The novella purports to be an autobiographical manuscript handed to the editor by an 84-year-old retired teacher, Helene Engel, shortly before she committed suicide. The "manuscript" itself describes the bizarre education and socialisation of a young girl, Hidalla, in two boarding establishments, the first co-educational, the second all-female. At the age of seven Hidalla is placed in a coffin-like crate and transferred to the "park", a location that is both idyllic and hermetically sealed by high walls, where she spends the next seven years, learning only gymnastics, dance and music. The regime is rigidly hierarchical, with the older girls supervising and teaching the younger ones, the aim being to learn to "think with the hips". Transgression is severely punished. The "park" is financed by the takings from a theatre, where the girls must perform nightly in "pantomimes" of an adult nature they do not understand. At one point a delegation of "ladies" arrive to select the girls for unspecified tasks, but Hidalla is not chosen. With the onset of menstruation, Hidalla and her peers are required to take an underground train to the outside world where they are united with boys of their own age. At this juncture the "manuscript" breaks off.

Frank Wedekind (1864–1918) was a German author and dramatist. He is best known for his play Spring Awakening and for his Lulu plays, the basis for acclaimed Louise Brooks film Pandora's Box.