This book is a veritable cornucopian feast for anyone interested in film. From case studies of key directors to discussions of cinematic classics, from explorations of time-honoured genres to investigations of the theological heart of many contemporary favourites, there is something for everyone's tastes here. This will help put to rest any suggestion that religion, theology and the Bible have nothing to do with the cinema -rather, these studies demonstrate that such matters are at the centre of our modern love-affair with the moving image." Dr Larry J Kreitzer, Tutor of New Testament and Tutor for Graduates, Regents Pak College, Oxford University, UK "From this fascinating collection, readers will learn that "biblical" movies reflect not only the biblical stories they tell but also the issues and trends that are important to the filmmakers who created them, while films that are not explicitly about the Bible may nonetheless be built around biblical themes, characters and stories. A stimulating and far-ranging addition to the growing literature on the intersections among the Bible, theology and cinema, this book is a must-read for all who love watching movies and talking about them." Dr Adele Reinhartz, Dean Graduate Studies and Research, Wilfrid Laurier University, Ontario The interdisciplinary study of theology and film requires a responsible engagement on the part of religious studies experts, biblical scholars and theologians, with film studies. Cinema Divinite first of all sets out various critical approaches to the study of film and theology such as formalism, expressionism, realism, textual analysis, contextual analysis, postmodern eclecticism, narrative criticism and cultural studies. The early chapters also look at the major concepts in film studies such as cinema spectatorship and the nature and application of film theory to theology.The book takes a case-study approach as it examines specific films, including The Godfather, Blade Runner, 0 Brother Where Art Thou? , specific filmmakers such as Woody Allen, Stanley Kubrik and Luis Bunuel, and finally genre, including everything from film noir to animantion and the western.The book closes with a lively and often far-sighted discussion of the recently released The Passion of Christ. Eric S. Christianson is Senior Lecturer in Biblical Studies, University College Chester. Peter Francis is Warden of the St Deiniol's Library. William R Telford is Senior Lecturer in Religious Studies at the University of Durham.
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这本书的语言风格简直像是一场华丽的巴洛克式音乐会,每一个句子都经过精心雕琢,充满了古典的韵味和令人炫目的修辞。我常常需要停下来,反复咀嚼那些长句的结构和词语的选择。它不是那种快餐式的、为了推进情节而服务的文字,而是本身就具有强大的艺术感染力。这种风格带来的沉浸感是无与伦比的,仿佛真的走进了那个光影斑驳、充满象征意义的场域。但同时,这也是一把双刃剑。有时,这种过度的华美反而成了理解故事的阻碍。角色们的对话常常充满了隐喻和反讽,他们的情感表达也并非是直接的倾诉,而是通过一系列复杂的礼仪和克制的姿态来展现。对于追求清晰、直接叙事的读者来说,这本书可能会显得过于晦涩和矫饰。对我个人而言,我更倾向于欣赏这种文字的雕琢感,它让每一次阅读都像是在鉴赏一件精美的艺术品,需要耐心和细致的品味。
评分如果用一个词来概括阅读这本书的感受,那大概是“令人不安的共鸣”。它探讨的主题触及了现代社会中许多被压抑或回避的议题,例如个体在巨大权力结构下的无力感,以及对“真实”定义本身的质疑。书中的氛围营造得极其成功,那种弥漫在空气中的疏离感、对既定秩序的潜在反叛,都让人感到一种深刻的时代焦虑。作者并没有提供任何简单的答案或安慰性的结局,相反,他将那些尖锐的问题赤裸裸地摆在了我们面前,迫使我们直面自身的处境。这种毫不留情的批判性视角,使得这本书的价值超越了一般的文学作品,它更像是一面映照我们自身困境的镜子。读完之后,我需要很长时间来整理思绪,因为它带来的冲击是深层次的,它挑战的不仅是我的理解力,更是我的世界观。
评分这本书的开篇就如同被卷入一场迷雾。作者的叙事手法非常独特,他似乎并不急于将故事摊开,而是通过一系列零散的片段、深邃的内心独白和那些模糊不清的场景,逐步构建起一个庞大而又令人不安的世界观。我花了很长时间才适应这种节奏,有时候甚至会感到困惑,仿佛自己拿着一张残缺的地图,试图拼凑出完整的版图。然而,一旦你接受了这种叙事的跳跃性,便会发现其中蕴含着令人着迷的韵律。那些关于时间、记忆和身份的探讨,并非是那种直白的哲学灌输,而是巧妙地融入了角色的日常挣扎之中。我尤其欣赏作者对细节的刻画,哪怕是一个物件的摆放,一句不经意的对话,都可能成为日后揭示真相的关键线索。这种阅读体验非常消耗脑力,需要读者主动去填补空白,去感受字里行间那些未言明的张力。读完第一部分时,我感觉自己像是一个初次接触复杂迷宫的探险家,既兴奋又疲惫。
评分角色塑造是这本书最让我感到震撼的部分,但这种震撼并非来自于英雄主义或极致的恶人,而是源于他们身上那种深刻的“不确定性”。几乎没有一个角色是完全扁平的,他们的动机常常在光亮与阴影之间摇摆不定。特别是主角群之间的关系,那种若即若离、互相试探的动态张力,让人时刻提心吊胆。你永远不知道谁会在下一刻露出獠牙,谁又会在绝境中伸出援手。作者对于人性复杂性的把握达到了一个极高的水平,他们既表现出令人赞叹的智慧和坚韧,也暴露了难以启齿的弱点和偏执。阅读过程中,我不断地与书中的人物进行着心理上的博弈,试图去理解他们那些看似矛盾的行为背后的逻辑。这种代入感极强,以至于合上书后,那些角色的形象仍旧在我脑海中挥之不去,久久不能平息。
评分故事的结构安排堪称精妙绝伦,它像一台设计极其复杂的时钟,所有的齿轮都在不同的时间点上咬合,最终驱动一个宏大的主题浮现。作者似乎非常擅长运用“非线性叙事”来玩弄读者的预期。时间线在过去、现在和那些可能存在的未来之间频繁跳跃,每一个跳转都伴随着新的信息碎片被抛出。起初,这种叙事策略让人感到非常迷失,真相似乎永远笼罩在一层又一层的迷雾之中。然而,随着阅读的深入,你会开始注意到那些隐藏在时间错位背后的精巧布局。那些看似随机的闪回,其实都是在为最终的高潮做精准的铺垫。这种阅读体验,更像是在解一个层层加密的密码本,一旦理解了作者设置的规则,那种豁然开朗的感觉是无与伦比的。我不得不赞叹作者对整体架构的把控力,在如此复杂的布局下,故事的逻辑核心依然稳固。
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