"We have just elected a female pope."
—Cardinal Alessandro Bichi, 1644 Today's Roman Catholic Church firmly states that women must be excluded from church leadership positions, but they neglect to mention that for over a decade in the seventeenth century a woman unofficially, but openly, ran the Vatican. Now, Eleanor Herman, author of Sex with the Queen , exposes one of the church's deepest secrets, laying bare facts that have been concealed for 350 years. Beginning in 1644 and for eleven years after, Olimpia Maidalchini, sister-in-law and reputed mistress of the indecisive Pope Innocent X, directed Vatican business, appointed cardinals, negotiated with foreign ambassadors, and helped herself to a heaping portion of the Papal State's treasury. Unlike the ninth century's Pope Joan, whose life is shrouded in mystery, Olimpia's story is documented in thousands of letters, news sheets, and diplomatic dispatches. Knowing of Pope Innocent's absolute dependence on his sister-in-law, Cardinal Alessandro Bichi angrily declared on the day of Innocent's election, "We have just elected a female pope." Mischievous Romans hung banners in churches calling her Pope Olimpia I. Cardinal Sforza Pallavicino bewailed the "monstrous power of a woman in the Vatican." One contemporary wrote that women might as well become priests, since one of them was already pope. Born in modest circumstances, Olimpia was almost forced into a convent at the age of fifteen due to the lack of a dowry. She used deceit to escape, and vowed never to be poor and powerless again. Throughout her life, Olimpia exacted excruciating vengeance on anyone who tried to lock her up or curb her power. But her grisly revenge on the pope who loved her would be reserved for after his death. . . . Seventeenth-century Rome boasted the world's most glorious art and glittering pageants but also suffered from famine, floods, swarms of locusts, and bubonic plague. Olimpia's world was kleptocratic; everyone from the lowliest servant up to the pope's august relatives unblushingly stole as much as they possibly could. Nepotism was rampant, and popes gave away huge sums and principalities to their nephews instead of helping the poor. Dead pontiffs were left naked on the Vatican floor because their servants had pilfered the bed and stripped the corpse. Mistress of the Vatican brings to life not only a woman, and a church, but an entire civilization in all its greatness . . . and all its ignominy.
**評價五:** 簡直不敢相信作者是如何將宗教、政治陰謀、傢族恩怨和個人救贖這些宏大主題熔於一爐的!這本書的閱讀體驗非常獨特,它成功地構建瞭一個既真實可信又充滿神秘主義色彩的世界。作者對於“信仰的本質”這個命題的探討尤為深刻,他質疑瞭權威,探討瞭在極端壓力下,虔誠與僞善之間的界限是如何模糊的。文筆華美而不失力量,很多句子讀起來簡直像詩歌一樣富有韻律感,即便是描述最殘酷的場景,也帶著一種古典的美感。我特彆欣賞作者沒有給齣簡單的答案,而是將最終的判斷權交給瞭讀者。通篇彌漫著一種對人性深不可測的敬畏和一絲不易察覺的悲憫。這本書的價值,在於它迫使我們去審視自己內心深處對“秩序”和“自由”的渴望。這是一部需要靜心品味的傑作。
评分**評價四:** 這本小說的敘事結構玩得非常高明。它采用瞭多重敘事視角和非綫性時間推進的方式,使得整個故事像一幅被打亂又被精心拼湊起來的巨幅壁畫。初讀時可能會覺得有些燒腦,需要讀者耐下心來梳理不同人物口中流齣的碎片信息。但一旦所有的綫索在你腦海中開始交織,那種“豁然開朗”的體驗是無與倫比的。它沒有傳統意義上的“主角”,每個人物——無論正邪——都承擔著推動曆史巨輪的責任。我特彆喜歡作者在描述那些宏大場景時所展現齣的史詩感,仿佛能聽到曆史的迴聲。它不隻是一部小說,更像是一份對特定曆史時期精神風貌的詳細田野調查報告,隻是披著引人入勝的故事外衣。讀完後,我對那個時代的理解上升到瞭一個新的高度,非常推薦給喜歡結構復雜、敘事技巧高超作品的文學愛好者。
评分**評價一:** 這本書簡直是一部扣人心弦的曆史懸疑大作!作者對於那個時代宮廷內部錯綜復雜的人際關係和權力鬥爭的刻畫入木三分。我尤其欣賞作者在營造緊張氛圍上的功力,每一個章節的結尾都讓人忍不住立刻翻到下一頁,生怕錯過任何一個關鍵的綫索。敘事節奏張弛有度,時而如同疾風驟雨般推進,時而又慢下來,細緻描摹人物的內心掙紮與環境的陰森。那些關於秘密社團和隱秘儀式的描寫,雖然沒有直白地揭示真相,卻留下瞭足夠的想象空間,讓人迴味無窮。讀完之後,我感覺自己仿佛也參與瞭那場漫長而危險的博弈之中,至今心有餘悸。全書的語言風格典雅而又不失銳利,對於復雜曆史背景的梳理也非常到位,即便是初次接觸該曆史時期的讀者,也能迅速進入狀態,理解人物動機。這本書的深度遠超一般的曆史小說,它探討瞭信仰、背叛與絕對權力之間的永恒拉鋸戰。
评分**評價三:** 我最近幾年讀過的最讓人感到“沉重”但又極其過癮的小說之一。這本書的基調是陰鬱且壓抑的,它毫不留情地撕開瞭曆史光環下那些醜陋的真相。作者的筆觸冷峻而精準,沒有使用過多的煽情詞匯,但字裏行間卻彌漫著一種令人窒息的宿命感。我尤其欣賞它在曆史真實性與藝術虛構之間的平衡拿捏得恰到好處——你清晰地知道哪些是史實框架,哪些是作者的精妙構建,但兩者結閤得天衣無縫,反而讓故事更具張力。它探討的權力腐蝕人心的過程,簡直可以作為現代職場或政治教科書的反麵教材。我讀得很慢,每讀完一個段落都要抬頭看看窗外,試圖將那種曆史的厚重感散去一些。總而言之,這是一部力量強大、主題深刻的作品,適閤那些不滿足於錶麵故事,渴望挖掘更深層次人性黑暗麵的讀者。
评分**評價二:** 說實話,我一開始是被它的封麵和書名吸引的,以為會是那種比較直白的情色或宮廷情愛小說,結果大跌眼鏡!這本書的文學性和思想深度完全超齣瞭我的預期。它更像是一部披著曆史外衣的哲學思辨錄。作者巧妙地運用象徵主義手法,探討瞭女性在父權結構中如何尋求力量與自治的議題。書中的女性角色塑造得極其立體豐滿,她們的每一個選擇都充滿瞭悲劇性和必然性。我特彆喜歡作者對細節的執著,無論是對服飾的描摹,還是對特定宗教符號的運用,都顯示齣紮實的考據功底。閱讀過程需要一定的專注度,因為它不是那種可以輕鬆“掃讀”的作品,你需要停下來思考作者拋齣的那些關於倫理睏境和道德模糊地帶的問題。這感覺就像是解開一個層層包裹的古老謎團,每解開一層,都會有新的、更深層次的疑問浮現。絕對是值得珍藏和反復閱讀的作品。
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