Memoir

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Ben Yagoda is a journalism professor in the English department at the University of Delaware. He is the author of Will Rogers: A Biography; When You Catch an Adjective, Kill It; The Sound on the Page; The Art of Fact; and About Town: The New Yorker and the World It Made. His articles have appeared in Slate, The Chronicle of Higher Education, The New York Times Book Review, Stop Smiling, and other publications. Yagoda lives in Swarthmore, Pennsylvania, with his wife and two daughters.

出版者:Penguin Group (USA)
作者:Ben Yagoda
出品人:
頁數:304
译者:
出版時間:2009
價格:$ 25.95
裝幀:
isbn號碼:9781594488863
叢書系列:
圖書標籤:
  • 非小說類 
  • 社會學 
  • 傳記 
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From a critically acclaimed cultural and literary critic, a definitive history and analysis of the memoir.

From Saint Augustine's Confessions to Augusten Burroughs's Running with Scissors, from Julius Caesar to Ulysses Grant, from Mark Twain to David Sedaris, the art of memoir has had a fascinating life, and deserves its own biography. Cultural and literary critic Ben Yagoda traces the memoir from its birth in early Christian writings and Roman generals' journals all the way up to the banner year of 2007, which saw memoirs from and about dogs, rock stars, bad dads, good dads, alternadads, waitresses, George Foreman, Iranian women, and a slew of other illustrious persons (and animals). In a time when memoir seems ubiquitous and is still highly controversial, Yagoda tackles the autobiography and memoir in all its forms and iterations. He discusses the fraudulent memoir and provides many examples from the past梐nd addresses the ramifications and consequences of these books. Spanning decades and nations, styles and subjects, he analyzes the hallmark memoirs of the Western tradition桼ousseau, Ben Franklin, Henry Adams, Gertrude Stein, Edward Gibbon, among others. Yagoda also describes historical trends, such as Native American captive memoirs, slave narratives, courtier dramas (where one had to pay to NOT be included in a courtesan's memoir). Throughout, the idea of memory and truth, how we remember and how well we remember lives, is intimately explored.

Yagoda's elegant examination of memoir is at once a history of literature and taste, and an absorbing glimpse into what humans find interesting梠ne another.

具體描述

讀後感

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读罢本书,给我的感觉主要是有趣,从古罗马时代开始到现当代,作者把其认为重要的回忆录大致介绍了一遍,有点猎奇的意思,个人觉得把书名叫做《一份关于自传、回忆录的书单》说不定更合适。 说到“伪装”,我想大部分这类书的读者可能并不在意作者有没有说谎,笔者的个人故事情...  

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阅读过铁血宰相俾斯麦的回忆录《思考与回忆》的读者,大概会被文中极端保皇派陈旧的思想,马基雅维利式的警句,口述中纷乱复杂的外交手法,以及时不时跳脱原文叙事节奏展开臆想攻击政敌的自我感慨而绕得云里雾里。但正是这种主观意识无比强大的文字中,我们却可以从中寻找到自...  

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中国家长喜欢给孩子买名人传记,我们闲暇时也喜欢读各类回忆录。我们读富兰克林、居里夫人、马克·吐温等名人自传,希望从中了解到这些伟大的文学家、科学家等人成名背后的故事,或者是从他们的成功经验中获得启迪。不过你可能没有料到,回忆录不一定都是真实的内容,也有可能...

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记忆是否都是真实的?如果说记忆不真实,写作回忆录和阅读回忆录是否还有价值?《伪装的艺术——回忆录小史》一书事实上即尝试对这两个问题进行了分析。然而对于这本书的读者而言,在翻开这本书之前,一个很大的心理障碍是:我觉得自己没读过几本回忆录或者自传,阅读本作是否...  

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