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出版者:Oxford University Press, USA

作者:

出品人:

页数:0

译者:

出版时间:1987-12-10

价格:USD 148.00

装帧:Hardcover

isbn号码:9780193154469

丛书系列:

图书标签:

• Elgar
• British Music
• Music History
• Publishing History
• Edward Elgar
• Musical Biography
• 20th Century Music
• Music Industry
• Cultural History
• Classical Music

Elgar and His Publishers: A Symphony of Collaboration and Conflict Edward Elgar, a name synonymous with English musical nationalism and a figure whose compositions resonate with profound emotion and grandeur, navigated a complex and often challenging relationship with the publishing houses that brought his genius to the public. The story of "Elgar and His Publishers" delves deep into this critical aspect of his creative journey, exploring not just the business of music but the intricate dance between artistic vision and commercial realities that shaped the dissemination of his monumental works. This narrative goes beyond a mere chronicle of contracts and royalties; it is a richly detailed tapestry woven from correspondence, financial records, editorial suggestions, and the personal anecdotes that illuminate the evolving dynamics between composer and publisher throughout Elgar’s prolific career. The early years of Elgar’s professional life were characterized by a struggle for recognition and financial stability. As a composer working largely outside the established academic and aristocratic circles, his reliance on publishers was paramount. The book meticulously reconstructs these formative experiences, examining his interactions with smaller, less established firms that, while perhaps offering more personal attention, often lacked the resources to adequately promote his music. We witness Elgar’s initial hopes and frustrations as he sought outlets for his burgeoning creative output, from early orchestral pieces and chamber works to his significant choral compositions. These early chapters paint a picture of a determined artist, honing his craft while simultaneously learning the often-unforgiving landscape of the music publishing industry. The reader gains insight into the specific challenges faced by composers seeking to break through, the importance of a publisher’s belief in an artist’s potential, and the initial compromises that might have been necessary. As Elgar’s reputation grew, particularly following the triumphant premiere of the Enigma Variations in 1899, his relationship with publishers entered a new phase. The book then pivots to explore his significant collaborations with larger, more influential publishing houses, most notably Novello & Company. This section is particularly detailed, offering a deep dive into the editorial process. It reveals how publishers, while ultimately profiting from Elgar’s music, were also instrumental in shaping its presentation. We learn about the meticulous preparation of scores, the decisions regarding engraving, the design of cover art, and the role of editors in ensuring the musical text was clear and performable. The narrative doesn’t shy away from instances of disagreement or artistic tension. Were there occasions when a publisher’s suggestion subtly altered Elgar’s intent? Did commercial considerations ever lead to debates about the length or complexity of a piece? The book sifts through historical evidence to provide nuanced answers, highlighting that even the most revered composers had to engage in a dialogue with those who would bring their creations to the world. The impact of financial considerations on Elgar’s creative output and his relationships with publishers is a recurring theme. The book analyzes the royalty structures in place during the period, the varying degrees of financial success associated with different works, and how these economic factors might have influenced Elgar’s choices and his publishers’ investment strategies. We see how the success of one piece could lead to increased confidence and potentially more favorable terms for subsequent works, while less commercially viable compositions might have presented different challenges. The narrative doesn’t just present figures; it contextualizes them within the broader economic climate and the evolving market for classical music. This economic lens offers a practical understanding of the composer’s life, demystifying the often-abstract notion of artistic creation by grounding it in tangible financial realities. Furthermore, "Elgar and His Publishers" examines the strategic marketing and promotional efforts undertaken by these firms. How did publishers leverage the growing fame of Edward Elgar? What were the typical methods of advertising new works? The book explores the role of reviews, concert programming, and the distribution of scores and parts in building and sustaining Elgar’s international reputation. We see how publishers acted as conduits, connecting Elgar’s music to conductors, performers, and audiences across Britain and beyond. This aspect of the narrative underscores the symbiotic relationship: the composer provided the intellectual and artistic property, while the publisher provided the infrastructure and expertise to ensure its widespread reception. The book thus sheds light on the business of music promotion in a pre-digital age, offering a fascinating glimpse into the strategies employed to popularize classical music. The latter part of Elgar’s career, marked by periods of creative intensity and later by a more subdued output, is also scrutinized through the prism of his publisher relationships. The book investigates how publishers responded to shifts in Elgar’s compositional focus, the reception of his later works, and any changes in their approach to his music. Did their faith in his abilities waver or solidify? How did they navigate the challenges of promoting music that might have been perceived as more complex or less immediately accessible than his earlier successes? This segment of the narrative provides a vital perspective on the long-term trajectory of a composer’s career and the sustained commitment – or lack thereof – from their publishing partners. It also allows for an exploration of Elgar’s own evolving attitudes towards his publishers, his growing confidence, and perhaps his increasing awareness of his own artistic legacy. "Elgar and His Publishers" is not just a book for musicologists or devoted Elgar enthusiasts; it is a narrative rich with human drama, illustrating the often-unseen collaborations and conflicts that lie beneath the surface of artistic achievement. It reveals that the creation of enduring music is rarely a solitary act. Instead, it is a process often forged in the crucible of negotiation, mutual respect, occasional friction, and shared ambition. By delving into the intricate world of Elgar’s dealings with his publishers, this book offers a fresh and compelling perspective on one of Britain’s most celebrated composers, revealing the vital partnership that helped shape the soundscape of a nation and continues to captivate audiences worldwide. The detailed accounts of correspondence, editorial interventions, and financial negotiations contribute to a comprehensive and engaging portrait of a composer at work and the crucial role played by those who brought his music into the light. The reader is left with a profound appreciation for the complexities of the music industry and the enduring impact of successful collaborations in bringing artistic visions to life.

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