In this major reassessment of the American South and its literature, Richard Gray explores the idea of regionalism by focusing on those writers whose relationship with the South has been particularly problematical. Asking just what it means to belong to a place, a region -- and, more specifically, what it implies for certain Americans to call themselves southerners -- he analyzes conflicting notions of the South that have evolved over the past two centuries. In the process, Gray -- one of the leading scholars in the field of southern studies -- offers a provocative new reading of many southern writers and of the whole notion of a southern tradition.Gray has always been interested in how southerners, and particularly, southern writers, have constructed ideas of the South through the workings of memory and myth, through talking and writing about their homes and histories. In Southern Aberrations he develops his theme in startling new ways by looking closely at southern "difficulty" and "difference." He contemplates those authors, like Edgar Allan Poe and Ellen Glasgow, whose relationship with the South was especially difficult because of their sense of difference from local or national norms, or because of the region's gendered and racially inflected politics. He also recounts how the Nashville Agrarians created the southern literary canon, marginalizing southern writing they thought failed as "southern literature" and obscuring any sense of the differences within the South.Through a close examination of their lives and work, Gray reveals what these marginalized writers have to tell us about class and gender relationships and the struggle for power in the region. He brings into viewsouthern writers whose work has suffered neglect: those who wrote about the rural poor and the dispossessed -- like Erskine Caldwell, Elizabeth Madox Roberts, Marjorie Kinnan Rawlings, and Grace Lumpkin -- or about the southern mountain areas and their inhabitants -- as did Harriette Arnow, James Agee, Mildred Haun, and Jesse Stuart. Gray also provides a critical overview of contemporary southern writers -- including Josephine Humphreys, Ernest Gaines, Barry Hannah, Cormac McCarthy, and Harry Crews -- as they struggle to cope with a series of changes that have called the whole idea of regionalism, and the notion of a separate South, into question.By looking at the South through the writings of those who have viewed it aslant, Gray adds an essential chapter to the region's still developing story. His study will prove indispensable to all students of southern culture.
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《Southern Aberrations》这个书名,本身就充满了文学性的想象空间。我第一反应联想到的是美国南方那种独特的气质,那种混合着历史沉淀、地域风情和社会变迁的复杂性。而“Aberrations”这个词,则暗示着一种偏离,一种不寻常,或者是一种在特定环境下的扭曲。我脑海中勾勒出的是一种可能的故事图景:或许是关于南方社会中那些被忽视的角落,那些不被主流所接受的人群,他们的生活方式,他们的情感选择,他们的内心挣扎,都可能与我们通常认知的“正常”有所不同。我期待这本书能够用一种深刻而又不失艺术性的方式,去探索和呈现这些“异常”之处,揭示它们背后可能存在的社会原因、历史根源,以及人性的复杂维度。我希望它能带来一种不同于以往的阅读体验,让我能够更深入地理解南方,理解那些在它独特的土壤上生长的、鲜为人知的故事。
评分初见《Southern Aberrations》这个书名,我首先联想到的是一股浓郁的、带着些许阴郁的美学风格。南方,这个词本身就承载了太多的历史重量、文化符号和刻板印象,而“Aberrations”,这个词则暗示着偏离、异常、扭曲。将两者结合,我预感到这本书会深入挖掘那些隐藏在南方社会表象之下的不寻常之处。我脑海中浮现的并非是阳光明媚的田园风光,而是那些被遗忘的角落,被压抑的情感,以及那些在既定框架下,人物可能出现的、不合常规的反应和行为。也许是家族秘密的阴影,也许是种族歧视的遗毒,亦或是性别角色的束缚,这些“南方”的独特印记,与“异常”的概念交织在一起,势必会产生出极具张力的故事。我期待这本书能够展现一种独特的视角,一种对南方社会、文化甚至人性的深度解剖,揭示出那些不为人知,却又真实存在的“畸变”和“反常”,从而引发读者对这些现象的深思。
评分从《Southern Aberrations》这个标题来看,我预感这会是一部充满独特视角的作品,尤其是在描绘美国南方这一极具文化底蕴和复杂历史的背景下。我联想到南方特有的那种既迷人又带着些许压抑的氛围,那种在古老传统与现代变革交织中的张力。而“Aberrations”这个词,则让我好奇书中会展现出哪些“不寻常”的叙事或人物。我猜想,这可能涉及到对南方社会中某些根深蒂固的观念、行为模式,甚至是人际关系的另类解读。或许是关于那些不被主流所接受的情感,那些在特定环境下产生的、带有某种“失范”色彩的举动,或者是关于那些在看似平静生活中,暗藏汹涌的内心世界。我期待这本书能够突破常规,以一种新颖且富有洞察力的方式,呈现出南方独特的人文景观,以及那些在其中发生的、不那么“正常”却又无比真实的故事。
评分《Southern Aberrations》这个名字,一下子就勾起了我对美国南方文学的联想,那种特有的忧郁、神秘和哥特式氛围。我猜想,这本书可能不是那种轻松愉快的读物,而更像是一次深入人心的探索。南方,总是与古老的庄园、盘根错节的家族、以及那些在历史长河中积淀下来的情感纠葛紧密相连。而“Aberrations”这个词,则像是给这种氛围注入了一股暗流,预示着书中人物的行为、选择,甚至他们的思想,都可能存在着某种“偏离”或“异常”。我期待着,作者能用精湛的笔触,描绘出那些在南方独特环境中,角色们如何面对内心的冲突,如何与外界的规则抗争,或者如何在压抑中寻找一丝喘息。我希望这本书能带来一些意想不到的转折,一些对传统观念的挑战,以及对人性复杂性的深刻洞察,就像在看似平静的湖面下,隐藏着不为人知的激流。
评分这部小说的标题《Southern Aberrations》就带着一种难以言说的吸引力,让人不禁联想到美国南方那片既充满魅惑又潜藏着复杂肌理的土地。虽然我还没有机会翻开这本书,但光是书名本身就勾勒出了一幅幅画面:午后炙热的阳光下,古老的南方宅邸在阴影中若隐若现,空气中弥漫着茉莉花和陈年木头的味道。我脑海中浮现的是那种南方文学特有的氛围,那种看似宁静却暗流涌动的宁静,那种藏匿在精致礼仪下的深刻矛盾,以及那些在南方独特历史和社会背景下,人物内心的扭曲与挣扎。我想象着,作者可能会用细腻的笔触,描绘出那些在南方社会变迁中,或是坚守传统,或是试图打破束缚的角色,他们的行为,他们的选择,或许都带着一丝“畸变”,但这种畸变并非全然的负面,可能是一种对现实的反抗,一种对自我存在的独特解读,一种在压抑环境中绽放出的奇异之花。我期待着,在这片被阳光和阴影交织的土地上,读到那些不同寻常的故事,那些挑战常规,却又深植于人性之中的令人着迷的“异常”。
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