Nationalism, Marxism, and African American Literature Between the Wars

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出版者: 作者:Dawahare, Anthony 出品人: 页数:161 译者: 出版时间:2002-11-15 价格:25 装帧:Paperback isbn号码:9781934110515 丛书系列:
图书标签
  • Nationalism
  • Marxism
  • African American Literature
  • Interwar Period
  • Literary Criticism
  • American Literature
  • Political Literature
  • Cultural Studies
  • Race Relations
  • Social History
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具体描述

During and after the Harlem Renaissance, two intellectual forces --nationalism and Marxism--clashed and changed the future of African American writing. Current literary thinking says that writers with nationalist leanings wrote the most relevant fiction, poetry, and prose of the day.

Nationalism, Marxism, and African American Literature Between the Wars: A New Pandora's Box challenges that notion. It boldly proposes that such writers as A. Philip Randolph, Langston Hughes, and Richard Wright, who often saw the world in terms of class struggle, did more to advance the anti-racist politics of African American letters than writers such as Countee Cullen, Jessie Redmon Fauset, Alain Locke, and Marcus Garvey, who remained enmeshed in nationalist and racialist discourse.

Evaluating the great impact of Marxism and nationalism on black authors from the Harlem Renaissance and the Depression era, Anthony Dawahare argues that the spread of nationalist ideologies and movements between the world wars did guide legitimate political desires of black writers for a world without racism. But the nationalist channels of political and cultural resistance did not address the capitalist foundation of modern racial discrimination.

During the period known as the "Red Decade" (1929-1941), black writers developed some of the sharpest critiques of the capitalist world and thus anticipated contemporary scholarship on the intellectual and political hazards of nationalism for the working class.

As it examines the progression of the Great Depression, the book focuses on the shift of black writers to the Communist Left, including analyses of the Communists' position on the "Negro Question," the radical poetry of Langston Hughes, and the writings of Richard Wright.

这本书以广泛而深入的视角展开探讨三个关键领域:《国家主义、马克思主义与非洲美国文学:战后时期》的主题。首先,这一作品详细分析了二十世纪初期国际政治和文化背景下,各种意识形态如何在不同社会环境中演变发展。书中通过对历史事件的剖析,揭示了国家主义思想在全球范围内的传播与变迁,其探讨不仅限于单一地区,而是关注多样化的地理和文化空间。 其次,本书深入挖掘了马克思主义理论如何在文学创作中被运用,并探讨其对社会现实的反映。这部分内容详细论述了从哲学到社会批判,马克思思想在不同文化语境中的演绎方式,以及它如何成为分析权力结构和社会变革的重要工具。通过大量引用经典文本与学术研究,本书展示了马克思主义在文学中的多面性,使读者能够更深刻地理解其理论在实际作品中的体现。 第三,书中重点关注了非洲美国文学这一独特的领域,通过对作品的细致解析,揭示了种族、身份和历史记忆之间复杂关系。研究者不仅分析了代表作中的叙事手法和主题表达,还探讨了这些文学作品在反思美国社会、挑战主流文化认知方面所起到的重要作用。这一部分内容特别强调了非洲美国文学的多样性与丰富性,呈现出不同声音与视角的交织。 整篇书籍还结合了大量图表、实例和具体案例,使得主题更加生动可知。通过对历史背景、文学作品及其社会意义的综合剖析,这本书不仅为读者提供了丰富的学术资源,更帮助他们理解不同思想体系在特定时空中的运作与影响。这部作品不仅适合作为学术研究的重要参考资料,也能够为普通读者提供深刻的思考素材。 全书结构设计细致,内容层次分明,从宏观历史背景逐步深入到具体文学分析,使得每一章节都具有独立且重要的意义。而在整个过程中,作者通过丰富的引用和严谨的论证,确保了信息的权威性和深度。这样的布局不仅提升了读者的理解体验,也突显了研究的全面性与系统性。 本书旨在弥合学术理论与实际文献之间的差距,通过详实的分析让读者在阅读过程中获得全面的知识渊博,同时激发对当代社会问题的深层思考。这一工作将有助于读者更好地理解文化、思想及历史的交织关系,成为深入探讨相关领域的重要参考。 通过多维度的内容设计,本书不仅满足了学术研究的需要,也为广大读者提供了一种全面而立体的视角,使他们在阅读中获得知识、启发和共鸣。这些细节让这篇书籍在非洲美国文学与国际思想史的交汇处,占据了重要地位。

作者简介

Anthony Dawahare is an associate professor of English at California State University, Northridge. He has been published in African American Review, MELUS, Twentieth-Century Literature, and Criticism: A Quarterly for Literature, and the Arts.

目录信息

Contents
Acknowledgments ix
Introduction xi
Part I: Nationalism in the Harlem Renaissance
Chapter I . Black Nationalist Discourse in the Postwar Period 3
Chapter 2. The Dual Nationalism of Alain Locke’s The New Negro 30
Chapter 3. The Dance of Nationalism in the Harlem Renaissance 48
Part II: Internationalismand Afiican American Writing in the 1930s
Chapter 4. Marxism and Black Proletarian Literary Theory 73
Chapter 5. Langston Hughes’sRadical Poetry and the “End of Race” 92
Chapter 6 . Richard Wright’sCritique of Nationalist Desire III
Afterword: Beyond Twentieth-CenturyNationalisms in the Study of African American Culture I35
Bibliography I4I
Index I57
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