Robert B. Heilman

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出版者:University of Washington Press
作者:Alexander, Edward (EDT)/ Dunn, Richard (EDT)
出品人:
页数:808
译者:
出版时间:2009-3-25
价格:GBP 72.00
装帧:Hardcover
isbn号码:9780295988665
丛书系列:
图书标签:
  • 文学批评
  • 美国文学
  • 现代主义
  • 诗歌
  • 戏剧
  • 小说
  • 文化研究
  • 传记
  • Robert B
  • Heilman
  • 学术著作
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具体描述

Robert Bechtold Heilman was a great literary figure of the twentieth century. This collection of his correspondence includes over 600 exchanges with more than 100 correspondents, among them Saul Bellow, Kenneth Burke, Malcolm Cowley, Richard Eberhart, Charles Johnson, Bernard Malamud, and William Carlos Williams. The letters follow Heilman's career from the time he was a thirty-six-year-old member of Louisiana State University's English Department, through his tenure at the University of Washington from 1948 to 1975, until a few years before his death in 2004. Two of his appointees who spent their entire careers at the University of Washington, Edward Alexander and Richard Dunn, have edited the letters with Paul Jaussen. The rich representation of letters to as well as from Heilman gives the reader access to decades-long conversations between him and Robert Penn Warren, Cleanth Brooks, Joseph Epstein, Theodore Roethke, and many others. They provide a sense of Heilman's character, personality, and achievements in the context of American letters. They also afford an inside history of the changes that took place over sixty years, for better and worse, in American universities, literary criticism, and the politics of literature. In the 1940s, Heilman not only defended the New Criticism against its many enemies, but in his own writing extended its imperial reach to the tragedies of Shakespeare. By the fifties, the focus of his letters shifted to the University of Washington's Department of English; and his flair for efficient, energetic, and imaginative administration resonates through them. The first time University of Washington President Raymond Allen read a letter by Heilman, he scribbled a note to his provost: 'I like this man's philosophy very much ...Would he not make an excellent Dean of Arts and Sciences?'. Heilman had been at the university less than four months. He soon transformed the department, making Washington a national center for poetry. He exhibited courage and ingenuity in defending academic freedom from yahooism and McCarthyism, nurtured and protected an ailing and unpredictable Roethke (a letter about Roethke is one of the wisest and most eloquent letters ever written by a university administrator), and struggled with demands for appointment of black faculty as well as the volatile campus politics of the sixties. Heilman's major correspondents were learned and articulate masters of the epistolary art. To read his letters and theirs is to understand that Samuel Johnson's famous observation 'we shall receive no letters in the grave' was not a sigh of expected relief from nuisance and obligation but an anticipatory lament over the loss of a supreme pleasure. Edward Alexander is professor emeritus of English and author of numerous books on Victorian literature and Jewish subjects. Richard Dunn is professor emeritus of English and author or editor of eleven books about Victorian novelists. Paul Jaussen is completing his Ph.D. in English. All are at the University of Washington.

