Anthology of the Short Story in 18th and 19th Century America

Anthology of the Short Story in 18th and 19th Century America pdf epub mobi txt 电子书 下载 2026

出版者:
作者:Pitcher, Edward W. R. (EDT)/ Pitcher, Edward W. R. (COM)
出品人:
页数:0
译者:
出版时间:
价格:129.95
装帧:
isbn号码:9780773478442
丛书系列:
图书标签:
  • Short Story
  • American Literature
  • 18th Century
  • 19th Century
  • Anthology
  • Fiction
  • Literary Criticism
  • American History
  • Classic Literature
  • Cultural History
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具体描述

The Shifting Sands of Narrative: American Literary Landscapes Across the Ages This volume offers a sweeping panorama of American literary production, tracing its evolution from the colonial era through the turbulent years leading up to the Civil War and beyond, focusing intently on genres and themes distinct from the eighteenth and nineteenth-century short story tradition. Part I: Seeds of a New World – The Colonial and Early National Voice (1607–1800) This section delves into the foundational texts that established a distinctly American consciousness, focusing heavily on non-fiction, theological discourse, and the nascent forms of political literature. We examine the diaries, sermons, and official correspondence that shaped early American identity, often prioritizing utility and moral instruction over purely imaginative fiction. The Jeremiad and the Covenant Theology: A deep dive into the Puritan worldview, analyzing the structure and rhetorical power of sermons by figures like Jonathan Edwards. Emphasis is placed on the sustained, expository nature of their prose, often stretching over many pages to establish divine justification for colonial actions, a form far removed from the contained structure of the short narrative. We explore how these extended theological arguments served as the primary literature for many early communities. Captivity and Conversion Narratives (Beyond the Short Form): While some extracts exist, the focus here is on the extended, book-length memoirs—such as those by Mary Rowlandson or Elizabeth Hanson—examining how these sustained first-person accounts functioned as both autobiography and propaganda. The analysis tracks the protracted journey, the extended meditations on providence, and the eventual reintegration into society, contrasting this lengthy testimonial structure with briefer fictional exercises. The Pamphlet Wars and Political Philosophy: This chapter moves into the revolutionary fervor, analyzing lengthy political treatises, newspaper essays, and foundational documents. Works by Thomas Paine (specifically Common Sense and The American Crisis), John Adams's philosophical correspondence, and the voluminous Federalist Papers are scrutinized. The inherent argumentative structure, the need for extended justification, and the persuasive intent of these long-form arguments are prioritized over any brief fictional anecdote that might have appeared alongside them in period publications. Early American Epic and Didactic Poetry: We study the ambitious, often clumsy, attempts by early poets to create grand, sweeping epics mirroring European models, or moralistic poetry designed strictly for pedagogical use. The attention is on meter, classical allusion, and the sustained narrative arc, rather than the compact character study or ironic twist characteristic of later short fiction. Part II: The Age of Transcendentalism and Sentimentalism – Long-Form Examination (1800–1860) This period saw the blossoming of the American novel and sustained poetic output. This volume concentrates on those sprawling forms that dominated the literary market and intellectual conversation. The Rise of the American Novel: A detailed examination of the expansive narrative techniques employed by early novelists like James Fenimore Cooper and Nathaniel Hawthorne (focusing on The Scarlet Letter and The House of the Seven Gables as extended psychological studies, not their shorter pieces). We analyze Cooper’s preoccupation with the frontier saga, the extensive descriptions of landscape, and the slow unfolding of historical process across hundreds of pages. Sentimentalism and the Domestic Epic: This section focuses on the didactic, emotionally charged novels written for female audiences, such as those by Susan Warner (Anna Bartlett Warner) or the complex domestic dramas that required significant narrative space to develop their moral arguments regarding gender roles, piety, and social responsibility. The emphasis is on the accumulation of detailed domestic scenes and extended moral commentary. Transcendentalist Philosophy in Book Form: We explore the sustained philosophical explorations penned by Ralph Waldo Emerson (e.g., Essays: First Series and Second Series) and Henry David Thoreau (Walden). The analysis centers on the essayistic form, characterized by long meditations, digressions, and the development of abstract concepts through persistent, often recursive, argumentation, entirely different from the clipped narrative of a short story. Melodrama and Dramatic Texts: A review of popular American plays and stage melodramas from this era. These works rely on extended acts, clear exposition, and climactic set-pieces, demanding time and space to develop their often simplistic moral binaries, contrasting sharply with the subtle ambiguity often found in compressed fictional forms. Part III: Expanding Horizons – Travelogues, Histories, and Scientific Prose (1800–1860) This section moves away entirely from imaginative prose to survey the serious, fact-based literature that informed national self-conception. Western Exploration and Geographical Accounts: We analyze the lengthy, descriptive narratives produced by explorers and naturalists charting the vast American interior. These texts prioritize detailed topographical descriptions, lists of flora and fauna, and extended accounts of overland travel, often forming the bulk of their published volumes. The narrative drive is sequential and informational, not thematic or character-driven in the manner of fiction. The Historiography of the Young Republic: A study of early American historians like William H. Prescott and George Bancroft, whose multi-volume projects sought to impose structure and meaning upon the nation’s past. Their work is defined by massive archival research, chronological scope, and the sustained construction of national myths through comprehensive historical narrative. The Abolitionist Press and Extended Argumentation: While many pamphlets existed, this chapter focuses on the book-length polemics and comprehensive arguments against slavery. These texts required extensive citation, legal analysis, and long testimonial appendices to build an irrefutable case, demanding a scope far exceeding that of a brief fictional anecdote meant to illustrate a single point. Conclusion: Beyond the Brief Encounter This collection establishes that the primary literary energies of early and mid-nineteenth-century America were channeled into robust, often sprawling forms: the sermon, the political treatise, the philosophical essay, the epic novel, and the comprehensive historical survey. The focus throughout has been on the literature of extension, exposition, and sustained argument, intentionally bypassing the literature of compression and the emerging, yet structurally distinct, tradition of the brief, self-contained narrative.

