This revealing memoir by Aldo Rossi (1937--1997), one of the most visible and controversial figures ever on the international architecture scene, intermingles discussions of Rossi's architectural projects--including the major literary and artistic influences on his work--with his personal history. Drawn from notebooks Rossi kept beginning in 1971, these ruminations and reflections range from his obsession with theater to his concept of architecture as ritual. The book originally appeared as one of the landmark titles in the MIT Press's Oppositions Books series, but has been out of print for many years. This newly issued paperback reprint includes illustrations--photographs, evocative images, and a set of drawings of Rossi's major architectural projects prepared particularly for this publication--selected by the author himself to augment the text.
Merely personal understandings, if not feelings, for the book. Clearly a hint of some very unique affection can be found in Rossi’s description to architecture, city, and maybe anything that functions as human artifacts. I would say what interest me most...
評分Lucy. The film itself is sort of nonsense. But the sentence. "Time is the true unit of measurement." It suddenly occurred to me that "being" is really what we recognize and identify our own tracks. Finally I could understand why Rossi would say "each summer...
評分Lucy. The film itself is sort of nonsense. But the sentence. "Time is the true unit of measurement." It suddenly occurred to me that "being" is really what we recognize and identify our own tracks. Finally I could understand why Rossi would say "each summer...
評分Lucy. The film itself is sort of nonsense. But the sentence. "Time is the true unit of measurement." It suddenly occurred to me that "being" is really what we recognize and identify our own tracks. Finally I could understand why Rossi would say "each summer...
評分Lucy. The film itself is sort of nonsense. But the sentence. "Time is the true unit of measurement." It suddenly occurred to me that "being" is really what we recognize and identify our own tracks. Finally I could understand why Rossi would say "each summer...
It’s an autobiography that how Rossi understand and enunciate himself. I saw the repetitive process and learned something that no one could tell me in real life.
评分As I said, ""Forgetting Architecture" comes to mind as a more appropriate title for this book, since while I may talk about a school, a cemetery, a theatre, it is more correct to say that I talk about life, death, imagination.
评分恐怕這是我腦補,不過真的從這本書裏讀齣意大利人(Calvino, Antonioni, Fellini) 的環形敘事,瘋狂畫圓(隔一段就強調一下這是一本scientific autobiography,要切入主題開始講具體的作品瞭!!你倒是講啊:))。Rossi記仇被老師批評不會畫畫的段落讓我笑得滿地打滾。然後是詩意的結尾:整本自傳是完全獨立的project——真的渾身戰栗,感覺透過神明的眼眸瞥見瞭世界。藉用Vincent Scully的結語:"Speechless, we open our hearts to them (vehicles of remembrance), and they guard our dreams."
评分形式終將消解,時間,場所,生命的可能性展開,觀察,預見力
评分形式終將消解,時間,場所,生命的可能性展開,觀察,預見力
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