圖書標籤: 劇場研究 Catherine_A_Schuler
发表于2024-11-08
Theatre and Identity in Imperial Russia pdf epub mobi txt 電子書 下載 2024
What role did the theatre—both institutionally and literally—play in Russia’s modernization? How did the comparatively harmonious relationship that developed among the state, the nobility, and the theatre in the eighteenth century transform into ideological warfare between the state and the intelligentsia in the nineteenth? How were the identities of the Russian people and the Russian soul configured and altered by actors in St. Petersburg and Moscow? Using the dramatic events of nineteenth-century Russian history as a backdrop, Catherine Schuler answers these questions by revealing the intricate links among national modernization, identity, and theatre.
Schuler draws upon contemporary journals written and published by the educated nobility and the intelligentsia—who represented the intellectual, aesthetic, and cultural groups of the day—as well as upon the laws of the Russian empire and upon theatrical memoirs. With fascinating detail, she spotlights the ideologically charged binaries ascribed to prominent actors—authentic/performed, primitive/civilized, Russian/Western—that mirrored the volatility of national identity from the Napoleonic Wars through the reign of Alexander II.
If the path traveled by Russian artists and audiences from the turn of the nineteenth century to the era of the Great Reforms reveals anything about Russian culture and society, it may be that there is nothing more difficult than being Russian in Russia. By exploring the ways in which theatrical administrators, playwrights, and actors responded to three tsars, two wars, and a major revolt, this carefully crafted book demonstrates the battle for the hearts and minds of the Russian people.
Catherine Schuler is an associate professor in the Department of Theatre at the University of Maryland, College Park, and coeditor of Theatre Journal. She is the author of Women in Russian Theatre: The Actress in the Silver Age, winner of the Barnard Hewitt Award, and coeditor of Theatre and Feminist Aesthetics.
追溯俄法戰爭到剋裏米亞戰爭期間,俄國劇場如何形塑、再現「真正的」俄國人。彼得大帝的現代化改革使貴族階層唯法是尚,而職級錶的建立在貴族中催生疏離感,直至拿破侖入侵加劇他們在文化層麵的精神分裂,化為西歐和斯拉夫兩派。法國名伶喬治小姐與謝苗諾娃的演技,在劇評界分彆象徵「外國技巧/他者」和「俄羅斯靈魂/我者」,而此二元對立,延續至卡拉蒂金和莫恰洛夫、費多托娃和斯特列彆托娃的演技對比,衍生齣一係列二分法,如依據生理科學的精確控製/情感自然流露甚至失常(農奴演員謝普金則為二者綜閤)、聖彼得堡/莫斯科、首府/地方等。俄羅斯的民族性從尼古拉一世欽定的「專製,東正教,民族特性」,到杜勃羅留波夫以專製政權的受害者農民和小商販階層為準界定的「人民性」,何謂舞颱上的真實隨之而變。沙霍夫斯科伊跨越階級壁壘的戲劇活動。
評分追溯俄法戰爭到剋裏米亞戰爭期間,俄國劇場如何形塑、再現「真正的」俄國人。彼得大帝的現代化改革使貴族階層唯法是尚,而職級錶的建立在貴族中催生疏離感,直至拿破侖入侵加劇他們在文化層麵的精神分裂,化為西歐和斯拉夫兩派。法國名伶喬治小姐與謝苗諾娃的演技,在劇評界分彆象徵「外國技巧/他者」和「俄羅斯靈魂/我者」,而此二元對立,延續至卡拉蒂金和莫恰洛夫、費多托娃和斯特列彆托娃的演技對比,衍生齣一係列二分法,如依據生理科學的精確控製/情感自然流露甚至失常(農奴演員謝普金則為二者綜閤)、聖彼得堡/莫斯科、首府/地方等。俄羅斯的民族性從尼古拉一世欽定的「專製,東正教,民族特性」,到杜勃羅留波夫以專製政權的受害者農民和小商販階層為準界定的「人民性」,何謂舞颱上的真實隨之而變。沙霍夫斯科伊跨越階級壁壘的戲劇活動。
評分追溯俄法戰爭到剋裏米亞戰爭期間,俄國劇場如何形塑、再現「真正的」俄國人。彼得大帝的現代化改革使貴族階層唯法是尚,而職級錶的建立在貴族中催生疏離感,直至拿破侖入侵加劇他們在文化層麵的精神分裂,化為西歐和斯拉夫兩派。法國名伶喬治小姐與謝苗諾娃的演技,在劇評界分彆象徵「外國技巧/他者」和「俄羅斯靈魂/我者」,而此二元對立,延續至卡拉蒂金和莫恰洛夫、費多托娃和斯特列彆托娃的演技對比,衍生齣一係列二分法,如依據生理科學的精確控製/情感自然流露甚至失常(農奴演員謝普金則為二者綜閤)、聖彼得堡/莫斯科、首府/地方等。俄羅斯的民族性從尼古拉一世欽定的「專製,東正教,民族特性」,到杜勃羅留波夫以專製政權的受害者農民和小商販階層為準界定的「人民性」,何謂舞颱上的真實隨之而變。沙霍夫斯科伊跨越階級壁壘的戲劇活動。
評分追溯俄法戰爭到剋裏米亞戰爭期間,俄國劇場如何形塑、再現「真正的」俄國人。彼得大帝的現代化改革使貴族階層唯法是尚,而職級錶的建立在貴族中催生疏離感,直至拿破侖入侵加劇他們在文化層麵的精神分裂,化為西歐和斯拉夫兩派。法國名伶喬治小姐與謝苗諾娃的演技,在劇評界分彆象徵「外國技巧/他者」和「俄羅斯靈魂/我者」,而此二元對立,延續至卡拉蒂金和莫恰洛夫、費多托娃和斯特列彆托娃的演技對比,衍生齣一係列二分法,如依據生理科學的精確控製/情感自然流露甚至失常(農奴演員謝普金則為二者綜閤)、聖彼得堡/莫斯科、首府/地方等。俄羅斯的民族性從尼古拉一世欽定的「專製,東正教,民族特性」,到杜勃羅留波夫以專製政權的受害者農民和小商販階層為準界定的「人民性」,何謂舞颱上的真實隨之而變。沙霍夫斯科伊跨越階級壁壘的戲劇活動。
評分追溯俄法戰爭到剋裏米亞戰爭期間,俄國劇場如何形塑、再現「真正的」俄國人。彼得大帝的現代化改革使貴族階層唯法是尚,而職級錶的建立在貴族中催生疏離感,直至拿破侖入侵加劇他們在文化層麵的精神分裂,化為西歐和斯拉夫兩派。法國名伶喬治小姐與謝苗諾娃的演技,在劇評界分彆象徵「外國技巧/他者」和「俄羅斯靈魂/我者」,而此二元對立,延續至卡拉蒂金和莫恰洛夫、費多托娃和斯特列彆托娃的演技對比,衍生齣一係列二分法,如依據生理科學的精確控製/情感自然流露甚至失常(農奴演員謝普金則為二者綜閤)、聖彼得堡/莫斯科、首府/地方等。俄羅斯的民族性從尼古拉一世欽定的「專製,東正教,民族特性」,到杜勃羅留波夫以專製政權的受害者農民和小商販階層為準界定的「人民性」,何謂舞颱上的真實隨之而變。沙霍夫斯科伊跨越階級壁壘的戲劇活動。
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Theatre and Identity in Imperial Russia pdf epub mobi txt 電子書 下載 2024