具体描述
In his 1971 short film, "(nostalgia) ," American artist and writer Hollis Frampton oveturned the conventional narrative roles of words and images. In his account of an artists's transformation from photographer to filmmaker, Frampton burns photographs he had taken and selected from his past along with one found photograph. A calm voice tells a story about an image, but the story is about the following image, not the one shown. Confounding comprehension still further, the narration begins and ends during the photograph's combustion; smoke and ashes get in our eyes while we are trying to make sense of the image and the narration--trying to remember the story that fits the image, trying to remember the image that fits the story... Frampton's " (nostalgia) " is a formal masterpiece, long overlooked and understudied. It emerges from a body of film work that is rarely screened, the prints damaged and difficult to locate. Frampton's work is valued in artist filmmaking and film theory circles, but it has never taken its rightful place at the heart of modern art theory. This study will introduce a new generation to a critical moment in art history--when " (nostalgia) " confirmed both the essence and fragility of cinema itself. Afterall Books are distributed by The MIT Press.
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一直说不清这系列的中心是什么，88页可以说很多东西也可以什么都说不清。作者自己等于把自己的单方面解读全部写进了书中，在细节处需要分析时不是扯frampton的采访就是直接另起一章。
评分一直说不清这系列的中心是什么，88页可以说很多东西也可以什么都说不清。作者自己等于把自己的单方面解读全部写进了书中，在细节处需要分析时不是扯frampton的采访就是直接另起一章。
评分一直说不清这系列的中心是什么，88页可以说很多东西也可以什么都说不清。作者自己等于把自己的单方面解读全部写进了书中，在细节处需要分析时不是扯frampton的采访就是直接另起一章。
评分一直说不清这系列的中心是什么，88页可以说很多东西也可以什么都说不清。作者自己等于把自己的单方面解读全部写进了书中，在细节处需要分析时不是扯frampton的采访就是直接另起一章。
评分一直说不清这系列的中心是什么，88页可以说很多东西也可以什么都说不清。作者自己等于把自己的单方面解读全部写进了书中，在细节处需要分析时不是扯frampton的采访就是直接另起一章。
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