"Stanislavsky in Focus" brilliantly examines the history and actual premises of Stanislavsky's 'System', separating myth from fact with forensic skill. The first edition of this now classic study showed conclusively how the 'System' was gradually transformed into the Method, popularised in the 1950s by Lee Strasberg and the Actor's Studio. It looked at the gap between the original Russian texts and what most English-speaking practitioners still imagine to be Stanislavsky's ideas.This thoroughly revised new edition also delves even deeper into: the mythical depiction of Stanislavsky as a tyrannical director and teacher yoga, the mind-body-spirit continuum and its role in the 'System' how Stanislavsky used subtexts to hide many of his ideas from Soviet censors. The text has been updated to address all of the relevant scholarship, particularly in Russia, since the first edition was published. It also features an expanded glossary on the System's terminology and its historical exercises, as well as more on the political context of Stanislavsky's work, its links with cognitive science, and the System's relation to contemporary developments in actor-training. It will be a vital part of every practitioner's and historian's library.
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缺点是在声称为斯坦尼祛魅的同时，不自觉地将之再次神化，部分章节里的一些细节有重复。莫艺美国巡回演出时所选剧目的过时、英译者的删减、苏共的审查、接班人的各取体系为己所用、方法派-弗洛伊德、体系派-行为主义等等都对体系的误读产生影响。关键词体验、瑜伽、克尼别尔的“在动作中分析角色”。
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评分缺点是在声称为斯坦尼祛魅的同时，不自觉地将之再次神化，部分章节里的一些细节有重复。莫艺美国巡回演出时所选剧目的过时、英译者的删减、苏共的审查、接班人的各取体系为己所用、方法派-弗洛伊德、体系派-行为主义等等都对体系的误读产生影响。关键词体验、瑜伽、克尼别尔的“在动作中分析角色”。
评分书中试图连接学术与演剧之间的关系，破除斯坦尼斯拉夫斯基体系研究中的迷障。
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