Contemplating the Ancients pdf epub mobi txt 电子书下载 2024

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Audrey Spiro

University of California Press

1990-2-15

300

USD 48.00

Hardcover

9780520065673

图书标签: 艺术史（央美）郑岩推荐考古　艺术司白乐

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发表于2024-11-24

Contemplating the Ancients epub 下载 mobi 下载 pdf 下载 txt 电子书下载 2024

Contemplating the Ancients pdf epub mobi txt 电子书下载 2024

图书描述

Drawing on a wide variety of contemporaneous sources from Chinese history, literature, religious writings, and art and literary criticism, Spiro provides the modern reader with an aesthetic and social context for understanding early Chinese portraiture. Contemplating the Ancients introduces portraits that were never intended to be physical likenesses of their subjects and illuminates the meaning they held for the viewers for whom they were made.

Spiro focusses on fourth- and fifth-century sets of almost identi- cal portraits of individuals known collectively in Chinese history as the Seven Worthies of the Bamboo Grove. Unlike the earlier Han dynasty portraits whose messages were universal, these exemplary portraits addressed a specific elitist audience. The subjects of these portraits served as idealized representations for a largely nouvel-arrivé aristocracy.

Spiro examines the complex and sometimes ironic changes that occur when historical individuals are transformed by tradition into classical exemplars. She shows how the visual arts translate ideals of personal character into stylistic cues and how these cues, in turn, affect the values and behavior of human beings.

Contemplating the Ancients 下载 mobi epub pdf txt 电子书

著者简介

Audrey Spiro teaches in the Department of Art History at the University of California, Los Angeles.

图书目录

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與其說「早期中國肖像畫中的美學和社會論題」還不如說「竹林七賢」研究。一直好奇竹林七賢與榮啟期到底能說出多少內容，作者雖然洋洋灑灑百八十頁，也沒有給我信服的、眼前一亮的研究，說來說去還是脫離不開歐洲肖像畫研究的範式，其中再間雜一些歷史背景的敘述就湊齊了這麼多字。看來魏晉時期畫像材料少，出路就是和後期的拉上關係。

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抱着很大期望读这本书，结果却很失望，不知道这本书给自己的定义是艺术史研究还是中古早期文学历史研究？问题起始于南京出土的竹林七贤与荣启期画像砖，前面介绍了几个汉墓人物壁画，接着又去介绍了一下东汉末年到南齐的历史，然后又是讲世说新语，又是讲文心雕龙，最后又跑去讲上清经，最后的最后好不容易回到壁画本身，作者分析 viewer 看到这个作品是个什么什么心态。那么这个 viewer 到底是谁呢？作者根本提都没提。一个封存在墓里的壁画希望谁看到它呢？总不会是盗墓贼吧？难道还是我们这些今天在博物馆里看到它的人？总之作者似乎完全没有把研究对象放在它本来的空间去分析。唯一值得看的地方就是提出了一个关于如何看待研究对象的问题，那就是找到作品反映出的当时人们希望大家相信的东西比从作品中找到历史的真相更重要。

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