《失落的星图:克苏鲁神话与二十世纪初的美国文学》 作者:阿历克斯·范德比尔特 内容简介: 《失落的星图》并非一部传统的文学评论集,它是一次深入二十世纪初美国文化与思想迷宫的田野调查。本书的核心目标在于剥离掩盖在H.P.洛夫克拉夫特及其同侪作品表象之下的、更为复杂和深刻的社会文化肌理——特别是早期美国现代主义对“形而上恐惧”的独特阐释,以及这种恐惧如何与当时的科学进步、社会变迁以及宗教衰退相互作用。 本书避开了对《克苏鲁的呼唤》或《敦威治恐怖事件》等经典文本的逐章解析,转而关注那些被主流文学史长期忽视的“边缘书写”:地方志、小报上的科学猜想、早期宇宙学理论的通俗读物,以及美国中西部地区特有的民间宗教与神秘主义信仰的残片。范德比尔特认为,洛夫克拉夫特式的宇宙主义并非凭空产生,而是那个特定时代焦虑的文化结晶,是美国社会在面对快速工业化、大规模移民和达尔文主义冲击时,内部秩序崩塌的文学投射。 第一部分:锈蚀的进步主义 本部分考察了1900年至1930年间,美国进步主义运动(Progressivism)的乐观主义如何与新兴的物理学(如相对论和量子论的初步普及)发生冲突。作者细致分析了当时科学期刊上关于“维度”与“非欧几里得几何”的讨论,指出这些高深理论是如何被民间想象迅速“污染”并转化为怪诞叙事的原材料的。 范德比尔特引入了“技术异化”的概念,论证了诸如电力、大规模生产和城市化带来的宏大系统,如何使得普通个体感到自身在庞大机械面前的无足轻重。这种感受,在文学中,便转化为对巨大、不可名状的、超越人类理解力的“结构”的恐惧。我们不再恐惧魔鬼,而是恐惧那些设计出我们无法理解的蓝图的“建筑师”。例如,通过分析早期工业设计手册和建筑评论,作者揭示了某些哥特复兴风格建筑如何被赋予了非人类的几何学意义,这与洛夫克拉夫特对“不和谐角度”的迷恋形成了有趣的呼应。 第二部分:新英格兰的地理与心理遗迹 本书的重点转向了对新英格兰地区,尤其是罗德岛和马萨诸塞州乡村地区“地方记忆”的考掘。范德比尔特拒绝将新英格兰设定为简单的“阴森背景”,而是将其视为一个充满历史层叠的“文化地层”。 他深入研究了殖民时期清教徒遗留的“原罪”观念,以及这些观念如何在世俗化过程中演变成对“家族诅咒”和“血脉污染”的恐惧。与传统的巫术研究不同,范德比尔特关注的是十八世纪末期地方法院记录中关于“非理性疾病”的描述,以及这些描述如何被十九世纪的“灵媒热”所重塑,最终在二十世纪初演化为对古老、非人神祇的屈服。作者特别关注了波士顿地区一些鲜为人知的秘密社团(非共济会系统)的内部文件碎片,这些文件揭示了知识分子们如何将早期亚特兰蒂斯传说和埃及神话进行本地化拼贴,试图填补传统基督教信仰留下的真空。 第三部分:南方哥特与南方“异化”的边界 虽然克苏鲁神话主要与北方相关,但范德比尔特认为,南方文学中对“衰败庄园”、“退化的家族”和“不可言说的南方秘密”的迷恋,与北方的宇宙恐怖有着深层的结构性相似性。 他对比分析了威廉·福克纳(William Faulkner)早期作品中对时间错乱感的处理,以及当时南方对进化论接受度的抵抗。在南方,恐惧的源头不是宇宙的尺度,而是历史的尺度——过去的幽灵拒绝消亡,并侵蚀着当下的现实。作者认为,南方哥特文学中的“怪物”往往是历史的具象化,这与洛夫克拉夫特笔下那些来自“彼方”的、不隶属于人类时间线的实体,构成了“内向型”与“外向型”的恐怖互补。 第四部分:阅读的解码与伦理的迷雾 在结尾部分,范德比尔特探讨了“不可名状”这一概念的文学功能。他主张,“不可名状”并非是作者无力描述,而是一种主动的“阅读规训”——它迫使读者暂时放弃理性的语言工具,进入一种近乎宗教经验的、纯粹的情感冲击状态。 本书最后质疑了二十世纪初知识分子在面对“无意义宇宙”时所采取的伦理立场。面对一个对人类福祉漠不关心的宇宙,是选择洛夫克拉夫特式的逃避与癫狂,还是选择福克纳式的在破碎中重建意义?《失落的星图》是一场对美国文化心理学的深度剖析,它展示了在理性主义的光芒退却后,那些潜藏在文化底层、等待被唤醒的深渊。本书为读者提供了一套全新的工具,用以审视那些在字里行间悄然成形、并塑造了我们现代恐惧的“星图”。

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