Seven Days in the Art World

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萨拉·桑顿(Sarah Thornton),作家,社会学家。于加拿大蒙特利尔的康哥迪亚大学取得艺术史专业的硕士学位,于格拉斯哥的斯特赖斯克莱德大学缺的社会学博士学位。她是苏赛克斯大学的全职讲师,后在伦敦大学金史密斯学院做访问学者。她早期的作品主要围绕亚文化、媒介和文化传承,近作则聚焦于艺术世界和艺术市场。

出版者:W. W. Norton & Company
作者:Sarah Thornton
出品人:
页数:287
译者:
出版时间:2009-11-2
价格:USD 16.95
装帧:Paperback
isbn号码:9780393337129
丛书系列:
图书标签:
  • Art 
  • 艺术家 
  • 艺术品市场 
  • 艺术 
  • 纪实 
  • 社会 
  • 拍卖 
  • 双年展 
  •  
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The art market has been booming. Museum attendance is surging. More people than ever call themselves artists. Contemporary art has become a mass entertainment, a luxury good, a job description, and, for some, a kind of alternative religion. In a series of beautifully paced narratives, Sarah Thornton investigates the drama of a Christie's auction, the workings in Takashi Murakami's studios, the elite at the Basel Art Fair, the eccentricities of Artforum magazine, the competition behind an important art prize, life in a notorious art-school seminar, and the wonderland of the Venice Biennale. She reveals the new dynamics of creativity, taste, status, money, and the search for meaning in life. A judicious and juicy account of the institutions that have the power to shape art history, based on hundreds of interviews with high-profile players, Thornton's entertaining ethnography will change the way you look at contemporary culture.

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“11月某日,下午4:45,佳士得拍卖行的首席拍卖师克里斯托弗·伯奇正在纽约一处拍卖厅里仔细地检查会场。五名工作人员蹲在地上,用尺子测量椅子之间的距离,以便在保证舒适度的前提下尽可能地多摆些座椅。” 这段文字不是某部小说的片段,倘若说它是从某个艺术社会学专著中选...  

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Pry into the Secrets A book review of Seven Days in the Art World As the ancient Chinese proverb puts it:” Dilettante watch the scene of bustle, while adept guard the entrance.” Sometimes the art world is boisterous and crowded, but in a flash, it can b...  

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Pry into the Secrets A book review of Seven Days in the Art World As the ancient Chinese proverb puts it:” Dilettante watch the scene of bustle, while adept guard the entrance.” Sometimes the art world is boisterous and crowded, but in a flash, it can b...  

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台版书为《藝術市場探密 Seven Days in the Art World》,应该装帧和选纸会好些。

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感觉都是第一手材料,可是缺乏系统的分析,不过这应该也是符合作者写这本书的目的的。不是为了阐述什么理论而是记录当下艺术世界的种种。相比之下还是最喜欢第一章,也许是书里的世界实在离自己太远,除了威尼斯双年展,那些人名和机构基本上都闻所未闻,所以也就是看个热闹。后记里作者也提到了为了努力做到客观,她大量引用了相关人士自己的话,不过这样一来整本书就觉得很散。

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