The Fall of the Pagoda, the first of two semi-autobiographical novels written originally by Eileen Chang in English, depicts in gripping detail her childhood years in Tianjin and Shanghai, while The Book of Change revolves around her wartime student days in Hong Kong. The Fall of the Pagoda introduces a young girl (called Lute) growing up amid many family entanglements with her divorced mother and spinster aunt during the 1930s in Shanghai’s International Settlement. Both novels shed light on the construction of selfhood in Chang’s other novels, through lengthy discussions of Chang’s difficult relationship with her selfishly demanding mother as well as of intricate dynamics in the extended families who emerged from aristocratic households of the late Qing Dynasty. While the main characters belong to the new Republican period, their worldviews and everyday life are still haunted by the shadows of the past.
Eileen Chang is now recognized as one of the greatest modern Chinese writers, though she was completely erased from official histories in mainland China. She was the most popular writer in Japanese-occupied Shanghai during World War II, with English and Chinese stories focusing on human frailties rather than nationalist propaganda. For her non-committal politics and idiosyncrasies, she was boycotted by fellow writers after the war and forced to the margins of literary respectability.
"The Fall of the Pagoda begins as a comedy of manners and gradually evolves into a gothic thriller… Contradictions and aberrations are the norm in Lute’s family. This is a household immersed in a decaying grandeur amid the intoxicating smell of opium, but it never hesitates to pursue new and exotic things from automobiles to movies. Desolation and decadence rule. Lute’s father indulges himself in debauchery while her mother could not wait to become a Nora of New China. Nevertheless, both share the disposition to squander family fortune ruthlessly; children are their last concern. The Russian Revolution, the creation of Manchukuo, and the Second Sino-Japanese War take place one after another in the novel, but except for momentary disturbances, nothing affects the family which is already engulfed by its own corruption." — From the Introduction by David Der-wei Wang, Harvard University
Eileen Chang is now recognized as one of the greatest modern Chinese writers, though she was completely erased from official histories in mainland China. These previously unpublished, semi-autobiographical novels depict in gripping detail her childhood years in Tianjin and Shanghai, as well as her student days in Hong Kong during World War II, and shed light on the construction of selfhood in her other novels.
少女自传 与其看别人矫揉造作的传记,不如看张爱玲本人的自传,这里没有胡兰成,没有小资情调,有的只是一名叫“琵琶”的孤独少女独自面对大时代变迁和小家庭颓败的彷徨不安。在这些近似回忆录的琐碎文字中,又处处可见作者的见解与反思,那是晚年张爱玲与童年自己的隔空对话...
评分1一局打完了,牌子推倒重洗,七八只手在搅。厨子老吴悻悻然骂着手气转背了。花匠布鞋穿一半,拖着脚过来看桌上一副还没动的牌。每个人都是瓮声瓮气的,倒不是吵架。琵琶顶爱背后的这些声响,有一种深深的无聊与忿恨,像是从一个更冷更辛苦的世界吹来的风,能提振精神,和楼上的...
评分末代闺秀 ——读《雷峰塔》 在中华民族饱经忧患、绵长悠久的历史画卷中,清王朝治下的中国与它之前的大部分王朝一样,也曾让神州大地焕发过盛世的灿烂光彩。然而,国门之外遥远的大不列颠岛上,一只轰鸣的火车头上喷出的第一缕蒸汽,终于成为一只蝴蝶引发海啸的振翅,在...
评分我记得第一次看《白娘子永镇雷峰塔》时,心下无比讶异,话本完全不现凄哀同情,反是路人看戏、冷嘲热讽的声口,末梢总结两行道貌训话。同我自小听闻十分两样。我还在张晓风的书里撞过《许士林的独白》,烫得流泪,万分哀叹生生别离,那种柔缓的痛是暖的,哪怕空破的愿望,也毕...
评分1一局打完了,牌子推倒重洗,七八只手在搅。厨子老吴悻悻然骂着手气转背了。花匠布鞋穿一半,拖着脚过来看桌上一副还没动的牌。每个人都是瓮声瓮气的,倒不是吵架。琵琶顶爱背后的这些声响,有一种深深的无聊与忿恨,像是从一个更冷更辛苦的世界吹来的风,能提振精神,和楼上的...
张爱玲最像电视连续剧的一次。文字偶有佳句,也有少部分先前未见的内容,整体效果却显得芜杂,与《小团圆》水准相去太远,当视为《小》不成功的初稿。
评分Unfinished. When will I read it again?
评分边看边学英语
评分Unfinished. When will I read it again?
评分读了原版才知道翻译后的有些失真
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