How did we go from John F. Kennedy declaring that religion should play no role in the elections to Bush saying, "I believe that God wants me to be president"? Historian Randall Balmer takes us on a tour of presidential religiosity in the last half of the twentieth century—from Kennedy's 1960 speech that proposed an almost absolute wall between American political and religious life to the soft religiosity of Lyndon B. Johnson's Great Society; from Richard Nixon's manipulation of religion to fit his own needs to Gerald Ford's quiet stoicism; from Jimmy Carter's introduction of evangelicalism into the mainstream to Ronald Reagan's co-option of the same group; from Bill Clinton's covert way of turning religion into a non-issue to George W. Bush's overt Christian messages, Balmer reveals the role religion has played in the personal and political lives of these American presidents. Americans were once content to disregard religion as a criterion for voting, as in most of the modern presidential elections before Jimmy Carter.But today's voters have come to expect candidates to fully disclose their religious views and to deeply illustrate their personal relationship to the Almighty. God in the White House explores the paradox of Americans' expectation that presidents should simultaneously trumpet their religious views and relationship to God while supporting the separation of church and state. Balmer tells the story of the politicization of religion in the last half of the twentieth century, as well as the "religionization" of our politics. He reflects on the implications of this shift, which have reverberated in both our religious and political worlds, and offers a new lens through which to see not only these extraordinary individuals, but also our current political situation.
Randall Herbert Balmer (born October 22, 1954) is an American author, professor of American religious history at Barnard College, Columbia University, an editor for Christianity Today and an Episcopal priest. He earned a Ph.D. from Princeton University in 1985. He has been a visiting professor at Dartmouth College and at Rutgers, Princeton, Drew, Yale and Northwestern universities and at Union Theological Seminary, where he is also adjunct professor of church history. He has also taught in the Columbia University Graduate School of Journalism.
Balmer was nominated for an Emmy for script-writing and hosting the PBS "Mine Eyes Have Seen the Glory: A Journey into the Evangelical Subculture in America" based on his book with the same title.
http://en.wikipedia.org/wiki/Randall_Balmer
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这本书,我只能说,读完之后,我的脑海里像被投入了一颗重磅炸弹,那种冲击力,久久不能平息。作者在叙事上的功力简直是教科书级别的,每一个转折都出乎意料,却又在回味时觉得一切都是那么的顺理成章,仿佛命运的齿轮早已在无形中转动。我特别欣赏他对人物内心世界的刻画,那种细致入微,仿佛能触摸到角色们在黑暗中挣扎的灵魂。尤其是在描述那些道德困境时,作者展现出了一种近乎冷酷的客观性,让你不得不去审视自己内心深处的界限。这本书的节奏感把握得极佳,时而紧锣密鼓,让人屏住呼吸,时而又放缓笔墨,让情绪得以沉淀,这种张弛有度的叙事手法,让整部作品充满了生命力。我尤其想提一下它对环境氛围的营造,那种扑面而来的压迫感和宿命感,让你感觉自己完全沉浸在了那个复杂的世界之中,无法自拔。这本书不仅仅是在讲一个故事,它更像是在解剖人性中最幽微、最脆弱的部分,提供了一个观察人类行为的独特棱镜。读完很久了,我还在反复咀嚼那些耐人寻味的对话和场景,它成功地在我的阅读体验中留下了深刻的、近乎烙印般的痕迹。
评分我向来不太喜欢那种充斥着华丽辞藻却内容空洞的书,而这本书恰恰相反,它的美是内敛的、力量是蕴藏的。作者的语言风格是如此的精准和节制,每一个词语都像是经过千锤百炼的宝石,被放在了最恰当的位置上,不多不少,恰到好处。我尤其欣赏它在描绘群体心理和历史惯性时的笔法。当描述一个庞大的社会结构或一个世代相传的观念如何像无形的枷锁一样束缚着个体时,那种无力和宿命感,简直令人窒息。书中关于“边缘人物”的塑造也非常成功,那些不被主流叙事所关注的生命个体,却往往承载了故事中最核心的真相与痛苦。通过他们的视角,我们得以窥见宏大叙事背后的千疮百孔。这本书的魅力在于,它不试图取悦读者,而是冷静地展示现实可能存在的几种残酷形态,并邀请我们一同去感受其中的重量。读完后,留下的不是轻松的愉悦,而是一种深刻的、带着敬畏的沉思。
评分老实说,初拿到这本书时,我并没有抱太高的期望,毕竟市面上类似题材的作品汗牛充栋。然而,这本书的开篇就展现出一种截然不同的气度。它的文字风格是那种古典与现代交织的奇妙融合,既有旧日史诗的厚重感,又不乏当代文学的犀利与敏锐。我最欣赏的是作者对于宏大主题的处理方式——他没有选择那种大开大合的口号式叙述,而是通过一个个微观的个体命运,巧妙地编织出了一张关于权力、信仰和救赎的巨网。这种“以小见大”的叙事策略,极大地增强了作品的感染力。书中的一些隐喻和象征手法运用得非常高明,初读时或许会觉得晦涩,但随着情节的深入,那些隐藏的深意便会如同冰山融化般逐渐显现,每一次的“顿悟”都带来巨大的阅读快感。更难能可贵的是,尽管主题严肃,但作者的笔触却从未变得沉闷,他总能在关键时刻抛出一个极富张力的场景或一句意味深长的话语,让你瞬间被重新拉回故事的核心。对于喜欢那种需要动脑筋去解码、去品味的深度文学作品的读者来说,这本书无疑是一份不容错过的盛宴。
评分这本书给我的感觉,就像是经历了一场漫长而艰辛的智力攀登。它绝不是那种可以囫囵吞枣的作品,每一个章节都需要读者全身心地投入和思考。我得承认,在某些段落,我不得不停下来,重新阅读,试图理解作者设置的那些复杂的逻辑链条和时间线索。但正是这种挑战性,让最终的阅读体验显得格外珍贵和充实。作者在构建这个世界观时,展现出了惊人的耐心和严谨性,每一个设定的背后似乎都有着详尽的考量,使得整个叙事框架异常坚固,几乎找不到任何可以被轻易攻破的逻辑漏洞。书中关于“选择”与“代价”的探讨,尤其引人深思。作者并没有给出简单的对错判断,而是将人物推向了灰色地带,迫使读者去面对人性的复杂与矛盾。这种对灰色地带的忠诚描摹,让这本书脱离了普通通俗小说的窠臼,上升到了哲学思辨的高度。看完之后,我感觉自己的思维都被“拉伸”和“重塑”了一遍,这是一次真正的精神洗礼。
评分如果要用一个词来形容这本书带给我的感受,那一定是“回响”。它的情节或许已经翻篇,但其中探讨的关于权威的瓦解、信念的重构,以及个体在巨大历史洪流中的微小抗争,却在我的脑海中不断地循环、震荡。作者在处理高潮部分时,采用了极其克制的叙事手法,没有煽情的泪水,没有夸张的动作,但那种张力却比任何声嘶力竭的呐喊都来得震撼人心。我感觉自己仿佛在参与了一场漫长的心理博弈,与书中的角色们一起经历了怀疑、挣扎、最终的释然或幻灭。这本书对于节奏的掌控,简直是大师级的表现,它懂得何时该加速,何时该停下来让读者喘口气,这种对阅读体验的尊重,是很多当代作家所欠缺的。它没有提供简单的答案,而是提出了一系列更深刻的问题,这些问题会持续地伴随着你,让你在日常生活中也会不自觉地对照和反思。这是一部需要反复阅读、细细品味的杰作,其价值会随着时间的推移而愈发显现。
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