This book attempts to come to grips with a set of widely ranging but connected problems concerning myths: their relation to folktales on the one hand, to rituals on the other; the validity and scope of the structuralist theory of myth; the range of possible mythical functions; the effects of developed social institutions and literacy; the character and meaning of ancient Near-Eastern myths and their influence on Greece; the special forms taken by Greek myths and their involvement with rational modes of thought; the status of myths as expressions of the unconscious, as allied with dreams, as universal symbols, or as accidents of primarily narrative aims.
Almost none of these problems has been convincingly handled, even in a provisional way, up to the present, and this failure has vitiated not only such few general discussions as exist of the nature, meanings and functions of myths but also, in many cases, the detailed assessment of individual myths of different cultures.
The need for a coherent treatment of these and related problems, and one that is not concerned simply to propagate a particular universalistic theory, seems undeniable. How far the present book will satisfactorily fill such a need remains to be seen. At least it makes a beginning, even if in doing so it risks the criticism of being neither fish nor fowl. Sociologists and folklorists may find it, from their specialized viewpoints, a little simplistic in places; and a few classical colleagues will not forgive me for straying far beyond Greek myths, even though these can hardly be understood in isolation or solely in the light of studies in cult and ritual. Others may find it less easy than anthropologists, sociologists, historians of thought or students of French and English literature to accept the relevance of Levi-Strauss to some of these matters; but his theory contains the one important new idea in this field since Freud, it is complicated and largely untested, and it demands careful attention from anyone attempting a broad understanding of the subject. The beliefs of Freud and Jung, on the other hand, are a more familiar element in the situation and have given rise to an enormous secondary literature, much of it arbitrary and some of it absurd. The author has tried to isolate the crucial ideas and subject them to a pointed, if too brief, critique; so too with those of Ernst Cassirer.
Review
"[Kirk's] great contribution is to bring together all the influential schools for a clear hard look and to open sensible lines for needed research into this elusive field. . . . His main point: no universal theory can explain all types of myth. . . . A most valuable and important book."--"Classical World
From the Inside Flap
"[Kirk] carries out his task intelligently and sensitively and the result is probably the best general account of this diffuse and difficult field. . ."
--Jack Goody, Antiquity
". . .the range and the humanity of this book are already so impressive that it seems monstrous to ask for more."
