Technique of Film Editing, Third Edition

Technique of Film Editing, Third Edition pdf epub mobi txt 电子书 下载 2026

出版者:Focal Press
作者:Karel Reisz
出品人:
页数:368
译者:
出版时间:2017-9
价格:28
装帧:平装
isbn号码:9780240521800
丛书系列:
图书标签:
  • 电影理论
  • 艺术
  • 电影剪辑
  • 剪辑技巧
  • 电影制作
  • 影视后期
  • 电影理论
  • 电影教学
  • 剪辑原理
  • 电影语言
  • 后期制作
  • 电影艺术
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具体描述

Enhanced version of the seminal text on editing includes a new foreword, a new afterword, a revamped cover and layout, as well as a lower price!

The single most comprehensive and engaging volume on film editing. Reisz and Millar introduce readers to every aspect of the editor's craft, providing a concise history of editing and describing editing style as it applies to every genre of moviemaking, including many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema verite, and the avant-garde are also covered.

Reisz and Millar's account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book essential for apprentice editors, as well as those who want to know how filmmakers understand their work.

《电影剪辑的艺术与技巧:第三版》是一本深入探讨电影剪辑核心原理、实践操作与发展趋势的权威著作。本书不仅全面覆盖了从蒙太奇的早期探索到当代数字剪辑的各种前沿技术,更着重于揭示剪辑如何作为一种强大的叙事工具,塑造观众的情感体验和理解。 本书的编排循序渐进,旨在引导读者从基础概念入手,逐步掌握复杂的剪辑策略。开篇部分详细阐述了剪辑在电影制作流程中的关键作用,以及它如何与摄影、导演、声音设计等其他部门紧密协作,共同构建最终的影像作品。作者深入剖析了剪辑的节奏感、时空关系处理、镜头连接的逻辑性以及如何通过剪辑来营造悬念、表达情绪、引导观众注意力等核心技巧。 在叙事剪辑方面,本书提供了丰富的案例分析,通过对经典电影和当代优秀作品的镜头回放和分析,清晰地展示了不同剪辑手法的实际运用效果。无论是传统的“180度规则”的运用与打破,还是多视角叙事、非线性叙事等现代剪辑方式,本书都进行了详尽的讲解和可视化呈现。读者将能学会如何通过镜头的长度、组合方式、画面内容和声音配合,来构建一个引人入胜的故事,并赋予角色深度和情感张力。 除了叙事性剪辑,本书也对不同类型的电影剪辑进行了专门探讨。例如,在动作片中,快速、有力的剪辑如何营造紧张刺激的氛围;在剧情片中,细腻、含蓄的剪辑如何传递人物内心的微妙变化;在纪录片中,剪辑又扮演着怎样的角色,如何在真实素材中构建意义。本书还涵盖了音乐剪辑、广告剪辑、短片剪辑等领域,为读者提供了广阔的视野。 本书的另一大亮点在于对数字剪辑技术的深入介绍。随着数字技术的发展,电影剪辑的工具和流程发生了革命性的变化。本书详细讲解了非线性编辑系统(NLE)的优势与操作,包括素材管理、轨道编辑、转场效果、调色以及与其他后期制作软件的集成。作者不仅介绍了当前主流的剪辑软件,还对数字剪辑带来的新的创作可能性进行了展望。 此外,《电影剪辑的艺术与技巧:第三版》也关注了剪辑师的职业发展和行业标准。书中包含了一些行业内的经验分享和建议,帮助读者了解成为一名优秀的剪辑师所需的品质、技能和职业道德。作者强调了沟通能力、解决问题的能力以及对影片整体的把握能力对于剪辑师的重要性。 本书不仅适合电影专业的学生和从业人员,也为任何对电影语言和叙事方式感兴趣的观众提供了一扇深入了解电影幕后魅力的窗口。通过阅读本书,你将能够更深刻地理解电影如何通过精密的剪辑艺术,将无数个独立的瞬间汇聚成一个完整而富有生命力的故事,触动你的心灵,激发你的思考。这是一本集理论深度、实践指导和行业洞察于一体的剪辑必读之作。

作者简介

Thank goodness this classic book has come back into print! Though The Technique of Film Editing has not been revised since 1968, it is still the single most comprehensive and engaging volume on film editing. Karel Reisz and Gavin Millar introduce readers to every aspect of the editor's craft. They provide a concise history of editing and describe editing style as it applies to every genre of moviemaking, including the many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema vérité, and the avant-garde are also covered. Reisz and Millar's account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book an essential for apprentice editors, as well as for those who want to know how filmmakers understand their work. --This text refers to an out of print or unavailable edition of this title.

From the Publisher

In 1968 the original text was reprinted as it stood, as it was felt that any attempt to revise or reinterpret it could only blur its spirit. The second edition has now also reprinted 13 times. On publication, the film director Anthony Asquith said `this book is an absolute must not only for film technicians but for every intelligent filmgoer' and more recently it has been said that `it is probably the most successful film textbook in English, and has had a great influence on the technique of the cinema.' --This text refers to an out of print or unavailable edition of this title.

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