Deleuze and Horror Film pdf epub mobi txt 电子书 下载 2026
- 电影理论
- 电影
- 恐怖片
- 德勒兹
- Deleuze
- Horror Film
- Philosophy
- Film Theory
- Cinema
- Psychoanalysis
- Affect Theory
- French Philosophy
- Cultural Studies
- Media Studies
具体描述
The horror film analysed from a Deleuzian perspective. This book argues that dominant psychoanalytic approaches to horror films neglect the aesthetics of horror. Yet cinematic devices such as mise en scene, editing and sound, are central to the viewer's visceral fear and arousal. Using Deleuze's work on art and film, Anna Powell argues that film viewing is a form of 'altered consciousness' and the experience of viewing horror film an 'embodied event'. The book begins with a critical introduction to the key terms in Deleuzian philosophy and aesthetics. These include: subjectivity/becoming, the body without organs, molecularity, time/duration, affect, movement/rhythm, space, anomaly and schizoanalysis. These concepts are then applied to horror films. Themes such as insanity, sensory response to film, the subject/object, fractured time, the body and cinematography are explored in horror films such as Jacob's Ladder, Dr Jekyll and Mr Hyde, Psycho, Silence of the Lambs, The Fly, A Nightmare on Elm Street, Alien Resurrection, The Others, The Shining, Interview with the Vampire, Bram Stoker's Dracula and Nosferatu. Features *A substantial new contribution to horror film theory *A critical introduction to key terms in Deleuzian philosophy and aesthetics *New readings of the classic horror canon and recent films *Analysis of horror styles, narrative and special effects. Deleuze and Horror Film was originally published in hardback in March 2005. The paperback edition was published in November 2006.
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我居然还是对最开头的从精神分析到分裂分析那一章印象深刻，看到后面的影片分析有些牵强附会了，而且也很乱……观众更能被怪兽、凶手、魔鬼吸引和共情，可能是因为他们是不受约束的自由流动的人，自动驱赶着欲望，散发着活力的光芒，可能这也是《布莱尔女巫》等心理恐怖片绝对不能出现单一或单一群体大反派的原因，否则这强大的吸引力就会驱散观众复杂紧实的恐惧了
评分我居然还是对最开头的从精神分析到分裂分析那一章印象深刻，看到后面的影片分析有些牵强附会了，而且也很乱……观众更能被怪兽、凶手、魔鬼吸引和共情，可能是因为他们是不受约束的自由流动的人，自动驱赶着欲望，散发着活力的光芒，可能这也是《布莱尔女巫》等心理恐怖片绝对不能出现单一或单一群体大反派的原因，否则这强大的吸引力就会驱散观众复杂紧实的恐惧了
评分我居然还是对最开头的从精神分析到分裂分析那一章印象深刻，看到后面的影片分析有些牵强附会了，而且也很乱……观众更能被怪兽、凶手、魔鬼吸引和共情，可能是因为他们是不受约束的自由流动的人，自动驱赶着欲望，散发着活力的光芒，可能这也是《布莱尔女巫》等心理恐怖片绝对不能出现单一或单一群体大反派的原因，否则这强大的吸引力就会驱散观众复杂紧实的恐惧了
评分我居然还是对最开头的从精神分析到分裂分析那一章印象深刻，看到后面的影片分析有些牵强附会了，而且也很乱……观众更能被怪兽、凶手、魔鬼吸引和共情，可能是因为他们是不受约束的自由流动的人，自动驱赶着欲望，散发着活力的光芒，可能这也是《布莱尔女巫》等心理恐怖片绝对不能出现单一或单一群体大反派的原因，否则这强大的吸引力就会驱散观众复杂紧实的恐惧了
评分我居然还是对最开头的从精神分析到分裂分析那一章印象深刻，看到后面的影片分析有些牵强附会了，而且也很乱……观众更能被怪兽、凶手、魔鬼吸引和共情，可能是因为他们是不受约束的自由流动的人，自动驱赶着欲望，散发着活力的光芒，可能这也是《布莱尔女巫》等心理恐怖片绝对不能出现单一或单一群体大反派的原因，否则这强大的吸引力就会驱散观众复杂紧实的恐惧了
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