Have you ever wondered why 95% of the people in prisons are men? Have you wondered why the great majority of school shootings were perpetrated by boys? What processes are at work sociologically and psychologically that engenders boys to become men? How are boys socialized to go from soft to hard in masculine definition? How does this "mystery of masculinity" contribute to male dominance and brutality? Is it possible that this process is responsible for the difficulty men have in relationships with women and their families? This research explores the interplay between the internal and the social by examining the intersection of gender, class and ethnicity in the masculinity shaping process. This study uses life cycle and social constructivist perspectives to explore the subjective experiences of men from varied subcultural contexts. A theory that has received much attention in feminist and men's studies circles is Chodorow's (1978) The Reproduction of Mothering, which reconceptualizes psychoanalytic notions of personality development to more fully include the impact of the structure of parenting on that process. Chodorow postulates that, due to the Industrial Revolution's virtual removal of the man from the world of the family, boys' and girls' psychological development varies greatly in their paths to gendered beings, resulting in men defining and overand#64979;valuing their own separateness. Simply, this results in men who have relational deficits and a lesser capacity for empathy and nurturance than women have. With feminist objectand#64979;relations theory in mind, this study explores the shaping of masculinities within three subcultural contexts. A total of thirty inand#64979;depth personal narrative interviews were conducted with men from three subcultural contexts. Class was held relatively constant as the men interviewed were from urban and rural workingand#64979;class backgrounds. The interviewees included men who were members of Amish communities, as well as men from the Africanand#64979;American workingand#64979;class in Pittsburgh and white workingand#64979;class men from Erie County, Pennsylvania. In listening to men's subjective experiences from varied life circumstances and subcultures, embedded in a particular sociohistorical context, the plurality of masculinities was informed and expanded. Through the interviews with the men from these three subcultures, feminist objectand#64979;relations theory was further informed and extended. The interviews suggest that genderand#64979;making, definition and maintenance is a much more fluid and dynamic process than previously postulated in the feminist objectand#64979;relations literature. The psychoanalytic concept of ego boundaries was reconceptualized utilizing a systemic framework and redefined as a process of expansion and contraction, with contraction socially constructed as masculine.
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我必须承认,这本书的阅读门槛相当高,它对读者的背景知识和心理准备提出了不低的要求。它很少使用直白的叙事口吻来解释人物动机或历史背景,更多地是依赖于间接的暗示、未完成的对话,以及通过环境侧面烘托出的那种历史的重量感。这意味着,读者需要具备一定的历史敏感度,或者愿意主动去查阅那些被作者巧妙嵌入文本中的文化参照点,才能真正体会到文本的深度。起初,我感到有些挫败,仿佛隔着一层薄纱看世界,但随着阅读的深入,我开始享受这种“自我发现”的过程。作者似乎相信读者的智识能力,将许多重要的线索分散埋藏,等待那些愿意投入精力的读者去挖掘。这种处理方式,使得每一次“顿悟”都来得格外珍贵和令人满足。它不是一本可以用来消磨时间的读物,而是一场需要全身心投入的智力挑战,是对耐心和好奇心的一种严肃考验。
评分这本书最让我感到震撼的是它对“沉默”的处理艺术。在充斥着喧嚣的当代文学中,作者大胆地将大量的篇幅留给了未说出口的话语、被压抑的情绪和那些本可以发生却最终没有发生的对话。这些沉默并非空洞的留白,而是被精心构建的“有效空间”。它们承载着比任何激烈的独白都要沉重的信息量。通过对人物肢体语言、眼神交流,甚至环境噪音的侧面描绘,作者成功地将这些“无声的语言”清晰地传达给了读者。我常常在读完一个段落后,会想象人物之间刚刚结束的那场“无声的交锋”,感受到其中蕴含的巨大能量。这种对非语言交流的细致入微的捕捉,极大地丰富了作品的现实主义厚度,使得书中的每一个角色都显得无比立体和复杂,因为他们都背负着自己不愿或不能言说的秘密和重量。这本书教会了我,有时,文字的缺席比满溢的词汇更具力量。
评分这本书的节奏感极其考究,它巧妙地平衡了压抑与释放的张力,让人在阅读过程中体验到一种持续的、低频的震动。大部分时间里,文字营造了一种近乎令人窒息的沉静氛围,这种沉静并非虚无,而是充满了暗流涌动的张力,仿佛暴风雨来临前,所有生物都屏住呼吸的那一刻。然而,作者并非一直维持这种高压状态。在适当的关键节点,会有突如其来的、短促而有力的爆发,这些高潮部分往往非常精炼,没有任何多余的词汇,其冲击力远超那些冗长的渲染。这种张弛有度的节奏把控,使得读者在精神上始终保持着一种警觉性,既不会因为过度压抑而感到疲惫,也不会因为持续的刺激而麻木。它成功地模仿了真实生活中的情绪波动——大多数时间是平淡而充满潜台词的,但关键时刻的爆发却具有决定性的力量。这种阅读体验,让人想起长时间的攀登,每一步都小心翼翼,直到最后豁然开朗的一瞬,那种释放感是极具疗愈性的。
评分读完此书后,我最大的感受是,它在语言运用上达到了近乎于诗歌的境界,然而其骨架却又是坚实的、充满现实重量的。作者似乎拥有将最平凡的场景提升至哲学思辨层面的魔力。比如,对于一个日常劳作场景的细致描摹,通过对光影、气味乃至呼吸节奏的精准捕捉,瞬间就超越了单纯的场景再现,变成了一种关于存在本质的探讨。文本中频繁出现的那些意象,比如某种特定的材质、反复出现的自然元素,并非简单的装饰,而是扮演着符号学的角色,它们在不同的章节中被赋予了微妙的延展和深化。这种写作风格,要求读者必须放慢速度,甚至需要反复咀嚼那些长句和复杂的从句结构。它拒绝了速食文化的阅读习惯,而是倡导一种沉浸式的、近乎冥想的投入。我甚至会时不时地停下来,不是因为不理解,而是因为被某个措辞的精妙击中,需要时间去体会那种音韵和意义的完美契合。它考验的不仅是读者的理解力,更是对语言本身美学价值的鉴赏力。这本书无疑是一次对文学形式边界的有力探索。
评分这本书的叙事视角极为独特,它不像传统的小说那样聚焦于某一个或某几个核心人物的命运起伏,而是采取了一种近乎社会学田野调查般的观察角度,去捕捉那些在历史洪流中往往被忽略的“边缘声音”。作者的笔触冷静而克制,没有进行过度的情感渲染,这反而使得那些被记录下来的片段——无论是日常琐碎的对话,还是偶尔爆发的激烈冲突——都带上了一种无可辩驳的真实感。我尤其欣赏作者在处理时间线上的手法,它并非严格遵循线性发展,而是像碎片化的记忆网络,将过去与现在不断地交织、碰撞,迫使读者自己去搭建意义的桥梁。这种非线性的叙事结构,初读时可能会感到有些迷失,但一旦沉浸其中,便会发现它极大地增强了作品的层次感和复调性。每一次翻页,都像是在参与一场复杂的解构过程,我们被迫审视那些看似理所当然的社会构建和既有认知。这本书更像是一面棱镜,折射出人性深处那些难以言喻的挣扎与坚韧,它没有提供简单的答案,而是提出了更深刻的问题。这种阅读体验,与其说是被动地接受故事,不如说是一种主动的“共创”,读者必须贡献自己的解读和经验,才能让那些“声音”真正回响起来。
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