D.N. Rodowick is Professor of English and Visual/Cultural Studies, and Director of the Film Studies Program, at the University of Rochester. His books include The Difficulty of Difference: Psychoanalysis, Sexual Difference and Film Theory (1991).
D.N. Rodowick offers a critical analysis of the development of film theory since 1968. He shows how debates concerning the literary principles of modernism--semiotics, structuralism, psychoanalysis, Marxism, and feminism--have transformed our understanding of cinematic meaning. Rodowick explores the literary paradigms established in France during the late 1960s and traces their influence on the work of diverse filmmaker/theorists including Jean-Luc Godard, Peter Gidal, Laura Mulvey, and Peter Wollen. By exploring the "new French feminisms" of Irigaray and Kristeva, he investigates the relation of political modernism to psychoanalysis and theories of sexual difference. In a new introduction written especially for this edition, Rodowick considers the continuing legacy of this theoretical tradition in relation to the emergence of cultural studies approaches to film.
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TMD好書!
评分TMD好書!
评分TMD好書!
评分TMD好書!
评分书写成这样也是不能怪人家上课不走心了……have no reservation about his trenchant critiques, but would have a second thought on the political economy of film culture he proposes.
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