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这部《18世纪和19世纪美国短篇小说选集》如同一幅幅细腻的时代剪影,它用最朴素的语言,描绘了那个时期美国人的生活图景。我沉醉其中,感受着他们的喜怒哀乐,体味着他们的生活艰辛与幸福点滴。 编者的选篇,仿佛带我走进了那个时代的寻常巷陌,看到了形形色色的人物。有勤劳朴实的农民,有精明强干的商人,也有怀揣梦想的青年。这些人物的故事,虽平凡却真实,充满了生活的气息,也折射出那个时代社会发展的脉络和人们的精神风貌。

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读完这本《18世纪和19世纪美国短篇小说选集》,我脑海中浮现出的不仅仅是故事本身,更多的是那个时代美国人的精神图谱。作者(或编者)的选择,仿佛精心打磨过的棱镜,将那个时代的社会肌理、道德观念、以及个体在其中的挣扎与追寻,折射出斑斓的光彩。我能感受到不同地域、不同阶层、不同境遇下的人们,他们内心的渴望、他们的困惑,以及他们试图在这片新大陆上寻找归属与意义的努力。 书中那些关于家庭、爱情、信仰、甚至是对自然的敬畏之情,都带着一股浓厚的时代烙印。我尤其喜欢其中几篇对于女性角色的刻画,她们不再是单一的符号,而是拥有复杂情感和独立意志的个体,即使在那个父权色彩浓重的社会中,她们也试图以自己的方式去抵抗、去成长、去表达。这种细致入微的人物塑造,让我对那个时代女性的生存状态有了更深刻的理解,也让我反思了当下社会性别议题的演变。

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这部《18世纪和19世纪美国短篇小说选集》为我打开了一扇通往历史深处的大门,我惊叹于文字所承载的巨大力量,能够将一个逝去的时代如此鲜活地展现在眼前。我仿佛置身于那个熙熙攘攘的街头,或是静谧的乡野,与那些鲜活的人物一同呼吸,一同经历他们的悲欢离合。 编者在作品选择上,似乎有一种“寻宝”的眼光,发掘出那些在时间长河中依然闪耀着光芒的珍珠。每一篇故事,都像一个独立的宇宙,有其独特的逻辑和情感内核。我特别欣赏那些对社会细微之处的描摹,比如对特定职业的刻画,对风俗习惯的记录,甚至是对口头语的运用,这些细节共同构建了一个真实可信的时代图景,让我在阅读时充满了探索的乐趣。

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让我对这本《18世纪和19世纪美国短篇小说选集》爱不释手的原因,还在于它所展现的精湛的叙事技巧。尽管时代背景与当下有所不同,但故事的吸引力却是跨越时空的。 我惊喜地发现,许多作品的叙事结构非常巧妙,常常在不经意间设置悬念,引导读者去探索真相。角色的塑造也极其生动,他们有血有肉,情感真实,让我能够感同身受,甚至在读完之后,还会时不时地想起他们,仿佛他们就在我的身边。这种“活”的人物,是优秀文学作品的灵魂所在。

