performers and scholars seeking the most authentic and accurate representation of Beethoven's intentions. Volume 6: Performance Practice and Interpretation: This volume delves into the historical performance practices relevant to Beethoven's concertos. It explores issues of tempo, articulation, dynamics, ornamentation, and the use of historical instruments. Leading scholars and renowned pianists offer their insights and interpretations, providing guidance on how to approach these works with historical awareness and artistic sensitivity. This volume also includes comparative analyses of notable recordings. Volume 7: Historical Context and Reception: This final volume situates Beethoven's piano concertos within their broader historical, cultural, and musical landscape. It examines their reception by contemporaries and subsequent generations, exploring their impact on the development of the piano concerto and their enduring legacy. Essays by musicologists provide analyses of their compositional evolution, their relationship to Beethoven's symphonic and chamber music, and their place in the pantheon of Western classical music. This seven-volume collection represents the definitive resource for anyone seeking to engage deeply with the profound genius of Beethoven's piano concertos. It is a testament to his revolutionary spirit, his unparalleled mastery of musical form, and his enduring ability to stir the human soul.
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