--Frank Kermode, The Listener
"Il libro del Kirk e di grande importanza."
--Arnaldo Momigliano, Rivista Storica Italiana
"The modestly expressed findings contrast sharply with some of the confident claims the author examines. Scholarship and the proper use of evidence stand out on every page, and there is a refreshing absence of the jargon which too often clutters this kind of work."
--A.C.F. Verity, Greece and Rome
"I found this book extremely rich and rewarding ot read. One cannot do justice here to the breadth of its scope, or to the coolness of its critical approach. By his open-minded and undogmatic analysis the author has brought new life to come very old problems. This is an achievement for which one is immensely grateful."
--N.J. Richardson, Oxford Magazine
评分
评分
评分
评分
**《时间之外的编年史》**无疑是近年来我读到结构最为复杂,同时也最具智力挑战性的作品。它打破了传统的时间线性叙事,章节之间似乎是跳跃的、碎片化的,读起来需要读者自己动手去构建逻辑链条。作者似乎故意设置了许多“陷阱”,让你以为自己理解了故事走向,下一秒又被带入一个完全不同的时间切面。我花了很长时间才意识到,书中的“回溯点”并非单纯的闪回,而是不同平行宇宙中关键选择的重影。这本书探讨了“选择的重量”这一宏大主题,每一个小小的决定,如何像蝴蝶效应一样,塑造出截然不同的现实。我个人最欣赏的是作者对于物理学概念的文学化处理,那些关于“熵增”和“时间悖论”的讨论,被巧妙地融入了角色的命运之中,而非生硬的科学说教。阅读体验非常“主动”,它要求你不仅是接受故事,更是参与到故事的构建中。读完后,我甚至开始审视自己生活中的一些重要决定,这本书的后劲非常大,它让你重新审视“现在”这个概念的脆弱性。
评分说实话,我对这种题材的书籍一向持保留态度,总觉得很多故事情节的铺陈都是为了凑字数,但**《星辰低语者》**却完全颠覆了我的看法。它的叙事节奏带着一种沉静的、近乎哲学的韵味。故事的主线围绕着一个失落的知识体系展开,作者没有急于展示宏大的战争场面,而是将笔墨聚焦于知识的传承与遗忘。我尤其欣赏作者对“记忆碎片”这种概念的处理,它们不是简单的回忆片段,而是带着情绪和能量的实体,影响着现世的格局。阅读过程中,我仿佛化身为一名考古学家,小心翼翼地剥开层层迷雾,试图拼凑起完整的历史图景。书中的对白精炼而富有哲理,很多看似随意的对话,细细品味后才发现其中暗藏着对人性本质的深刻洞察。比如那位隐居的学者对“永恒”的定义,至今仍在我脑海中回荡。虽然有些人可能会觉得情节推进稍慢,但我恰恰享受这种慢炖的艺术,它给予了读者足够的时间去思考和感受故事的氛围,而不是被情节推着走。这本书更像是一杯陈年的威士忌,初尝可能平淡,但回味无穷。
评分这本书,**《沉默的守望者》**,更像是一首献给孤独者的挽歌。它没有波澜壮阔的史诗感,反而是将焦点集中在一个偏远小镇上,围绕着一个似乎与世隔绝的群体展开。作者的文字非常克制,很多情感的表达都隐藏在环境描写和人物的微小动作中。比如,每次镇上钟声响起时,每个人在做什么,这个细节反复出现,建立了一种强大的仪式感和压抑感。主人公,那位被众人排斥的年轻匠人,他与那些被遗忘的古代机械的互动,是我读过最动人的段落之一。这些机械的功能早已失传,但他却能“听懂”它们的低语。这是一种超越语言的交流,关于技艺、关于责任,也关于自我救赎。故事的张力来源于那种“知道真相却无法言说”的巨大痛苦。我甚至感觉自己也身处那个阴冷多雾的小镇,空气中弥漫着金属锈味和未说出口的秘密。它不是那种读完让你感到热血沸腾的作品,但它会像一块冰冷的石头一样,沉甸甸地放在你的心底,让你久久无法释怀,思考人与人之间真正的连接到底是什么。
评分这本**《幽灵之歌》**真是让人欲罢不能!我花了整整一个周末的时间才把它啃完,过程简直像是一场穿越时空的奇妙冒险。作者对那个古老文明的构建细致入微,每一个角落似乎都有历史的尘埃在闪烁。我特别喜欢主角埃莉诺的塑造,她不像传统英雄那样完美无缺,她的挣扎、她的犹豫,都显得无比真实。尤其是她发现家族秘密的那一刻,那种混合着震惊、恐惧和一丝丝解脱的情绪,作者的笔触简直是神来之笔,让我隔着书页都能感受到她内心的波澜。书中对于“回响之石”的描述,那种虚无缥缈却又蕴含强大力量的感觉,非常抓人。它不仅仅是一个魔法道具,更像是一个连接过去与未来的媒介。情节的推进张弛有度,高潮迭起的部分,比如最终在迷雾森林与守护者的对峙,紧张到我几乎忘记了呼吸,每一次技能的碰撞,每一次策略的运用,都展现了作者深厚的想象力和逻辑构建能力。读完合上书本,那种意犹未尽的感觉久久不能散去,我甚至开始在现实生活中寻找那些隐藏的符号和预兆,可见这本书的魔力之深。强烈推荐给所有喜欢深度奇幻和复杂人物刻画的读者。
评分我必须承认,**《潮汐之誓》**的开篇差点让我放弃。一开始的角色介绍和世界观设定显得有些晦涩难懂,那些陌生的地名和复杂的家族关系,让人感觉像是拿到了一份未经编辑的草稿。然而,一旦熬过了前五章,一旦你开始理解“潮汐之力”是如何在不同阶层之间流动和制约时,那种豁然开朗的震撼感是无与伦比的。作者用了一种非常独特的“多视角交叉叙事”手法,每一章都切换到一个关键人物的视角,让你从各个侧面去审视同一场政治风暴。最让我印象深刻的是对海洋环境的描绘,那不是简单的“波涛汹涌”,而是充满了生命的、有着自己意志的强大存在。书中关于海洋生物与人类共生关系的探讨,充满了环保主义的色彩,但又处理得极其巧妙,没有一丝说教的意味。我特别喜欢海盗船长洛克的形象,他代表了对既有秩序最纯粹的反叛,他的每一次航行,都像是在向既定的命运砸石头。这本书需要读者投入耐心,但回报绝对丰厚,它展现了一种宏大叙事下的细腻情感。
评分 评分 评分 评分 评分本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 qciss.net All Rights Reserved. 小哈图书下载中心 版权所有