It is clinical work with the most difficult patients - those with severe narcissistic, sadomasochistic, and borderline disorders - that poses the greatest challenge to the therapist's guiding assumptions about clinical process; indeed, such work often leads therapists to question beliefs and expectations that formerly seemed self-evident. In Getting From Here to There: Analytic Love, Analytic Process, Sheldon Bach elaborates the holistic vision that guides him in work with just such patients. He dwells especially on the "attentive presence" through which the analyst effects a "meeting" with patients that invites the latter's trust in the analyst and in the therapeutic process. And he writes of love - of patient for analyst and of analyst for patient - that grows out of this mutual trust and sustains therapeutic process. For Bach, analytic therapy aims at understanding the person as a mind-body unity that manifests particular states of consciousness. This holistic vision of treatment sustains a flexible clinical orientation that enables the analyst to "meet" states of consciousness in order to bring them into a system of which the analyst forms a part. Bach thoughtfully explores the clinical issues that enter into this taxing process, among them the establishment and maintenence of basic trust; the patient's or the therapist's presence in the other's mind; and the shifts in agency between patient and therapist. And he describes at length the frequently exhausting, even demoralizing, transference-countertransference struggles that enter into this type of analytic work. Throughout, Bach is guided by the conviction that work with extremely challenging patients promotes the psychological growth and increased self-knowledge of patient and analyst alike. And he is admirably clear that the "mutual living through" of such treatments nurtures a kind of love between patient and analyst. Getting From Here to There not only records the clinical lessons learned by an unusually gifted analyst; it also chronicles the movement of psychoanalysis itself from the dissection of love into component parts to a synthetic grasp of its vital role in psychoanalytically informed treatment.
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我特别欣赏作者在构建世界观时所展现出的那种近乎偏执的细节考据。尽管这似乎并非一部严格意义上的历史或科学著作,但其中穿插的那些关于地方志、失传技艺或者某种特定群体行为模式的描述,都显得异常真实可信。这绝不是那种靠着维基百科就能拼凑出来的肤浅设定,而是能感受到作者在背后做了大量的田野调查和交叉验证工作。比如,他对某个小镇上特有的打铁工艺流程的描述,细腻到连火候的控制、工具的形状乃至工匠的手势都描绘得惟妙惟该,让我几乎能闻到空气中弥漫的焦糊味。这种对“真实感”的执着追求,为整个故事奠定了坚实的基石,使得那些更具哲学性和象征意义的探讨,也因此获得了强大的说服力。
评分这本书的封面设计非常引人注目,色彩搭配大胆而富有冲击力,尤其是那种老式印刷字体与现代几何图形的结合,一下子就抓住了我的眼球。我是在一家独立书店的角落里偶然发现它的,当时它被放在一个专门展示“年度独立出版物”的架子上。我拿起它时,就能感受到纸张本身的质感,那种略带粗粝的触感,让人联想到一些经典作家的手稿。书脊的处理也很讲究,虽然是平装本,但折叠处处理得非常平整,看得出装帧上花了心思。我通常不太相信那些过于花哨的封面,但这一本,它的设计语言似乎在暗示着某种深刻的内省和旅程,虽然我当时对具体内容一无所知,但仅仅是翻阅扉页时的那种仪式感,就已经让我对接下来可能展开的故事抱有了极高的期待。它不是那种流水线生产的畅销书能比拟的,更像是一件精心打磨的工艺品,光是拿在手里,就觉得拥有了一段独特的阅读体验的钥匙。
评分这本书的对话部分,绝对是全书的一大亮点,它们不像剧本对白那样直白,反而更像是两个独立意识在空间中互相试探和碰撞的火花。角色的声音个性鲜明得令人难以置信,有些人说话时习惯用反问句来表达肯定,有些人则习惯在陈述句末尾故意停顿,仿佛总是在权衡下一秒可能带来的后果。我尤其着迷于那些看似毫无意义的、关于天气或日常琐事的闲聊,因为在那层平淡的表象之下,潜藏着角色之间复杂的情感张力、未曾言明的爱恨纠葛。很多时候,真正重要的信息,往往是在一次不经意的停顿或一个错误的眼神交流中被传递出来的,这迫使我不得不反复阅读那些片段,试图捕捉那些语言学家所说的“言外之意”。
评分从主题的深度来看,这本书成功地避开了许多同类作品中常见的说教腔调,它没有试图给出一个简单的答案或明确的道德指引。相反,它更像是一个精心设计的迷宫,将关于记忆的脆弱性、时间流逝的不可逆性,以及个体在宏大历史背景下的渺小与坚韧,这些宏大的命题,都以一种极其私密和内化的方式呈现出来。阅读过程中,我经常需要停下来,合上书本,在脑海里将刚刚读到的场景与我自身的经历进行对照和反思,这是一种非常耗费心神但又极度充实的体验。它没有直接告诉我“应该如何生活”,而是通过展示一个复杂、充满矛盾的角色群像,促使我自行去构建属于自己的认知框架,可以说,它成功地将“被动接受”的阅读过程,转化成了“主动建构”的思考过程。
评分这本书的叙事节奏掌握得极为精妙,简直像是一首慢板的交响乐,层层递进,毫不拖沓,却又留足了呼吸的空间。作者似乎深谙如何运用“留白”的艺术,有些关键的情节或人物的动机,他选择不一言道破,而是将其嵌入到场景的氛围描写中,让读者必须主动去填充和解读那些缺失的片段。我记得有一个关于城市迁徙的章节,文字密度不算高,但通过对光影、气味以及微小动作的捕捉,他成功地营造出一种令人窒息的疏离感,让我仿佛身临其境地体会到了那种“在场”与“缺席”之间的矛盾。这种处理方式极大地考验了读者的耐心和专注力,但一旦你适应了这种语速,你会发现自己被一种强大而沉静的引力吸了进去,无法自拔。它要求你慢下来,去品味每一个精心挑选的动词和形容词,而不是囫囵吞枣地追逐情节的高潮。
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