The Films of Jean-Luc Godard

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出版者:State University of New York Press
作者:Wheeler Winston Dixon
出品人:
頁數:290
译者:
出版時間:1997-6
價格:USD 60.50
裝幀:Hardcover
isbn號碼:9780791432853
叢書系列:
圖書標籤:
  • Godard
  • French Cinema
  • Film Studies
  • Film History
  • Auteur Theory
  • New Wave
  • Cinema
  • Film Criticism
  • European Cinema
  • Art Film
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具體描述

This is the only book that covers the entirety of Godard's career, from his early film criticism for Cahiers du Cinema to his most recent video/film work. Illustrated with forty-six rare stills and researched in detail, it is the Godard book for the 1990s.One of the most important, controversial, and prolific filmmakers in film history, and a founder of French New Wave cinema, Jean-Luc Godard has maintained an unbroken string of films in various genres and mediums from the late 1950s onward. Godard has established a reputation as a rebel who can work within and outside the system, producing films that are creative, breathtakingly beautiful, and yet commercial enough to earn back their production costs. In this book, Wheeler Winston Dixon offers an overview of all of Godard's work as a filmmaker, including his work for television and his ethnographic work in Africa. Free from the jargon and value judgments that have marred much of what has been written about Godard, this is the only book that covers the entirety of Godard's career, from his early film criticism for Cahiers du Cinema to his most recent video/film work. Illustrated with forty-six rare stills and researched in detail, it is the Godard book for the 1990s."...Dixon has avoided making Godard a museum-piece figure relevant only to the sixties and seventies. He persuasively argues for the relevance of Godard's work to technological developments occurring today in cinema, television, and interactive media. He also draws on critical theory in an enlightening and accessible manner. One of the pleasures of this book is the manner in which it draws on contemporary theory to illuminate aspects of Godard's pat and present work ina non-elitist manner". -- Tony Williams, author of Hearths of Darkness: The Family in the American Horror Film

這本圖書《The Films of Jean-Luc Godard》是一部深入探討經典電影製作者喬安-路剋·戈達爾的作品集,其內容不僅為讀者呈現瞭他在電影創作道路上的獨特風格,還全麵分析瞭他的藝術理念與創作曆程。書中首先對這位法國電影導演進行瞭全方位的迴顧,從其早期的實驗短片到後來成熟的高級紀實作品,詳細解析每一階段他所采用的技術手法和敘事方式。這些內容不僅有助於理解戈達爾如何突破傳統敘事形式,還展示瞭他對電影語言的不斷探索與創新。 書中還特彆關注戈達爾在攝影、剪輯、聲音等要素上的獨特處理方式,詳細論述瞭他所使用的各種電影技術及其背後的藝術思考。這些章節不僅適閤希望深入瞭解電影史的人閱讀,也對對電影創作感興趣的普通讀者具有很大的啓發價值。書中還引用瞭大量曆史資料和專傢評論,使內容更加豐富、專業。 此外,圖書還通過大量實例分析瞭幾部戈達爾的重要作品,如《闖入人》(Pierrot le Fou)、《神聖的救援》(Godard’s War)等,通過這些具體案例揭示其藝術風格的演變與特徵。這些章節不僅幫助讀者直觀理解戈達爾的創作思路,還通過對比分析其他導演,突顯瞭他在電影史上的重要地位。 書中還特彆注重介紹戈達爾所處的文化和社會環境,對當時法國電影産業的發展進行深刻反映,使讀者能夠更全麵地認識其創作背景。這些內容使這本圖書成為一部兼具學術性和藝術價值的作品,不僅適用於影視專業人士,也吸引瞭大量對電影藝術感興趣的普通讀者。 整體來看,《The Films of Jean-Luc Godard》以其詳盡、全麵的內容深受關注,這本書不僅是瞭解戈達爾及其影響力的絕佳資源,也是探索現代電影語言的重要參考資料。讀者通過這篇書,將獲得對這一偉大導演作品世界的全新視角和深入理解。

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