具體描述
More Stately Mansions represents the first printing of the complete and unexpurgated version of Eugene O'Neill's play, prepared from the original typescript housed at the Beinecke Rare Book and Manuscript Library at Yale University. The sixth in a line of eleven plays O'Neill planned but never finished, the play was part of a cycle he called A Tale Possessors Self-Dispossessed. The cycle would have spanned several generations and traced the Harford family's pursuit of material gain from 1755-1932. O'Neill completed and published only one other cycle play, A Touch of the Poet. Arguing that the 1964 edition of More Stately Mansions, prepared after the playwright's death, was missing a substantial amount of material that O'Neill intended for inclusion, Martha Bower presents an entirely new edition of the play with this material - dialogue, character description, an entire scene, the epilogue, and large parts of other scenes - restored. Written in 1939, and set in the 1830s and 1840s, the play is still of contemporary importance in its frank exposure of the devious intrigues of an American family's exploitation of a business opportunity. O'Neill's enlightened vision fostered the creation of two strong, intelligent women characters and the candid portrayal of a family dominated by love, hate, and jealousy. Reflecting the playwright's own unresolved family and sexual tensions, Bower holds that More Stately Mansions is, in fact, more true to the reality of his own essential pain than the so-called autobiographical plays. This restored and complete edition of More Stately Mansions will stand as an important contribution to O'Neill scholarship.
作者簡介
目錄資訊
讀後感
用戶評價
坦率地說，這部作品的節奏感對我而言是一場甜蜜的摺磨。它絕非那種追求快速情節推進的爽文模式。作者似乎對“等待”和“醞釀”有著近乎偏執的鍾愛。有時，一個微不足道的事件會被拉伸至幾十頁的篇幅，通過不斷的內心反芻和視角切換，將其重要性無限放大。起初，這種緩慢讓我有些不耐煩，感覺像是在看著一棵樹緩慢生長，但漸漸地，我開始欣賞這種“慢鏡頭”的藝術。正是這種刻意的拖遝，構建瞭一種幾乎無法逃脫的宿命氛圍，讓讀者深刻體會到人物被睏境裹挾的無力感。每一次重大的轉摺點到來時，由於前期鋪墊的極其充分，其衝擊力也比快節奏小說中那種突如其來的反轉要深刻得多，它不是驚喜，而是必然的崩潰。這種對時間的駕馭能力，非常人所能及。
评分我對小說中對環境細節的描摹能力感到深深的震撼。作者筆下的場景，與其說是背景，不如說是與人物命運緊密糾纏的另一位主角。那種潮濕、腐朽卻又帶著某種貴族式頹廢的美感，幾乎可以穿透紙麵，讓我聞到空氣中混閤著黴味和陳舊香水的味道。尤其是在描述那棟宏偉卻日益衰敗的住所時，每一個雕花、每一處剝落的油漆，都仿佛是角色內心深處傷痕的外化。這種“物我閤一”的手法，使得故事的壓抑感和宿命感層層遞進。我完全沉浸其中，仿佛被睏在瞭那間華麗卻透著寒意的房間裏，感同身受角色的掙紮與絕望。相較於那些僅用幾筆勾勒場景的作傢，此君對物質世界的執著描摹，賦予瞭文本一種近乎實體化的重量感。這種細緻入微的觀察力，顯然是建立在對生活深刻體驗之上的，它超越瞭簡單的裝飾，成為推動敘事和揭示主題的關鍵工具。
评分這部小說的核心主題——關於繼承、責任與身份迷失的探討——顯得格外沉重且經久不衰。它沒有提供簡單的道德評判或解決方案，而是將讀者直接拋入一個充滿悖論的灰色地帶。書中反復齣現“何為真正擁有”與“何為真正的自我”的哲學拷問。角色們在物質財富和精神枷鎖之間掙紮，他們的每一次選擇都顯得沉重無比，因為你知道，無論選擇哪條路，都意味著對自身某一部分的永久性犧牲。我欣賞作者處理這種復雜人性的方式，它既不浪漫化悲劇，也不過度批判，隻是冷靜地呈現瞭人如何在曆史的洪流和傢庭的重壓下逐漸扭麯變形。閱讀結束時，我感到一種深刻的共鳴，仿佛作者揭示瞭人類精神結構中最脆弱也最堅韌的那一部分。這是一部引發長久沉思的作品，它迫使你審視自己生命中那些看似理所當然的“繼承物”。
评分這部作品的敘事結構如同迷宮般精妙，作者似乎故意設置瞭層層疊疊的障礙，引導讀者在文字的幽暗小徑中摸索前進。我不得不承認，初讀時，我感到一種近乎迷失的挫敗感。那些繁復的句子，如同古老宅邸中盤繞的藤蔓，緊緊纏繞著核心的情感綫索。人物的動機往往隱藏在冗長的內心獨白和看似無關緊要的場景描繪之下，需要極大的耐心和細緻入微的觀察力纔能窺見一斑。例如，關於傢庭內部權力鬥爭的那幾章，信息密度之高，讓我不得不反復閱讀，甚至在書頁上做滿瞭批注。每一次重讀，都會帶來新的理解層次，這本身是一種智力上的挑戰，也是一種精神上的奬賞。我欣賞這種不迎閤大眾閱讀習慣的文學勇氣，它要求讀者付齣對等的努力，纔能真正進入作者構建的精神世界。它不是那種可以輕鬆消遣的作品，更像是一部需要被“解碼”的密碼本，成功解開的部分，會帶來無與倫比的滿足感。總而言之，這是一場漫長而艱辛的智力跋涉，但終點處的風景值得這份付齣。
评分從文學性角度來看，本書的對話藝術達到瞭一個令人咋舌的高度。這不是日常生活中那種粗糙、直白的交流，而是充滿瞭潛颱詞和世代積怨的交鋒。角色們說話時，往往話音未落，彼此心中已經完成瞭三輪辯論。那些看似禮貌或疏離的寒暄背後，隱藏著刀光劍影。我尤其留意瞭兩位主要女性角色之間的互動，她們的每一次交談，都像是在進行一場沒有硝煙的心理戰，信息量之大，需要讀者具備極強的語境分析能力。有些句子，單獨拆開來看平淡無奇，但置於特定的場景和人物關係中，其毒性和精準度令人不寒而栗。這種對話的層次感，使得閱讀過程充滿瞭緊張的期待感——你永遠不知道下一句看似無害的問話，會在何時引爆人物之間積蓄已久的矛盾。這本書讓我重新審視瞭文學中“說”與“不說”的力量對比。
评分O'Neil's eloquence couldn't sugarcoat the boring nature of the play. A house of total lunatics fighting over self-sureness camouflaged by the possession of a man, a house and a company that are valued nothing to them.
评分O'Neil's eloquence couldn't sugarcoat the boring nature of the play. A house of total lunatics fighting over self-sureness camouflaged by the possession of a man, a house and a company that are valued nothing to them.
评分O'Neil's eloquence couldn't sugarcoat the boring nature of the play. A house of total lunatics fighting over self-sureness camouflaged by the possession of a man, a house and a company that are valued nothing to them.
评分O'Neil's eloquence couldn't sugarcoat the boring nature of the play. A house of total lunatics fighting over self-sureness camouflaged by the possession of a man, a house and a company that are valued nothing to them.
评分O'Neil's eloquence couldn't sugarcoat the boring nature of the play. A house of total lunatics fighting over self-sureness camouflaged by the possession of a man, a house and a company that are valued nothing to them.
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