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这本《18世纪和19世纪美国短篇小说选集》简直是我近期阅读体验中的一股清流,它如同一幅徐徐展开的画卷,将那个时代美国人细腻的情感、深刻的思想以及独特的社会风貌一一呈现。我尤其惊喜地发现,本书所收录的作品,尽管篇幅不长,但每一篇都蕴含着巨大的能量,能够在一瞬间抓住读者的心弦,并在读完之后依旧在脑海中回响。作者(或编者)在选篇上的眼光独到,既有我们耳熟能详的大家名作,也有一些鲜为人知却同样闪耀着智慧光芒的瑰宝,这无疑大大拓展了我对那个时期美国文学的认知边界。 就拿其中一些作品的叙事技巧来说,它们往往在看似平淡的开篇中悄悄埋下伏笔,然后层层推进,直至最后给出一个令人意想不到的结局,这种“张力”的营造,即便放到今天来看,也是极其高明的。我记得有一篇描写一个偏远小镇居民的日常,起初读来平淡无奇,仿佛就是生活琐事的流水账,但随着情节的深入,我逐渐感受到了一种难以言喻的压抑感,一种小人物在时代洪流中挣扎却又无力改变的宿命感,最后那个看似微不足道的事件,却将这种情绪推向了顶点,留给我的是一种沉甸甸的思考。这种“润物细无声”的叙事方式,正是短篇小说独特的魅力所在,而本书恰恰精准地捕捉并呈现了这种魅力。

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每次翻开这本《18世纪和19世纪美国短篇小说选集》,我都会被其所蕴含的丰富性和多样性所折服。编者(或作者)的选篇,仿佛是一场精心策划的文学盛宴,汇聚了那个时代美国短篇小说创作的精华,展现了不同作者独特的风格和思想。 我能够清晰地感受到地域文化的不同对文学创作的影响,有的故事充满了东海岸的精致与内省,有的则洋溢着西部边陲的粗犷与自由。这种多重维度的呈现,不仅让我对美国文学的发展有了更宏观的认识,也让我对不同地区人们的生活方式和精神世界产生了浓厚的兴趣。

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这本书的出现,无疑是我近期阅读生涯中一个重要的节点。它不仅仅是一本收录作品的“合集”,更像是一扇窗,让我得以窥探18世纪和19世纪美国社会的全貌。那些文字,如同泛黄的老照片,虽然带着岁月的痕迹,却依然清晰地记录着一个民族的成长足迹,以及其中个体所经历的喜怒哀乐。 编者在选篇上的匠心可见一斑,它不仅仅考虑了文学价值,更注重作品在反映时代精神上的代表性。我沉浸在那些描绘边疆开拓、城市发展、或是家庭日常的故事中,感受着不同背景下美国人对于“美国梦”的理解与追求。有些故事充满了乐观主义和进取精神,有些则流露出对社会不公的批判和对个体命运的忧思。这种多元化的视角,让这部选集显得格外厚重和立体。

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这是一本能够让你沉静下来的书,它不追求炫目的技巧,也不卖弄华丽的辞藻,但字里行间却流淌着一种深沉的力量。当我阅读《18世纪和19世纪美国短篇小说选集》时,我感受到的是一种对人性的深刻洞察,以及对那个时代美国社会独特肌理的精准捕捉。 我喜欢那些在看似普通的生活片段中,挖掘出深刻哲理的作品。它们没有惊天动地的情节,却能在平凡中展现出人性的光辉与阴暗,让我在读完之后,忍不住去思考关于自我、关于社会、关于生命本身的意义。这种“静水流深”的艺术魅力,是短篇小说最令人着迷之处,而本书无疑是这种魅力的绝佳载体。

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坦白说,在翻开这本《18世纪和19世纪美国短篇小说选集》之前,我对那个时期的美国短篇小说并没有一个清晰的认知,以为它们可能过于陈旧,与现代读者的距离感会很强。然而,事实证明我的担忧是多余的,甚至可以说是浅薄的。这本书彻底颠覆了我之前的固有印象,它所呈现的,是一种跨越时空的深刻共鸣。 那些关于人性的探讨,关于道德的抉择,关于个体与社会的博弈,即便在今天看来,依然具有极强的现实意义。我被其中某些人物的纯粹所打动,也为他们的迷茫而叹息。更让我印象深刻的是,很多作品在语言的使用上,虽然与现代汉语有所差异,但其精炼、生动、富有表现力的特点,却能够直接触动我的内心,让我反复品味,并从中汲取某种力量。

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这本书带来的,不仅仅是阅读的乐趣,更是一种精神的洗礼。在《18世纪和19世纪美国短篇小说选集》中,我看到了人类共通的情感,看到了在历史长河中,个体所面临的永恒的困惑与追寻。 我被其中一些人物的坚韧所感动,他们或许生活在艰苦的年代,面临着巨大的挑战,但他们依然努力地生活,寻找希望,坚持自己的信念。这种对生命力的赞美,以及对逆境中人性光辉的展现,让我觉得充满力量,也对生活充满了新的希望。

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