具体描述
“Liberals seem to have hit upon a reverse Christ story as their belief system. He suffered and died for our sins; liberals make the rest of us suffer for sins we didn’t commit.”
Who are the victims here? To hear liberals tell it, you’d think they do nothing but suffer at the hands of ruthless entities like the “Republican Attack Machine” and Fox News.
Really?
It’s just another instance of the Big Lie, of course, told so often that some people have actually started to believe it. In Guilty , Ann Coulter explodes this myth to reveal that when it comes to bullying, no one outdoes the Left. Citing case after case, ranging from the hilariously absurd to the shockingly vicious, Coulter dissects these so-called victims who are invariably the oppressors. For instance:
•Single mothers: Getting pregnant isn’t like catching the flu. There are volitional acts involved–someone else explain it to Dennis Kucinich. By this purposeful act, single mothers cause irreparable harm to other human beings–their own children–as countless studies on the subject make clear.
•The myth of the Republican Attack Machine: The most amazing thing liberals have done is create the myth of a compliant right-wing media with Republicans badgering baffled reporters into attacking Democrats. It’s so mad, it’s brilliant. It’s one kind of lie to say the Holocaust occurred when the Swedes killed the Jews. But it’s another kind of lie entirely to say the Holocaust occurred when the Jews killed the Nazis.
•“Brave” liberals: In addition to being beautiful, compassionate tribunes of the downtrodden, liberals are brave. I know that because they’re always telling me how brave they are. Why, five nights a week, MSNBC’s Keith Olbermann courageously books guests who completely agree with him. It doesn’t get much braver than that.
•Obambi’s luck: While B. Hussein Obama piously condemned attacks on candidates’ families, his media and campaign surrogates ripped open the court-sealed divorce records of his two principal opponents in his Senate race in Illinois.
•The offenders are offended!: Republican senator George Allen’s career was destroyed when he made a joking remark to a privileged Indian American harassing him at campaign stops. When did rich kids become a new protected category that must be shielded from words that are insulting in other languages? How did Sidarth become a specially anointed victim? What did we ever do to India? And why didn’t we ever hear about the far more offensive anti-Semitic flyers of Allen’s opponent Jim Webb?
One essential and recurring truth about self-righteous liberals, says Coulter, is that “they viciously attack all while wailing that they are the true victims.” With Guilty –a mordantly witty and shockingly specific catalog of offenses that liberals would rather we ignore and forget–Ann Coulter presents exhibits A through Z.
From the Hardcover edition.
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这本书最出彩的地方在于其对“沉默的重量”的精妙处理。很多重要的信息和决定，都不是通过激烈的对话传达的，而是通过角色选择不说什么、在哪里保持沉默来实现的。这使得每一次的对话都充满了潜在的危险和未爆的雷。我甚至可以想象，如果把书中的所有对白都拿掉，剩下的内心独白和环境描写，依然能构成一个完整且令人心碎的故事。它成功地营造了一种令人窒息的“透明性焦虑”——当你感觉自己的一切都被审视，但你却无法真正看清审视你的人时，那种无助感是难以言喻的。阅读过程中，我多次停下来，盯着书页发呆，试图理解某个角色为何要做出那种看似愚蠢却又无可奈何的选择。它超越了简单的“好人”与“坏人”的二元对立，探讨的是在极端压力下，人性是如何被挤压变形的。这是一部深刻反思人际关系中权力动态的作品，读完后，你会对那些未说出口的话语，产生一种前所未有的敬畏。
评分这本书带给我的感受，更像是一场心理上的漫长跋涉。它没有飞快的动作场面，但内心的风暴却比任何爆炸都来得猛烈。作者非常擅长捕捉那种“微小的不适感”，比如一个眼神的闪躲、一句不合时宜的沉默，通过这些细微之处，构建起整个故事的张力。我发现自己开始不自觉地模仿书中的角色观察周围的人，试图从中寻找那些隐藏的动机和未言明的秘密。这种沉浸式的体验是极其罕见的。而且，这本书的叙事视角不断在变化，一会儿是局外人的冷眼旁观，一会儿又猛地跳入当事人的第一人称视角，这种跳跃感制造了一种持续的眩晕感，让读者始终处于一种不稳定的状态，完美模拟了角色们所处的困境。它探讨的议题非常深刻，关于社会身份的建构与崩塌，那种由外界期待与自我认知冲突所产生的巨大引力，让人深思。这是一部需要耐心去品味，但回报丰厚的作品。
评分这部作品简直是扣人心弦的阅读体验，作者对于人物内心的刻画细腻入微，那种挣扎、那种在道德边缘徘徊的不安感，透过文字栩栩如生地展现出来。我尤其欣赏叙事节奏的把控，它不像某些悬疑小说那样一味追求刺激，而是通过层层递进的细节铺陈，让读者在不经意间感受到一股强大的暗流正在涌动。故事的背景设定在一个略显压抑的欧洲小镇，建筑的斑驳和常年弥漫的雾气，都为故事蒙上了一层挥之不去的阴郁色彩。主角的选择和每一次犹豫，都深深牵动着我的情绪，让人忍不住想质问他，但同时又对他那份近乎宿命般的无力感深表同情。这本书的魅力在于，它不急于给出简单的对错判断，而是将复杂的人性摆在读者面前，让人在合上书本后，仍久久不能平复地思考“如果是我，我会怎么做”。那种余韵，远超出了情节本身。我几乎能闻到书中描绘的旧木和潮湿空气的味道，代入感极强，是一次非常成功的文学旅行。
评分初读这本书，我的第一印象是它的语言风格异常冷峻而精准，仿佛一把锋利的手术刀，毫不留情地剖开表象，直抵事物的核心。文字没有冗余的修饰，每一个词语都像是经过精心挑选，恰到好处地烘托出一种紧张而疏离的氛围。故事线索交织得如同复杂的几何图形，看似毫不相关的人物和事件，最终却在某个意想不到的节点上汇合，揭示出精心编织的宏大结构。我特别喜欢作者在处理关键转折点时的手法，那种不露声色的铺垫，使得最终的爆发显得既震撼又合乎情理。它不仅仅是一个关于某个特定事件的叙述，更像是一部关于“结构性错误”的寓言。读完后，我感觉自己像是完成了一场高强度的智力挑战，需要花时间去梳理那些散落在章节中的线索和伏笔。对于追求逻辑严密和叙事艺术的读者来说，这本书无疑是一份厚礼，它证明了好的故事不需要花哨的包装，只需要坚实有力的骨架。
评分说实话，我一开始对这种略显晦涩的文风有些不适应，感觉像是在穿越一片浓雾。但一旦你适应了作者设定的节奏和那种略带疏离感的笔调，就会发现其中蕴含着惊人的美感。这部小说的结构设计得非常精巧，它并非采用传统的时间线叙事，而是像一面破碎的镜子，将时间碎片和情感碎片散落在各处，需要读者自己去拼凑出完整的画面。最让我印象深刻的是那些环境描写，它们不是简单的背景板，而是故事情绪的延伸。比如书中描绘的那个被遗弃的码头，那种潮湿、腐朽的气息，仿佛直接渗入纸张，成为角色内心腐蚀的具象化体现。它更像是一首关于失落与救赎的长诗，用最不煽情的方式，表达了最深沉的痛苦。对于那些偏爱文学性更强、对故事的“意境”而非“情节”更看重的读者来说，这本书绝对是本年度的惊喜。我几乎可以肯定，这本书的某些段落，会成为文学课堂上的经典案例。
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