Amazon.co.uk Review
Many writers jostle for position at the top of the historical crime fiction tree, but for many aficionados one novelist has maintained an assured premium position for quite some time: the British writer CJ Sansom. His sprawling, exuberant and brilliantly organised novels featuring the wily hunchbacked lawyer Matthew Shardlake are particular favourites of those who seek something a little more ambitious in the field, and it's not hard to see why. Most of Sansom’s novels (which include Dissolution, Sovereign, Dark Fire and Revelation) seem positively operatic in their sheer scale, and the vividness of which Tudor England is covered by the author makes most other writing in the genre seem footling.
At over 600 pages, the new book, Heartstone, is one of his most imposing, but after a challenging, slowish start (something frequently attempted by Sansom -- like many good writers, he often demands a certain patience from his readers), the customary comprehensive grip is rigorously maintained. The invasion of France mounted by Henry VIII has been a disaster, and, in retaliation, an imposing French fleet is making preparations to cross the Channel. At Portsmouth, the English navy is readying itself for the battle of its life, and at Henry's autocratic direction, a massive militia army is being raised. England, reeling under the debasing of its currency to pay for the war, is suffering crippling inflation and economic meltdown. (If the thought of Britain's involvement in controversial foreign wars while suffering an economic crisis might remind the reader of a few contemporary parallels, there is little doubt that is exactly what CJ Sansom intends.) Against this tumultuous backdrop, the lawyer Matthew Shardlake is presented with a difficult case via an elderly servant of Queen Catherine Parr which will plunge him into the labyrinthine toils of the King's Court of Wards. Shardlake’s job is to look into wrongs which have been done to the young ward Hugh Curteys by a Hampshire landowner, and (as is customary with most cases involving Shardlake) violent death is soon on the agenda, as the threat of war lours.
Readers of CJ Sansom will know exactly what to expect here, and all the usual pleasures afforded by this massively talented writer are satisfyingly on offer. If Heartstone is not quite vintage Sansom, that is perhaps because the author has set (and maintained) such a high standard. But what the novel provides in terms of reach and achievement is streets ahead of most of his contemporaries. --Barry Forshaw
Review
`CJ Sansom combines a knack of getting us to experience the past with a talent for warmly memorable characterisation and skilled plot construction. We are as fond of the canny but vulnerable Tudor lawyer Matthew Shardlake and his macho sidekick Barak as we are of Patrick O'Brien's Aubrey and Maturin or Terry Pratchett's Lord Vetinari and Sam Vines...As well as expanding familiar characters, Sansom enjoys literary experiment...Thank goodness for every one of the 600 pages, Sansom's fans will say.'
--The Times - Christina Hardyment
'Sansom's attention to historical detail is rightly praised: he scrupulously avoids the jung-ho military jingoism common in other authors of historical fiction. One wonders if a modern-day version of Shardlake would be a useful man to have around the Pentagon. Yet it is the rich characterisation that really brings this series to life, none more so than Shardlake himself, a beguiling hero with a bent body but a strangely modern mind.' --Financial Times, Robert Orr
'Heartstone, as bristling as its predecessors with outlandish deaths, suspicious behaviour, jeopardy and plots of fiendish deviousness, plunges you into catastrophic upheavals caused by Henry's foreign policy. Throughout, Heartstone is a rousing tour de force of period re-creation, testifying to Samson's fascination with history...Like all the Shardlake books, Heartstone winningly shows Sansom's crafty flair for hoodwinking even the most hawk-eyed reader.' --Sunday Times Culture,Peter Kemp
'A great attraction of CJ Sansom's series of novels set in the reign of Henry VIII lies not merely in the authentic background but in the personality of the main character - that persistent seeker after truth, Matthew Shardlake, Sansom's intelligent hunchbacked Tudor lawyer... Sansom brilliantly exploits the hindsight we bring to the historical novel, for we turn the pages with bated breath, waiting for the inevitable, wondering who will survive. Life aboard the ship, top-heavy, crowded with soldiers and sailors, is rivetingly described. It's a long struggle for Shardlake, but the hill of truth is well worth climbing.' --The Independent, Jane Jakeman
'At once compulsively readable and highly satisfying...Sansom handles a large cast and a complex narrative with great skill and his set piece scenes, the sinking of the Mary Rose, for instance are simply stupendous. An entirely engrossing novel with an intriguing twist.' --Daily Express
'Murder, mystery and turbulent history are expertly twisted together in Sansom's fifth Tudor crime novel.' --Sunday Times 'Culture' Magazine
'Shardlake and Barak are one of the best double acts in historical fiction...If you haven't yet discovered the Shardlake series, you're in for a treat...'
--Lancashire Evening Post
'Murder, mystery and turbulent history are expertly twisted together in Sansom's fifth Tudor crime novel.' --Sunday Times 'Culture' Magazine
'...the pace and tension hot up splendidly as Shardlake's inquiries take him to the Hampshire home of a family with a great deal to hide. A wholly unexpected twist takes us to a superb denouement aboard the doomed warship Mary Rose - terrific stuff, for both fans and newcomers to the series.' --The Guardian
'The best crime fiction depends at least as much on character, atmosphere and sense of place as on plot, and Heartstone is no exception... This is good writing and it should be read.' --The Spectator
'Sansom... is superb at evoking the atmosphere of the time, from the anxiety of the populace about the debased coinage to pay for the king's recklessness, to the very fear that the French threat inspired. The historical detail is finely drawn and, as in the previous books, the voices of the characters strike just the right balance between accessibility for the modern ear and period flavour.' --Eastern Daily Press
'As in many good crime series of whatever epoch, the central character evolves from novel to novel... Shardlake is feeling his age, and the double isolation of his physical disability and his religious disbelief puts him constantly on his guard' --TLS, Ruth Morse
'CJ Sansom's Tudor-set legal thrillers have been an astounding success due to their period detail, careful plotting and deft characterisation... Sansom writes evocatively about Tudor London' --Catholic Herald
'CJ Sansom writes with verve and conviction, drawing the reader into the heat and terror of the summer of 1545.' --The Daily Express
'Sansom's resourcefulness is on display here in all its glory...another lesson in history for all of us.' --Oxford Times
'Sansom is completely in control of his material and paces his yarn perfectly. Sly comments on Henry's unwise expansionist ambitions have modern echoes, but Sansom's own attempts at expansionism need not cause concern - you will speed through this novel like King You-Know-Who devouring a capon.'
