Authorship and Publicity Before Print Jean Gerson and the Transformation of Late Medieval Learning Daniel Hobbins Awarded the 2009 Jacques Barzun Prize for Cultural History from the American Philosophical Society Winner of the 2010 publication award from the Ohio Academy of History "One of the most important contributions to late medieval thought and culture that has been written in decades."--William J. Courtenay, University of Wisconsin "Every once in a while, a work of scholarship appears that is simply breathtaking. It is the type of investigation that forces the reader to pause and reflect deeply, often multiple times, over what he or she has just finished reading. It encourages him or her to savor the thesis put forward by the author, to admire how deftly the author weaves said thesis throughout the entirety of the work, and to marvel at the author's masterful marshalling of the evidence...Daniel Hobbins' monograph, Authorship and Publicity Before Print: Jean Gerson and the Transformation of Late Medieval Learning, is a prime example of just this type of scholarship." --Medieval Review Widely recognized by contemporaries as the most powerful theologian of his generation, Jean Gerson (1363-1429) dominated the stage of western Europe during a time of plague, fratricidal war, and religious schism. Yet modern scholarship has struggled to define Gerson's place in history, even as it searches for a compelling narrative to tell the story of his era. Daniel Hobbins argues for a new understanding of Gerson as a man of letters actively managing the publication of his works in a period of rapid expansion in written culture. More broadly, Hobbins casts Gerson as a mirror of the complex cultural and intellectual shifts of the fourteenth and fifteenth centuries. In contrast to earlier theologians, Gerson took a more humanist approach to reading and to authorship. He distributed his works, both Latin and French, to a more diverse medieval public. And he succeeded in reaching a truly international audience of readers within his lifetime. Through such efforts, Gerson effectively embodies the aspirations of a generation of writers and intellectuals. Removed from the narrow confines of late scholastic theology and placed into a broad interdisciplinary context, his writings open a window onto the fascinating landscape of fifteenth-century Europe. The picture of late medieval culture that emerges from this study is neither a specter of decaying scholasticism nor a triumphalist narrative of budding humanism and reform. Instead, Hobbins describes a period of creative and dynamic growth, when new attitudes toward writing and debate demanded and eventually produced new technologies of the written word. Daniel Hobbins teaches history at The Ohio State University and is editor and translator of The Trial of Joan of Arc. The Middle Ages Series 2009 | 352 pages | 6 x 9 | 23 illus. ISBN 978-0-8122-4155-6 | Cloth | $55.00 | GBP36.00 ISBN 978-0-8122-0229-8 | Ebook | $55.00s | GBP36.00 World Rights | History Short copy: Drawing extensively on recent scholarship into late medieval written culture, Daniel Hobbins argues for a new understanding of Gerson as a man of letters and publicist, and more broadly as a mirror of the cultural and intellectual shifts of the fourteenth and fifteenth centuries.