For five winters, the young American photographer Lisa M. Robinson
made photographs in the snow. Snowbound depicts landscapes in which
everyday objects - alienated and sunken in snow- civilize the natural
surroundings. Traces of human existence set accents in the white
landscape, delimiting it and often popping up in an amusing or
incongruous way. A lonely hammock, a trampoline or a swimming pool
are echoes of both summers past and of personal memories. But
Lisa M. Robinson is not interested in showing the obvious; instead,
the photographs make use of the many aggregate states of water -
ice, snow, fog, water - as metaphors for life and transience.
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