--Daily Telegraph
C. J. Sansom was educated at Birmingham University, where he took a BA and then a PhD in history. After working in a variety of jobs, he retrained as a solicitor and practised in Sussex, until becoming a full-time writer. He lives in Sussex.
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我通常不太容易对奇幻或历史背景的小说产生强烈的代入感,但这本书成功地做到了。作者构建的世界观宏大而自洽,无论是其内部的社会结构、信仰体系,还是那些奇特的生物设定,都显得逻辑严密,毫不敷衍。它没有落入俗套地去描述光明的胜利或黑暗的覆灭,而是展现了一个充满灰色地带的真实世界。角色的成长线设计得非常巧妙,他们不是突然变强的英雄,而是经历了无数次试炼、犯错、爬起,才最终蜕变的普通人。这种真实感使得他们所经历的胜利显得格外珍贵,他们的失败也令人扼腕叹息。我为书中一些角色的命运感到揪心,甚至在阅读过程中会不自觉地为他们捏一把汗,这表明作者已经成功地将读者的情感与故事线紧密地捆绑在了一起。这是一部有着扎实“骨架”和丰满“血肉”的杰作。
评分说实话,一开始被这本书的厚度吓到了,担心内容会拖沓冗长,但事实证明我的担忧是多余的。作者的叙事节奏把握得极为精准,高潮迭起,却又在恰当的时候给予喘息的机会。情节的铺陈如同精妙的棋局,每一步的推进都暗藏玄机,让人忍不住想快进,又生怕错过任何一个细微的伏笔。我尤其欣赏作者对于复杂人性的探讨,那些灰色地带的处理,既不粉饰太平,也不过度渲染黑暗,而是展现了一种真实而矛盾的生命力。书中的哲思也很有深度,它不直接灌输道理,而是通过角色的命运和选择,引人深思。我常常在读到某个段落时停下来,对着空白处发呆,思考着那些关于选择、牺牲和救赎的议题。这种能引发深度思考的作品,才是真正的好书。它不仅仅是消遣,更像是一场与作者进行的心灵对话。
评分老实说,我是一个追求快速阅读体验的人,但这本书让我彻底改变了习惯。它的魅力在于那些不经意的细节,如果你只是走马观花地阅读,一定会错过很多精髓。作者似乎很擅长设置那些看似无关紧要,实则关乎全局的线索,需要读者像侦探一样去梳理和连接。我发现自己不得不经常翻回前几章,去确认某个对话的上下文,或是某个场景的暗示。这种互动性极强的阅读过程,极大地提升了沉浸感。特别是书中关于“记忆”和“遗忘”的探讨,处理得极为细腻且富有诗意。它探讨了时间如何腐蚀和重塑我们的认知,以及我们如何通过讲述故事来定义自己的存在。这本书不只是一个故事,它更像是一部关于时间、记忆与身份认同的宏大寓言,绝对值得花上足够的时间去探索。
评分这本书的语言风格极其独特,初读时略感晦涩,仿佛在阅读一本古老的羊皮卷,但一旦适应了那种韵律和词汇的密度,就会发现其中蕴含着无尽的美感。作者似乎对文字有着一种近乎偏执的追求,每一个形容词、每一个动词的选择都恰到好处,为整个故事镀上了一层古典而神秘的光泽。我特别喜欢它对环境氛围的渲染,那种阴郁而又带着一丝浪漫主义色彩的笔调,将故事的基调定得非常稳。比如对某座古老城市街道的描绘,光影的交错,空气中弥漫的气味,都栩栩如生地呈现在眼前,让人仿佛能闻到那潮湿的青苔味。这不仅仅是文字的堆砌,更是一种艺术的营造。对于那些追求文学质感的读者来说,这本书绝对是不可多得的珍品,它要求你慢下来,细细品味每一个句子的力量。
评分这本小说简直是一场感官的盛宴,作者的笔触如同魔术师的双手,将一个光怪陆离、充满未知的世界徐徐展开。故事的开篇就如同被卷入一场突如其来的暴风雪,让人措手不及,却又情不自禁地想要探寻风雪背后的真相。人物的塑造极其立体,每一个角色都仿佛是从历史的尘埃中走出来,带着各自的伤痕与秘密。特别是主角的心路历程,那种在绝望与希望之间徘徊的挣扎,被描绘得入木三分。我一度感觉自己就是那个在迷雾中摸索的人,每一次微小的发现都让我心头一震。书中的场景描写更是达到了令人叹为观止的地步,无论是宏大壮阔的战争场面,还是细腻入微的情感交流,都处理得恰到好处。那种身临其境的感觉,让我手中的书本仿佛化为了一扇通往另一个维度的窗口。读完后劲极大,那种回味悠长的感觉,好久没有在其他作品中体验到了。这本书无疑是一次深刻的阅读体验,值得反复咀嚼。
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